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There is a network of intertextual links between Walter Scott and James Joyce. Richard Barlow teases out some of the allusions and references to Scott and his work in Joyce’s texts, comparing the different visions of history offered by these two writers.
The International Council of Museums (ICOM) has declared a focus for 2023 on sustainability, well-being, and community.
Try this short quiz to test your knowledge and learn more about famous twentieth-century texts!
The gargantuan task of the fight against climate change needs practical know-how and political militancy. It also requires a clear sense of its wider goals. Robert Spencer explores how “forest literature” can help us to formulate new ways of inhabiting the living world.
The addition to Electronic Enlightenment of nearly 500 letters from the Beaumarchais correspondence is a significant event in eighteenth-century studies.
The idea that Xenophon’s Socratic dialogues entirely lacked the philosophical bite or intellectual depth of Plato’s had become a commonplace in a philosophical discourse which prioritised abstract knowledge over broader ethics. Dr Carol Atack makes the case for Xenophon’s kinder Socrates.
A novel about a female composer struggling with depression after the birth of her child does not, on the face of it, seem to have much to do with war or peace in Northern Ireland. But appearances can be deceiving.
The world is literally on fire; authoritarianism threatens multiple countries; racism and xenophobia are rampant; women’s and LGBTQ rights are under threat—why on earth would anyone spend time reading a 3,000-page novel by a man who’s been dead (exactly) a hundred years?
Possibly the most dangerous play William Shakespeare wrote was The Tragedie of Macbeth. The drama is packed with illegality: assassination of kings; prophecies about kings; supernatural women; and necromancy. To add to the danger, Shakespeare’s employer, King James, was a prickly patron of the performing arts and notorious for his sensitivity to slights, real and perceived. […]
“The Foxes of Harrow” (1946), a Southern historical romance by Black Irish-American author Frank Yerby (1916–1991), writes back to Margaret Mitchell’s bestselling novel, “Gone with the Wind” (1936). Although Yerby and Mitchell were both raised in Georgia during segregation by mothers of Irish descent, their socially assigned racial identities created divergent approaches to representing the pre- and post-Civil War South in their respective novels.
2023 marks the 400th anniversary of the publication the First Folio of William Shakespeare’s plays, which has since acquired the status of a cultural touchstone.
Women’s history month raises issues of erasure and marginalization, authority and power which, sadly, are still relevant for women today. Much can be learnt from the experience of women in the past.
In the anniversary year marking 100 years since the publication of R. W. Chapman’s OUP edition of “The Novels of Jane Austen”, Kathryn Sutherland (Jane Austen’s Fiction Manuscripts, OUP 2018) examines the call to reassess the contribution made to the edition by Chapman’s wife, Katharine Metcalfe.
Scottish poetry produced in the long eighteenth century might strike you as at once familiar and unknown. Hundreds of poets, balladists, and songwriters born or raised in Scotland throughout the long eighteenth century need to find new readerships.
When Sheridan Le Fanu’s “Uncle Silas” appeared in 1864, its author was best known as the proprietor of the Dublin University Magazine and a writer of Irish historical novels. Yet, as advised by his publisher, Le Fanu had produced a work of fiction situated not in the Irish past but the English present.
Around three years into his career as a dramatist, Shakespeare’s blank verse—his unrhymed iambic pentameter—came under attack. We might wonder whether the passage from “Greene’s Groatsworth of Wit” was right?