Gyles Brandreth has been collecting theatre stories since he was a boy—and he has collected more than a thousand of them for The Oxford Book of Theatrical Anecdotes, an anthology of entertaining and illuminating stories about every aspect of the world of theatre, from the age of Shakespeare to the present day. How well do you know […]
In their brand-new democracy, the people of ancient Athens knew there was one form of government they never wanted to suffer through again: tyranny. But they loved to see plays depicting tyrants on stage. These rulers typically do not listen to advice or expert opinion. But authority figures who don’t listen don’t learn; they make […]
On 3 July 2020, Lin-Manuel Miranda’s Hamilton—perhaps somewhat inadvertently—took its place alongside decades of Broadway shows and stars which had helped foster an awareness of American race relations via the small screen. When Disney won the $75 million bidding war for the global theatrical distribution rights of Hamilton, the filmed recording of the show’s original cast performing […]
As we’ve seen over recent weeks, direct action is sometimes necessary in order to exact social change. On June 28, 1969 in Greenwich Village, a bastion for New York City’s gay community, a riot broke out after police raided the popular Stonewall Inn. The demonstration became the catalyst for the modern LGBTQ movement in the United States; it immediately led to organizing and the formation of gay rights groups in New York City, and the first New York Pride march occurred on the anniversary of the riot in 1970. The Stonewall riots truly transformed the United States of America.
It has been nearly 50 years since Title IX of the Education Amendments was passed in 1972, prohibiting discrimination on the basis of sex by federally funded entities. Title IX proved critical in opening many fields of endeavor to girls and women and is perhaps most famous for its impact on sports. According to Women’s […]
The term “bestseller” is a bit of a stretch for the eighteenth century, when books were expensive (though widely shared), and information about print-runs is hard to come by. But if any early novel deserves the title, it’s Samuel Richardson’s Pamela, which on publication in 1740 rapidly caught the imagination of Britain, Europe, and indeed America (the Philadelphia printing by Benjamin Franklin was the first unabridged American edition of any novel).
Argentina’s rich history of 20th and 21st century social, political, and activist movements looms large in popular imagination and scholarly literature alike. Well-known images include the masses gathered in the Plaza de Mayo outside the iconic pink presidential palace during populist President Juan Domingo Perón’s first terms (1946-1955). This scene was imprinted in popular culture, for better or worse, by Andrew Lloyd Webber’s Evita.
Well? Have you? If not, it’s probably because René Blum’s lifelong career in the arts has been safely hidden from the history books. Only his brother Léon Blum, the first Socialist and Jewish Prime Minister of France, received enormous attention. But Judith Chazin-Bennahum knows why René Blum deserves to be remembered: because he was an extraordinary man. Chazin-Bennahum’s book introduces the reader to the world of the Belle Epoque artists and writers, the Dreyfus Affair, the playwrights and painters who reigned supreme during the late 19th century and early 20th century period in Paris. Below she provides us with just a few of his most impressive accomplishments.
On 27 February 1932, the American modern dancer Pauline Koner presented a concert at New York City’s Town Hall. For the occasion, Koner, who was Jewish, premiered Chassidic Song and Dance, a solo in which she portrayed a young Hasidic Jew. Her characterization of an Eastern European Jew was not so different from the other exotics that constituted Koner’s repertory in the 1930s.
As we celebrate the golden anniversary of the Civil Rights Act of 1964, a significant aspect of the struggle for racial equality often gets ignored: racial activism in performance. Actors, singers, and dancers mobilized over the decades, pushing back against racial restrictions that shifted over time, and On the Town of 1944 marked an auspicious but little-recognized moment in that history.
There are few choreographers with more influence in the world of ballet than George Balanchine. Over three decades after his death, his ballets are performed somewhere on the planet virtually every day. Two prominent dance institutions continue his legacy—the School of American Ballet and the New York City Ballet—and dancers who worked alongside him lead important companies and schools across America from Miami to Seattle.
Parents, provosts, and authors of recent articles/discussion boards are questioning the purpose or viability for dance programs in contemporary university structures. An article in Dance USA from 2015 presents a narrow view of the role of collegiate dance. Understanding the wider lens on dance education, it can be an excellent path to career success. College programs in dance transcend training an elite artist/athlete.
The official opening on 14 June 2018 by the Queen and Duchess of Sussex of Chester’s new cultural ‘hub’, Storyhouse, offers a timely moment to consider the theatre as a building type. Storyhouse is an interesting re-thinking of what an Arts building can be. It combines a theatre, cinema, library, and café, in an attempt to break down boundaries between artistic and institutional structures.
Best known as the composer of Candide and West Side Story, Leonard Bernstein had an immensely versatile career. Born on August 25, 1918, Bernstein’s career spanned decades, leaving a lasting impression through his work as a conductor, composer, and music educator.
At the root of all Western literature is ancient Greek poetry—Homer’s great epics, the passionate love poems of Sappho, the masterpieces of Greek tragedy and of comic theatre. Almost all of this poetry was or originally involved sung music, often with instrumental accompaniment.
Despite numerous honors throughout his illustrious career, including being the only director to earn the “triple crown” of show business awards—the Oscar, Emmy, and Tony—all in one year, Bob Fosse remains underrated in terms of his influence on the presentation of dance on film. From Sweet Charity, his first film as a director, through his multiple Oscar-winning Cabaret, to his autobiographical, Felliniesque All That Jazz, Fosse created a template for filming dance that has remained influential and remarkably vital years after these films first appeared.