As we celebrate the golden anniversary of the Civil Rights Act of 1964, a significant aspect of the struggle for racial equality often gets ignored: racial activism in performance. Actors, singers, and dancers mobilized over the decades, pushing back against racial restrictions that shifted over time, and On the Town of 1944 marked an auspicious but little-recognized moment in that history.
It started innocently enough at a lunch-time event with some friends at the Randolph Hotel in the centre of Oxford. ‘The trouble with Islam …’ began some self-opinioned pundit, and I knew where he was going. Simple. Islam lends itself to fanaticism, and that is why Muslims perpetrate so much violence in the name of religion. The pundit saw himself as Christian, and therefore a man of peace, so I had my cue. ‘Look out of the window. Over there in the fork of the road you see the Martyr’s Memorial. In 1555 the Wars of Religion were in full spate, Catholics were burning Protestants at the stake, Protestants were no less fanatical when their turn came, and things got even worse with the Civil War. So why are Muslims any worse?’
For many people, the celebration of the Advent-Christmas-Epiphany season begins as they wind their way through St. Olaf College’s buildings during the first weekend of December to attend the annual St. Olaf Christmas Festival.
Music can intensify moments of elation and moments of despair. It can connect people and it can divide them. The prospect of psychologists turning their lens on music might give a person the heebie-jeebies, however, conjuring up an image of humorless people in white lab coats manipulating sequences of beeps and boops to make grand pronouncements about human musicality.
Over the course of history, the word “political” has evolved from being synonymous with “public sphere” or “good government” to meaning “calculating” or “partisan.” How did we get here? This adapted excerpt from Keywords for Today: A 21st Century Vocabulary explains the evolution. The problems posed by political result from a combination of the term’s semantic shift over the last several centuries and the changing face of post-national politics that have become so important since mid-twentieth century.
The year was 1968 and I was a young postgraduate music student walking down King’s Parade in Cambridge when I saw the revered figure of David Willcocks, director of King’s College Choir, striding towards me. He had rock-star status in Cambridge and beyond, and although I knew him from his weekly harmony and counterpoint classes which I had attended, I wasn’t quite sure whether to nod politely, say ‘good afternoon, Mr Willcocks’, or hurry past hoping he hadn’t noticed me. Fortunately he spoke first.
In 2008, StoryCorps created World Listening Day for citizens of all beliefs and backgrounds to record, preserve, and share the stories of their lives. This year, we invite you to celebrate by listening to our podcast, The Oxford Comment.
In October, William Godwin (1756–1836) was featured as our Philosopher of the Month. He was a leading political philosopher and public intellectual during the crisis in British politics in the 1790s and achieved fame with the publication of his treatise ‘An Enquiry Concerning Political Justice’.
On 26 October 2018, twenty years after two men in Wyoming brutally murdered gay college student Matthew Shepard, the Washington National Cathedral hosted a service to inter Shepard’s ashes in a permanent memorial. More than four thousand people attended the service that was co-led by the Reverend Gene Robinson, the first openly-gay elected bishop of […]
Detroit is known as the birthplace of Motown Records, but there’s more to the musical history of the city than just that, due to the key role of the public schools in music training, the impact on music of the auto companies and the media, and the huge variety of ethnic music-making across Detroit’s 139 square miles.
National Novel Writing Month challenges writers from all over the world to complete a 50,000-word novel within the month of November. To help guide our readers who have taken on the challenge, we reached out to three-time National Jewish Book Award winner Howard Schwartz. Howard offers a deeper reading of “The Lost Princess,” and his analysis demonstrates the power of allegories as literary devices.
Graffiti used to be thought of primarily as vandalism—as a furtive, illegal activity that defaced public property. It was seen as both a reflection of and contributor to urban decay. However, several recent high-profile lawsuits involving what is now called “exterior aerosol art” reveal just how far graffiti has advanced in cultural esteem and recognition as a legitimate art form.
It has been five years since I started my research on anatomy in 19th century Belgium, but I remember my first visit to an anatomical collection like it was yesterday. It was the beginning of autumn and the temperature was cool enough to cause a slight numbness in my hands. I was not yet used to the piercing smell of alcohol and formaldehyde; a smell that soaked into my clothes and skin, and that I immediately associated with death.
There are few choreographers with more influence in the world of ballet than George Balanchine. Over three decades after his death, his ballets are performed somewhere on the planet virtually every day. Two prominent dance institutions continue his legacy—the School of American Ballet and the New York City Ballet—and dancers who worked alongside him lead important companies and schools across America from Miami to Seattle.
This month, to mark World Philosophy Day, we’ve curated a reading list of historical texts by philosophers that shaped the modern world and who had important things to say about the issues that we wrestle with today such as freedom, authority, equality, sexuality, and the meaning of life.
What is a superhero? What is a supervillain? What are the traits that define and separate these two? What cultural contexts do we find them in? And why we need them? Editors Robin S. Rosenberg, PhD and Peter Coogan, PhD collected a series of essays examining these questions from both major comic book writers and editors, such as Stan Lee and Danny Fingeroth, and leading academics in psychology and cultural studies, such as Will Brooker and John Jennings.