Recently, a number of prominent publications have featured a growing body of work on classical receptions in science fiction and fantasy, including Mélanie Bost-Fiévet’s and Sandra Provini’s collection L’Antiquité dans l’imaginaire contemporain (Garniers Classiques 2014), a special issue of the journal Foundation on “Fantastika and the Greek and Roman Worlds” (Autumn 2014), and our own collection, Classical Traditions in Science Fiction (OUP 2015). This focus on science fiction, now an important part of popular culture, reveals much about how ancient classics are being received by modern audiences, particularly when it comes to the silver screen.
In a recent survey, 87% of UK graduates with first or second class degrees saw freelancing as highly attractive. 85% believe freelancing will become the norm. In the US, as reported in Forbes in August 2013, 60% of millennials stay less than three years in a job and 45% would prefer more flexibility to more pay.
One of the most important and unremarked effects of the revolution in information technology is not to do with information services at all. It is the transformation of manufacturing. After a period of two or three hundred years in which manufacturing consolidated into larger and larger enterprises, technology is restoring opportunities for the lone craftsman making things at home.
In 1979, one of the most prominent Russian classical scholars of the later part of the twentienth century, Mikhail Gasparov, stated: “Vergil did not have much luck in Russia: they neither knew nor loved him.” Gasparov mostly blamed this lack of interest on the absence of canonical Russian translations of Vergil, especially when it came to the Aeneid.
The Renaissance vision of Jerome (c. 347-420 AD), as depicted by Albrecht Dürer in a world-famous engraving of 1514, seems to represent an ideal type of the scholar: secluded in the desert, far removed from the bustle of ordinary life (with a lion to prove it), well-established in his institution (as shown by the cardinal’s hat), and devoted to his studies.
When the Senate of the Free City of Krakow oversaw the renovation of the main gate to the Royal Castle in 1827, it commemorated its action with an inscription: SENATUS POPULUSQUE CRACOVIENSIS RESTITUIT MDCCCXXVII. The phrase ‘Senatus Populusque Cracoviensis’ [the Senate and People of Krakow], and its abbreviation SPQC, clearly and consciously invoked comparison with ancient Rome and its structures of government.
A permanent problem of political and economic management – and one on which many people hold very strong opinions – is how to ensure commercial enterprises comply with society’s sense of fairness and justice without strangling them in red tape.
For over 2,000 years the civilizations of ancient Greece and Rome have captivated our collective imagination and provided inspiration for many aspects of our lives, from culture, literature, drama, cinema, and television to society, education, and politics.
In AD 14, two thousand years ago this summer, the emperor Augustus, having dominated Rome for over forty years, finally breathed his last. The new emperor was his step-son Tiberius. While Augustus’ achievement in ending civil war and discreetly transforming a republic into one-man rule provokes grudging admiration even from those who aren’t keen on autocracy, Tiberius has very few fans.
Roman literature often derived from Greek sources, but took Greek models and made them its own. It includes some of the best known classical authors such as Ovid and Virgil, as well as a Roman emperor who found time to write down his philosophical reflections.
Poor old king Tut has made the news again – for all the wrong reasons, again. In a documentary that aired on the BBC two weeks ago, scientists based at the EURAC-Institute for Mummies and the Iceman unveiled a frankly hideous reconstruction of Tutankhamun’s mummy, complete with buck teeth, a sway back, Kardashian-style hips, and a club foot.
This selection of ancient Greek literature includes philosophy, poetry, drama, and history. It introduces some of the great classical thinkers, whose ideas have had a profound influence on Western civilization.
The ancient writers of Greece and Rome are familiar to many, but what do their voices really tell us about who they were and what they believed? In Twelve Voices from Greece and Rome, Christopher Pelling and Maria Wyke provide a vibrant and distinctive introduction to twelve of the greatest authors from ancient Greece and Rome, writers whose voices still resonate strongly across the centuries.
A human eyeball shoots out of its socket, and rolls into a gutter. A child returns from the dead and tears the beating heart from his tormentor’s chest. A young man has horrifying visions of his mother’s decomposing corpse. A baby is ripped from its living mother’s womb. A mother tears her son to pieces, and parades around with his head on a stick.
How rapidly does medical knowledge advance? Very quickly if you read modern newspapers, but rather slowly if you study history. Nowhere is this more true than in the fields of neurology and psychiatry. It was believed that studies of common disorders of the nervous system began with Greco-Roman Medicine, for example, epilepsy, “The sacred disease” (Hippocrates) or “melancholia”, now called depression.
The development of linguistics as a scientific discipline is one of the greatest achievements of contemporary thought, as it has led to the discovery of some fundamental principles about the functioning of language. However, most of its recent discoveries have not yet reached the general audience of educated people beyond the specialists. Scholars of classics, in particular, have found it difficult to become involved in the debate, since many recent studies in linguistics have been driven by the necessity to free themselves from the subordination to Latin grammar.