Period rooms were widespread among European museums during the last decades of the nineteenth century, and became popular in North American institutions in the early twentieth. But the debate about whether period rooms are “authentic” or “fake” tends to ignore what they really are: a museum-made object.
Not just once, but repeatedly, I have heard something like “I just didn’t see in science any room for my own imagination or creativity,” from young students clearly able to succeed at any subject they set their minds to. It is a tragedy that so many people do not perceive science as a creative. Yet […]
Between 1570 and 1575, Francesco I de’ Medici, Grand Duke of Tuscany, commissioned a private studiolo – a small room – in Florence’s Palazzo Vecchio. Four centuries later, a discovery in the archive changes our understanding of one the last great Renaissance studies.
The Baltimore photographer Amos Badertscher has been cataloguing queer lives in his city since the 1960s: male sex workers and their girlfriends, the 1990s Baltimore and Washington club culture, transgender people, crack and heroin addiction, and the impact of AIDS. His is the largest extant photographic record of the short lives of hustlers (male sex […]
This January the OUP Philosophy team honours William James (1842-1910) as their Philosopher of the Month. James was the founder of pragmatism, an influential Harvard philosopher and scholar on religion and was arguably considered one of the dominant figures in psychology of his day, before Sigmund Freud.
Around the world, the arts are being used within communities to address local needs. For such projects to be most effective, program participants must: ensure that their program goals are locally-defined; research which art forms, content, and events might best feed into their program goals; develop artistic products that address their goals; and evaluate these products to ensure their efficacy.
Paul Brown is best known for his work as an artist creating visual art that uses self-generating computational processes. Yet before Paul started creating art with computers, he worked with Nova Express, one of the main psychedelic light shows performing in Manchester and the North of England during the 1960s and early 1970s.
It has been five years since I started my research on anatomy in 19th century Belgium, but I remember my first visit to an anatomical collection like it was yesterday. It was the beginning of autumn and the temperature was cool enough to cause a slight numbness in my hands. I was not yet used to the piercing smell of alcohol and formaldehyde; a smell that soaked into my clothes and skin, and that I immediately associated with death.
In late 19th and early 20th-century America, a new image of womanhood emerged that began to shape public views and understandings of women’s role in society. With the suffrage and labor movements, the “new woman” emerged. These modern women were attending colleges, rejecting domesticity, asserting themselves politically in public, and becoming a part of the cultural landscape through literature. As the 12th century progresses, the voices of women pushed for more self-discovery and freedom from society’s traditional limitations.
The official opening on 14 June 2018 by the Queen and Duchess of Sussex of Chester’s new cultural ‘hub’, Storyhouse, offers a timely moment to consider the theatre as a building type. Storyhouse is an interesting re-thinking of what an Arts building can be. It combines a theatre, cinema, library, and café, in an attempt to break down boundaries between artistic and institutional structures.
Bearden’s collages, which burst onto the art world scene in the fall of 1964, made a compelling aesthetic argument for multiple cultural inheritances. He called his vision “the Prevalence of Ritual,” and it was first manifest in Projections, black and white photographic blow ups of collages.
Lions have enchanted humans since early Antiquity, and were even represented in European cave paintings from 35,000 years ago. They are regularly the main characters in folklore and allegory, appearing everywhere from African folktales to the Bible. It is not hard to see why lions are so ubiquitously revered. Their fearsome yet stunning appearance, combined with their endearing hunting tactics and formidable roar, answers any questions as to why early societies named the lion ‘King of the Beasts’, and indeed explains why this name is still used today.
Tiff Massey is a young artist whose work ranges from wearable sculpture to large-scale public interventions. In the first of this two-part interview, Massey spoke with Benezit Dictionary of Art editor Kathy Battista about her work as well as her vision for bringing art education to underserved areas of Detroit. In the second part of the interview, Massey speaks about her influences and beginnings as an artist.
Tiff Massey is a young artist whose work ranges from wearable sculpture to large-scale public interventions. She is the first African-American woman to graduate from Cranbrook Academy of Art’s MFA in Metalsmithing. She cites her influences as ranging from 1980s hip-hop culture and her hometown of Detroit to African art and Japanese fashion.
During a ‘question and answer’ session at a recent music convention, four contemporary composers of choral music faced a plethora of musicians from all types of backgrounds and traditions. Amongst a selection of interesting and searching questions asked, one brought an eerie silence to the room. The question was: ‘Would you consider writing for a male choir?’
In our contemporary moment, as our digital spaces are saturated with feeds and streams of images, it’s clearer than ever that photography is a medium poised between arresting singularity and ambiguous plurality. Art historians have conventionally focused on the singularity of the photograph and its instant of capture. But the digital turn has prompted many scholars to reconsider photography in its many serialized incarnations.