Should we listen to the voice of “the people” or the conviction of their representatives? Britain’s vote to leave the European Union has inspired virulent debate about the answer. Amidst Theresa May’s repeated failure to pass her Brexit deal in the House of Commons this spring, the Prime Minister appealed directly to the frustrations and feelings of the people. “You the public have had enough,” she asserted in a speech of March 20.
The endtime is coming. The night is very long indeed; sun and moon have vanished. From the east march the frost-giants, bent on the destruction of all that is living. From the south come fiery powers, swords gleaming brightly. A dragon flies overhead. And, terrifyingly, the dead are walking too.
Typically, sociologists explain the growth of religious toleration as a result of people demanding religious freedom, ideals supporting tolerance becoming more prevalent, or shifting power relations among religious groups. By any of these accounts, Puritan New England was not a society where religious toleration flourished. Yet, when contrasted to a coterminous Puritan venture on Providence Island, it becomes clear that New England’s orthodox elite did […]
We have long assumed that medieval sermons were written for the laity, that is, those with no Latin and probably minimal literacy. But most of the sermons that survive in English contain a significant amount of Latin. What did a medieval lay person understand when he or she heard a sermon?
The poet laureate has held an elevated position in British culture over the past 350 years. From the position’s origins as a personal appointment made by the monarch to today’s governmental selection committee, much has changed about the role, but one thing hasn’t changed: the poet laureate has always produced poetry for events of national […]
It can be deeply frustrating to know that that all the answers on a particular topic were once on a scrap of paper that is now gone forever. However, neither the blank page nor the dreaded word ‘weeded’ need be an insuperable barrier to historical research. Alternative sources nearly always exist; it is just a matter of finding them.
For over 500 years, the masterful works of Leonardo da Vinci have awed artists, connoisseurs, and laypeople alike. Often considered the first High Renaissance artist, Leonardo worked extensively in Florence, Milan, and Rome before ending his career in France, and his techniques and writings influenced artists for centuries after his death. However, to refer to Leonardo da Vinci as just an artist minimizes his role in numerous areas of study; in addition to painting, sculpture, and drawing, the quintessential “Renaissance Man” left an indelible mark on architecture, engineering, science, philosophy, and even music.
Wimbledon Choral Society and conductor, Neil Ferris, commissioned me to write the Da Vinci Requiem to commemorate the 500th anniversary of Leonardo da Vinci’s death. Leonardo died on 2 May 1519 at the Château du Clos Lucé, Amboise, France; Wimbledon Choral Society will premiere the work in the Royal Festival Hall, London, on 7 May 2019.
How should music reference works deal with jazz in the era of multi-genre freelancing? Back in November 1983, when I asked Stanley Sadie, series editor for Grove Dictionaries of Music, if he’d ever thought of having a New Grove Dictionary of Jazz, jazz seemed to be a reasonably coherent genre with a connected succession of styles. Maybe I was just being young, naive, ignorant. Or maybe the notion of jazz as something coherent hadn’t yet started to completely unravel, even though all sorts of challenges were nipping at it, especially as the fusions emerged (jazz-rock, jazz-funk, and so forth).
Rabindranath Tagore (1861-1941) was a highly prolific Indian poet, philosopher, writer, and educator who wrote novels, essays, plays, and poetic works in colloquial Bengali. He was a key figure of the Bengal Renaissance, a cultural nationalist movement in the city.
Jane Austen’s Emma Woodhouse tells her father, “Mr. Knightley loves to find fault with me, you know—in a joke—it is all a joke.” Mr. Knightley isn’t joking, as he and Emma know; he presents his criticisms without a hint of jocularity. But if Emma persuades Mr. Woodhouse to believe Mr. Knightley is joking, he “would not suspect such a circumstance as her not being thought perfect by everyone.” A little over 200 years after Emma was published, the comedian Roseanne Barr defended a racist tweet about Valerie Jarrett, President Obama’s former adviser, in a further tweet, “It’s a joke—”.
Extralegal violence committed by white men in the name of patriotism is a founding tradition of the United States. It is unbearably fitting that the original Patriot landmark, the Liberty Tree in Boston, sported a noose, and inspired earliest use of the metaphor “strange fruit.” The history of the Liberty Tree and a related symbol, […]
Robinson Crusoe (1719) was Daniel Defoe’s first novel and remains his most famous: a powerful narrative of isolation and endurance that’s sometimes compared to Faust, Don Quixote or Don Juan for its elemental, mythic quality.
For National Poetry Month, we sat down with Bernard O’Donoghue, author of Poetry: A Very Short Introduction. O’Donoghue discusses the importance of poetry, the influence social media has, and his own process when it comes to writing. Eleanor Chilvers: Why is poetry important? Bernard O’Donoghue: Poetry seems to have been thought important in all known societies, […]
At dusk on Monday, April 15th, just in time for the evening news, the world was treated to the horrendous spectacle of uncontrollable flames licking the roof of Notre-Dame cathedral in Paris. The fire spread from a scaffold that had been installed six months earlier for restorations.
According to his friend and biographer Ernest Jones Sigmund Freud was fond regaling him with “strange or uncanny experiences with patients.” Freud had a “particular relish” for such stories. 2019 marks the centenary of the publication of Freud’s essay, “The ‘Uncanny.’” Although much has been written on the essay during that time, Freud’s concept of the uncanny is often not well understood.