It is as important for music teachers to listen to what music students and performers say as to the music they play. The incident I am about to describe further opened my eyes and ears.
The nineteenth century saw the publication of several books explaining how magical effects and spectral appearances could be performed using the science of optics. It started in 1831, when Sir David Brewster (famed for his discovery of Brewster polarization and inventing the kaleidoscope) published “Letters on Natural Magic.” In this book, Brewster showed how to produce images of ghosts using partially silvered mirrors and by using a magic lantern to project images onto screens or onto clouds of vapor.
Whether you’re new to the stage or eagerly counting down the days until the curtains lift, explore some of our recent titles looking behind the scenes of musical theater.
OUP have recently announced our support for the newly created SHAPE initiative—Social Sciences, Humanities, and the Arts for People and the Economy. To further understand the crucial role these subjects play in our everyday lives, we have put three questions to four British Academy SHAPE authors and editors—social and cultural historian Lucy Noakes, historian of objects and faith Eyal Poleg, historical sociolinguist Laura Wright, and Lecturer in Contemporary Art History Mary Kelly—on what SHAPE means to them, and to their research.
Creating access for people with disabilities sometimes means fundamentally changing the nature of the thing that is made accessible. When we change the nature of the thing made accessible, we don’t just create access and inclusion for people with disabilities—we often create a new kind of experience altogether.
We’re used to travelling long distances to explore exotic new locations—but that hasn’t always been possible. So how did people visit far-flung spots in times gone by? Rachel Teukolsky, author of “Picture World: Image, Aesthetics, and Victorian New Media”, takes us on a fascinating journey in glorious Victoriana 3D, introducing us to the must-have virtual reality tech of the 19th century: the stereoscope.
This second part of our Q&A with Sophie Goldsworthy, Director of Content Strategy & Acquisitions at OUP, and Professor Julia Black CBE FCA, Strategic Director of Innovation and Professor of Law at the London School of Economics and Political Science, and President-elect of the British Academy, reflects on how SHAPE disciplines can help us to understand the impact of the events of the pandemic and look towards the future of SHAPE.
OUP is excited to support the newly created SHAPE initiative—Social Sciences, Humanities, and the Arts for People and the Economy. SHAPE has been coined to enable us to clearly communicate the value that these disciplines bring to not only enriching the world in which we live, but also enhancing our understanding of it. In the first instalment this two-part Q&A, we spoke to Sophie Goldsworthy and Professor Julia Black to find out more about SHAPE and what it means to them.
Since the 19th century, stage and film directors have mounted hundreds of adaptations of Shakespeare drawn on East Asian motifs, and by the late 20th century, Shakespeare had become one of the most frequently performed playwrights in East Asia.
Written, staged, and performed entirely by African Americans, Shuffle Along was the first show to make African-American dance an integral part of American musical theater, eventually becoming one of the top ten musical shows of the 1920s. Authors Richard Carlin and Ken Bloom provide a list of ten little-known facts about the show.
An analysis of religious trends from 1981 to 2007 in 49 countries containing 60% of the world’s population did not find a global resurgence of religion—most high-income countries were becoming less religious—however, it did show that in 33 of the 49 countries studied, people had become more religious. But since 2007, things have changed with surprising speed.
In order to celebrate the release of Shakespeare: A Playgoer and Reader’s Guide, we created a quiz to see how well you know Shakespeare’s plays!
Gyles Brandreth has been collecting theatre stories since he was a boy—and he has collected more than a thousand of them for The Oxford Book of Theatrical Anecdotes, an anthology of entertaining and illuminating stories about every aspect of the world of theatre, from the age of Shakespeare to the present day. How well do you know […]
In their brand-new democracy, the people of ancient Athens knew there was one form of government they never wanted to suffer through again: tyranny. But they loved to see plays depicting tyrants on stage. These rulers typically do not listen to advice or expert opinion. But authority figures who don’t listen don’t learn; they make […]
On 3 July 2020, Lin-Manuel Miranda’s Hamilton—perhaps somewhat inadvertently—took its place alongside decades of Broadway shows and stars which had helped foster an awareness of American race relations via the small screen. When Disney won the $75 million bidding war for the global theatrical distribution rights of Hamilton, the filmed recording of the show’s original cast performing […]
As we’ve seen over recent weeks, direct action is sometimes necessary in order to exact social change. On June 28, 1969 in Greenwich Village, a bastion for New York City’s gay community, a riot broke out after police raided the popular Stonewall Inn. The demonstration became the catalyst for the modern LGBTQ movement in the United States; it immediately led to organizing and the formation of gay rights groups in New York City, and the first New York Pride march occurred on the anniversary of the riot in 1970. The Stonewall riots truly transformed the United States of America.