Oxford University Press's
Academic Insights for the Thinking World
In art, a figleaf is used to barely cover something one isn’t supposed to show in public. I use the term ‘figleaf’ for utterances (and sometimes pictures, or other things) which barely cover for speech of a sort one isn’t supposed to openly engage in. When someone says “I’m not a racist but…” and then […]
Three-quarters of a century after the destruction of the fascist regimes that threatened to extinguish freedom during World War II, fascism is back and again a threat to the world’s democracies. The irony is that this new fascist threat comes from two powers whose histories as communist societies presumably distanced them as far as possible from fascism: Russia and China.
Ever since I first read “Che Guevara” in Olga Tokarczuk’s short story collection Playing Many Drums (2001), I have wanted to translate it. So, when I was asked to compile Warsaw Tales, it was one of the first stories to come to mind.
Dogwhistles are one of the most discussed methods for politicians to play on voters’ racial attitudes in a stealthy manner, although they come in handy for manipulation on other topics as well. The key to a dogwhistle is this hiding of what’s really going on. Broadly speaking, a dogwhistle is a bit of communication with an interpretation that seems perfectly innocent—but which also does something else.
In 1899 a young Jewish woman published a harrowing account of her journey through Germany in 1894, based on Yiddish letters she had written during the journey. Maryashe (Mary) Antin’s travelogue “From Plotzk to Boston” stands out as one of the few detailed contemporary descriptions of a migrant journey from the Russian Empire to America. In the spring of 1894, when she was thirteen years old, Maryashe, together with her mother and sisters, left her hometown of Polotzk in northern Russia to join her father, who had moved to Boston in 1891.
How can the United States best help Israel defend itself against terrorist atrocity? Obviously, sustaining the alliance and friendship with the United States is vital for Israel and its security. Equally clearly, the scale and nature of Israeli violence in Gaza since October 2023 has placed new and great strain on the US relationship.
Perhaps the finest representation of battle to survive from antiquity, the Alexander Mosaic conveys all the confusion and violence of ancient warfare. It also exemplifies how elite patrons across diverse artistic cultures commission artworks that draw inspiration from and celebrate past and present events important to the community.
When the Venerable Bede (d. 735) looked out from his Tyneside monastery across the North Sea, over the harbour at Jarrow Slake to which ships brought communications, wares, and human traffic from Europe and the Mediterranean—how then did he picture Rome and the papacy, the city and institution he thought so central to English and even world history? His grasp of its visual culture cannot have been great. We know that Bede never saw Rome (in fact, he never saw any city or town). Our usual reference points of its basilicas, shrines, walls and mosaics—indeed, its sheer urban and suburban mass—cannot have meant much to him.
In the summer of 1935, an exchange programme between leading American academies and German schools, set up by the International Schoolboy Fellowship (ISF), was hijacked by the Nazi government. The organization had been set up in 1927 by Walter Huston Lillard, the principal of Tabor Academy in Marion, Massachusetts. Its aim was to foster better relations between all nations through the medium of schoolboy exchange.
The fall of the Soviet Union meant independence for Ukraine, and radically altered the shape and power structures of Eastern Europe. Russia’s invasion of Ukraine in 2022 was the culmination of a number of growing fissures and collisions in the region—between Russia and Ukraine, but also between Europe and Russia, and Russia and the United States. Michael Kimmage, a historian and former diplomat who served on the Secretary’s Policy Planning Staff at the U.S. Department of State where he handled the Russia/Ukraine portfolio, looks at the origins of this conflict dating back to 24 August 1991.
The year 1614 was an eventful one for the London theatre world. Shakespeare’s Globe playhouse, rebuilt after having burned to the ground during an ill-fated performance of Henry VIII, was reopening its doors.
Having just arrived via ferry to the Dutch town of Sluis in mid-May 1611, William Cecil, Lord Roos (1591-1618), promptly exposed his “privy member” (penis) to what one assumes were rather surprised townsfolk.
Dürer´s “Praying Hands” are so iconic, but most people know little or nothing about the painting for which it partly served as a study. Looking at the story of that painting shows us a different Dürer from the arrogant, assured manipulator of new media he is often said to have been. It also opens a new window onto his time and the commercialisation of art
Martin Niemöller, Lutheran pastor in the Dahlem parish at the outskirts of Berlin, stood at the centre of the struggle over hegemony in the German Protestant Church during the Third Reich.
Was the United Kingdom of Great Britain and Ireland, which was inaugurated in January 1801, unique? It has certainly been uniquely recognised as the “United Kingdom,” or (more simply) the “UK.” But how far does this recognition reflect the UK’s exceptional multinational structures?
“Paris is the place to make money, & England is the country to enjoy it.” With what we think we know about capitalism in England and France circa 1790, it is hard to fathom how exactly, a banker in London could have come to this conclusion.