Oxford University Press's
Academic Insights for the Thinking World
The inter-war Oxford Book of Carols (published in 1928) was the brainchild of Reverend Percy Dearmer—a socialist, high church Anglican liturgist who believed that music should be at the core of Christian worship. Today the OBC is a world-renowned publication that shines as as a beacon of experimentation within tradition: a visionary musico-poetic collection of the most profoundly partisan nature.
A history of the first ‘Carols for Choirs’ book, first published in 1961. Looking at materials from the OUP archive, we trace the journey from the initial idea through to its eventual release and unexpected success.
Mary Midgley muses that the dearth of men in Oxford during WW2 helped her and her friends Elizabeth Anscombe, Philippa Foot, and Iris Murdoch find their way into philosophy. But each of them took years to find her voice—Midgley longest of all. What held them back and what provoked them to finally speak up?
How does our body shape our experience of living in a city? In this OUPblog, Quill R Kukla focuses on one fascinating dimension along which bodies are included in or excluded from spaces, namely pace.
“Literature, we’re told, is the immortality of speech, but in fact reputations fade quickly.” In this OUPblog, read foundational figure in postcolonial theory, Homi K. Bhabha, in conversation with William Ghosh, author of V.S. Naipaul, Caribbean Writing, and Caribbean Thought (Oxford 2020).
The abstract of a research article has a simple remit: to faithfully summarize the reported research. After the title, it’s the most read section of the article. Crucially, it makes the case to the reader for reading the article in full. Alas, not all abstracts succeed.
To mark the 80th anniversary of the first transport to Theresienstadt on 24 November 1941, scholar Anna Hájková explores the social relations that formed within Nazi camps.
“The disc charts cannot stand many girls, no matter how gorgeous they look,” claimed Beatles manager Brian Epstein in A Cellarful of Noise, his memoir of the 1960s. He was explaining why he’d only ever represented one female performer—Cilla Black. His justification falls back on the then-conventional wisdom that girl singers were an anomaly, were each other’s competitors, and that there wasn’t an audience for their work.
From the beginning, Tommy Tune was pulled as if by centrifugal force toward dance and the Broadway musical. He was taking dancing lessons by the age of five, but his early ambition to be a ballet dancer was abandoned when he shot up in height during his teenage years. He later joked about his extreme height, saying, “Sometimes, instead of thinking of myself as six-foot-six, I tell myself I’m only five-foot-eighteen.”
[Reading list] Fake, false, inaccurate, misleading, and deceptive. This rhetoric is all too familiar to the news consuming public today. But what is fake news and how does it differ from misinformation and disinformation?
America’s World War II military was a force of unalloyed good. While saving the world from Nazism, it also managed to unify a famously fractious American people. At least that’s the story many Americans have long told themselves… But the reality is starkly different. The military built not one color line, but a complex tangle […]
Once assumed to be a core research tool, many of today’s researchers have cast a skeptical eye on depth interviewing. These critiques reflect a fundamental misunderstanding about what depth interviews can accomplish.
Usually considered as the first French Symbolist painter, Moreau rejected the dominant artistic trends of his time in order to explore his own anxieties and longings by returning to the Greek myths.
In the fall of 1999, another action movie came and went, garnering disappointed reviews and a pittance in ticket sales. Adapted from Michael Crichton’s novel “Eaters of the Dead”, The 13th Warrior offered a surprising premise.
Innovations in open research can help to address disinformation, making a wider range of information accessible and available, ensuring reproducibility, and facilitating reuse.
Open research may be the route to surfacing a definitional framework for the monograph in SHAPE disciplines. Director of Open Access, Academic, at OUP Andy Redman explores why in this blog post: