Oxford University Press's
Academic Insights for the Thinking World
May 2025 marks the 30th anniversary of Elleke Boehmer’s seminal text Colonial and Postcolonial Literature: Migrant Metaphors, first published by OUP in 1995 with a second edition following a decade later. It remains a landmark publication in the field of colonial and postcolonial literature and beyond, read, studied, and taught the world over.
It’s a crisp summer morning, and I’ve just made the half hour walk from Sommerville, Massachusetts, to Harvard University. The grounds are majestic, as you’d expect, but everything is fragmented by iron fence railings (gates all locked or staffed by security) and garish white tents that have been installed for graduation festivities. I show my ID and make my way into the Houghton Library reading room where I’ll continue my research on craftwork for a project on queer modernist materialities. As a fan of the show Dickinson, which aired on Apple TV+ for three seasons from 2019-2021, I’ve asked to see the scrapbook set designer Marina Parker made for the archive. I’m fascinated by contemporary adaptations of literary pasts, and Parker’s scrapbook suggests how craft itself might be fundamental to those queer reworkings.
At his passing in 2015, President Barack Obama celebrated Andraé Crouch as the “leading pioneer of contemporary gospel music.” The Guardian UK newspaper’s obituary called him the “foremost gospel singer of his generation.” Ten years after his death, Andraé Crouch’s songs are still found in more hymnals—Black and white—than any African American composer, save Thomas Dorsey (and Dorsey had a 30-year head start!).
Even if you didn’t ‘read English’ at university yourself, you almost certainly know plenty of people who did, and more or less everyone has had to study English literature at school at some point or other. As a subject, ‘English’ (an adjective masquerading as a noun) has been central to educational arrangements in Britain for well over a century, seeming for much of that time to occupy a privileged place in the wider culture as well.
Sir Elton John is a living superlative, unequaled in music history in terms of global sales, awards, and career longevity. Here are ten tracks to kick off each chapter of On Elton John; each song prompts a story about Elton, each one is a window that offers a particular way of seeing him and his career.
Thinker statues form a fascinating, but little explored cultural theme. While we may be most familiar with Rodin’s thinker, thinker statues, both male and female, appear in many very diverse cultures. They include the pensive bodhisattvas of Korea and China, the pensive Christ statues of Eastern Europe, the thinker statues of Kazakhstan and Africa, as well as the female thinkers of the pre-Columbian Tumaco-La Tolita culture.
In honor of Women’s History Month, we are celebrating the lives and legacies of inspiring women throughout history that played path-breaking roles in shaping philosophy and literature. This reading list features five books that amplify the achievements of these women who were either overshadowed by men, or subject to hierarchical thinking.
In the 1950s and 1960s, actress Elizabeth Taylor (1932-2011) was one of the most famous women on earth, someone to put alongside Queen Elizabeth II and Jackie Kennedy. Her complex marital history, many health crises, and love affairs were the stuff of front page headlines. She was, by any standard, the personification of the larger-than-life celebrity movie star.
Like the white whale itself, Herman Melville’s Moby-Dick (1851) seems ubiquitous across time. For nearly a century, readers have turned to Captain Ahab’s search for the whale that took his leg to understand American crises. Donald Trump’s return to the presidency offers a different question about Melville, domination, and US political life: How do Americans gain power by claiming that they have been wronged?
Many of us feel disconnected, from ourselves, from others, from nature. We feel fragmented. But where are we to find a cure to our fragmentation? And how can we satisfy our longing for wholeness? The German and British romantics had a surprising answer: through mythology.
A popular new Netflix series, American Primeval, is stirring up national interest in a long-forgotten but explosive episode in America’s past. Though the series is highly fictionalized, it is loosely based on events covered in my recent, nonfiction publication, Vengeance Is Mine: The Mountain Meadows Massacre and Its Aftermath, co-written with Richard E. Turley Jr.
In the five years between his first recording session as a sideman with King Oliver in April 1923 to his final date as a leader in Chicago in December 1928, Louis Armstrong changed the sound of American popular music, with both his trumpet and with his voice. He perfected the art of the improvised solo, expanded the range of the trumpet, popularized scat singing, rewrote the rules of pop singing, and perhaps most importantly, infused everything he did with the irresistible feeling of swing.
Folk music is still and always with us. It is in the tap of the hammer to the music on the radio or, in older days, to the workers’ own singing. It is the rhythmic push of the cabinetmaker’s saw, the scan across the checkout station to the beat of songs inside the checker’s head.
Children may have less height, vocabulary, and power than adults do. But children’s books are not a lesser art form. Consider Crockett Johnson’s Harold and the Purple Crayon. At first glance, the book looks self-explanatory. What more can be said about a boy, a crayon, and the moon?
The first light of dawn flickered through the trees as soldiers rushed to take position around the fort. Twenty soldiers from Massachusetts commanded by Captain John Underhill prepared to storm the south gate. Another sixty from Connecticut under Captain John Mason would move against the northeast gate.
Every four years, the incoming president of the United States delivers an inaugural address in a tradition that dates back to 1789, with the first inauguration of George Washington. The address reiterates to Americans—and peoples around the world—what the country has been and what it has the potential to become.