In this timeline, we explore key figures and events that contributed to shaping modernism and celebrate 100 years since 1922: the pinnacle year of modernist publishing!
For today’s episode of The Oxford Comment, we’re commemorating National DNA Day in the United States with Amber Hartman Scholz and Dee Denver.
Lockdown raves, dodging people in the street, no more hugs, confinement within the home worthy of house arrest—and the language of self-isolation, shelter, safety… all the makings of a sci-fi horror film depicting the world at an end. Or a history book, which is what this pandemic has felt like to me at times, having spent well over a decade thinking about historical epidemiology, specifically in relation to ideas about dance.
The recent American presidency illustrates why Scripture has been both a polarizing and a constructive force in the nation’s history. On 1 June 2020, Donald Trump made an overtly political point when he cleared peaceful demonstrators from Lafayette Square, who were protesting police violence against unarmed Black men, so that he could pose for a […]
Since George Floyd’s murder at the hands of Minneapolis police in 2020, social justice activists have targeted systemic racism in housing, education, and law enforcement. Less attention has been paid to entertainment. As the recent controversy over racial bias in the Academy Awards suggests, however, this problem has always existed in show business. The career of legendary vaudeville team Buck and Bubbles shows how it worked.
Happy April Fool’s Day! I’m pleased to announce that the winner of this year’s Grove Music Online Spoof Article Contest is David Barber, for an entry on “L.O.L. Bach.”
“It is a truth universally acknowledged…” that there is no such thing as too many period dramas—at least, this remains true for those of us who are drawn to them, time and time again. Watching period dramas bring with them a sense of comfort as they transport the viewer to a world that is so […]
A look at the process of reconstructing Claudius’ Arch in Rome and how it was informed by the latest research in archaeology and classical studies to provide a better understanding of the significance of the Roman Invasion of Britain.
Why is “the all-male stage” inadequate as shorthand for the early modern stage? For one thing, it enforces a gender binary that has little to do with the subjects, desires, audiences, and practices of the time. Gender was elusive, plural, and performative, especially on the stage, where attractive androgynous boys played women, or switched back and forth between genders. The importance of female spectators, artisans, and backers gives the lie to total exclusion, and so does mounting evidence that women played in many spheres adjacent to the professional stage.
I didn’t enter the world of digital dance cultures as a scholar. When I was introduced to TikTok and Dubsmash in October 2018 by my high school students, I first engaged with the platforms as a dancer.
Popular culture often romanticizes Zenobia of Palmyra as a warrior queen. But the ancient evidence doesn’t support that she fought in battles. Instead, we should remember Zenobia as a skilled political tactician. She became ruler without being dominated by the men of her court.
There had been attempts to lay out streets in New York going back to its founding. It was a process that would go on for the next few centuries, and would only accelerate in the decades before and after the Great Fire of 1835.
Pulitzer Prize recipient and American playwright Lynn Nottage shared in a recent interview, “What music can do is get to the emotion with incredible economy and efficiency.” This capacity that music holds to reach in and connect to the wide range of emotions we experience as human beings can be a wonderful asset as it accesses those feelings we want to revisit and are ready to express. This becomes challenging and potentially harmful when it relates to unexpressed or unresolved emotions and experiences.
In Jane Campion’s 1993 film “The Piano”, and her new film, “The Power of the Dog”, the grand piano serves as more than the emblematic instrument of feminine domestic music-making and of European bourgeois culture transported to the hinterlands of the nation or empire; it also functions as a gender technology because it regulates the metaphorical sound-body of the woman who plays it.
We think of New York as an island packed with buildings, a place of concrete sidewalks and tarmacked avenues, a city that as Frank Sinatra sang, “doesn’t sleep.” But Manhattan at the turn of the 19th century—in the years before its street grid was laid out and decades before the Great Fire of 1835 which would accelerate the city’s northward growth—was a very different sort of place. New York City back then was a sleepy town just on the island of Manhattan.
Clara Zetkin was instrumental in establishing International Women’s Day. It did not take long to catch on. The following year the International Women’s Day was marked by over a million people taking to the streets.