Falling dice and falling ministers: explaining an artwork in the Royal Collection
John Eglin, author of “The Gambling Century” examines a portrait supposedly by William Hogarth to explore the history of gambling in Georgian England.
Bringing museum collections to life
The International Council of Museums (ICOM) has declared a focus for 2023 on sustainability, well-being, and community.
Leonardo and the Salvator Mundi: fame and infamy
When people ask me about the Salvator Mundi, just like Google, I can predict the questions they will “also ask.”
Salvator Mundi: the journey of a false saviour
Discovering the provenance of Leonardo da Vinci’s Salvator Mundi formed a significant part of the book that I co-authored with Margaret Dalivalle and Martin Kemp. Determining which records and references pertained to the original and which to the many copies and derivations of the painting required the unraveling of dozens of documentary threads, intertwined and occasionally knotted, stretching across the centuries.
Salvator Mundi: poor picture, poor Leonardo
What does “SM” stand for in the context of Leonardo da Vinci? Our visual engagement with the painting has been skewed by fictionalised stories, lurid journalism, and attributional vitriol. For me, SM now stands for “Sensationalised Mess.” How the painting actually works as a devotional image, what it means, and how it embodies Leonardo’s science and art have become lost.
From navigation to architecture: how the brain interprets spaces and designs places
How do our brains help us learn about the spatial relationships in our world and then use them to find our way from one place to another? And how might answering this question offer new insights into how architects design?
Dance “crazes” and plagues: a precedented phenomenon
Lockdown raves, dodging people in the street, no more hugs, confinement within the home worthy of house arrest—and the language of self-isolation, shelter, safety… all the makings of a sci-fi horror film depicting the world at an end. Or a history book, which is what this pandemic has felt like to me at times, having spent well over a decade thinking about historical epidemiology, specifically in relation to ideas about dance.
Reconstructing Claudius’ arch in Rome
A look at the process of reconstructing Claudius’ Arch in Rome and how it was informed by the latest research in archaeology and classical studies to provide a better understanding of the significance of the Roman Invasion of Britain.
The appearance of the goddess Discord: Gustave Moreau and a mythical tradition
Usually considered as the first French Symbolist painter, Moreau rejected the dominant artistic trends of his time in order to explore his own anxieties and longings by returning to the Greek myths.
Molise: the undiscovered Italian region
When planning a trip to Italy, the major cities of Rome, Florence, Milan and Venice are usually on the must-see list. Yet many people also yearn to find the “undiscovered hidden gem” waiting to be explored. For the latter group, Molise is waiting. This region is so underrated that Italians have a running joke: “Il Molise non esiste” (“Molise doesn’t exist”).
SHAPE and societal recovery from crises
The SHAPE (Social Sciences, Humanities, and the Arts for People and the Economy) initiative advocates for the value of the social sciences, humanities, and arts subject areas in helping us to understand the world in which we live and find solutions to global issues. As societies around the world respond to the immediate impact of the COVID-19 pandemic, research from SHAPE disciplines has the potential to illuminate how societies process and recover from various social crises.
A Roman road trip: tips for travelling the Roman Empire this summer
As Europe reopens, consider a Roman road trip that takes inspiration from an ancient travel guide. The Vicarello itineraries describe what we might call the scenic route from Cádiz to Rome. Glimpses of the empire’s superlative architecture can be found along the way, and emerging digital tools can put primary sources at your fingertips.
Archaeology, architecture, and “Romanizing” Athens
The question of whether Athens was a Greek or Roman city seems straightforward, but among scholars there is some debate.
On SHAPE: a Q&A with Lucy Noakes, Eyal Poleg, Laura Wright & Mary Kelly
OUP have recently announced our support for the newly created SHAPE initiative—Social Sciences, Humanities, and the Arts for People and the Economy. To further understand the crucial role these subjects play in our everyday lives, we have put three questions to four British Academy SHAPE authors and editors—social and cultural historian Lucy Noakes, historian of objects and faith Eyal Poleg, historical sociolinguist Laura Wright, and Lecturer in Contemporary Art History Mary Kelly—on what SHAPE means to them, and to their research.
From fortified castle to wedding venue: Venetian examplars of adaptive reuse
What does one do with a castle? The Venetian Terraferma (and, indeed, all of Europe) is dotted with medieval castles that have long outlived the purposes for which they were intended. And yet, built of stone, they are costly to demolish and—more importantly—of great historical interest.
Victorian 3D: virtual adventures in the stereoscope
We’re used to travelling long distances to explore exotic new locations—but that hasn’t always been possible. So how did people visit far-flung spots in times gone by? Rachel Teukolsky, author of “Picture World: Image, Aesthetics, and Victorian New Media”, takes us on a fascinating journey in glorious Victoriana 3D, introducing us to the must-have virtual reality tech of the 19th century: the stereoscope.