As we approach the end of 2021, we can look back at the previous two years of restrictions, lockdowns, COVID tests and vaccination lines, not to mention all the political strife… or we can look to the unknown, ahead to the new year. But let us pause for a moment and enjoy the now: a holiday season that should be livelier than last year’s. After all that’s gone on, we could use some old-fashioned holiday cheer.
The ghosts of Weimar are back. Woken up by the rise of populist right-wing parties across Europe and beyond, they warn of danger for democracy. The historical reference point evoked by these warnings is the collapse of the Weimar Republic followed by the Nazi dictatorship. The connection between now and then seems indisputably obvious: democracy died in 1933, and it is under attack again today.
A Charlie Brown Christmas was never supposed to be a success. It hit on all the wrong beats. The pacing was slow, the voice actors were amateurs, and the music was mostly laid back piano jazz (the opening theme, “Christmas Time is Here,” carried a strange, wintery melody built on unconventional modal chord progressions). It was almost like the program was constructed as a sort of anti-pop statement. In many ways, that’s exactly what it was. And that’s exactly why it so worried the media executives who had commissioned it.
The story of Afong Moy, the first known Chinese woman on American soil, and the first Chinese person to come face to face with American audiences across the country has been told recently by both the historian Nancy Davis as well as the playwright LLoyd Suh. Davis explores Afong Moy’s life and the different lessons that can be learned through research as well as fictionalization.
A blog taking us through the many iterations of the iconic Carols for Choirs cover design, from the first version in 1961 through to the current design. The thread throughout all of the covers is an illustrated angel, which can be found on every cover version, in various shapes and sizes!
The inter-war Oxford Book of Carols (published in 1928) was the brainchild of Reverend Percy Dearmer—a socialist, high church Anglican liturgist who believed that music should be at the core of Christian worship. Today the OBC is a world-renowned publication that shines as as a beacon of experimentation within tradition: a visionary musico-poetic collection of the most profoundly partisan nature.
A history of the first ‘Carols for Choirs’ book, first published in 1961. Looking at materials from the OUP archive, we trace the journey from the initial idea through to its eventual release and unexpected success.
Mary Midgley muses that the dearth of men in Oxford during WW2 helped her and her friends Elizabeth Anscombe, Philippa Foot, and Iris Murdoch find their way into philosophy. But each of them took years to find her voice—Midgley longest of all. What held them back and what provoked them to finally speak up?
How does our body shape our experience of living in a city? In this OUPblog, Quill R Kukla focuses on one fascinating dimension along which bodies are included in or excluded from spaces, namely pace.
“Literature, we’re told, is the immortality of speech, but in fact reputations fade quickly.” In this OUPblog, read foundational figure in postcolonial theory, Homi K. Bhabha, in conversation with William Ghosh, author of V.S. Naipaul, Caribbean Writing, and Caribbean Thought (Oxford 2020).
The abstract of a research article has a simple remit: to faithfully summarize the reported research. After the title, it’s the most read section of the article. Crucially, it makes the case to the reader for reading the article in full. Alas, not all abstracts succeed.
To mark the 80th anniversary of the first transport to Theresienstadt on 24 November 1941, scholar Anna Hájková explores the social relations that formed within Nazi camps.
“The disc charts cannot stand many girls, no matter how gorgeous they look,” claimed Beatles manager Brian Epstein in A Cellarful of Noise, his memoir of the 1960s. He was explaining why he’d only ever represented one female performer—Cilla Black. His justification falls back on the then-conventional wisdom that girl singers were an anomaly, were each other’s competitors, and that there wasn’t an audience for their work.
From the beginning, Tommy Tune was pulled as if by centrifugal force toward dance and the Broadway musical. He was taking dancing lessons by the age of five, but his early ambition to be a ballet dancer was abandoned when he shot up in height during his teenage years. He later joked about his extreme height, saying, “Sometimes, instead of thinking of myself as six-foot-six, I tell myself I’m only five-foot-eighteen.”
[Reading list] Fake, false, inaccurate, misleading, and deceptive. This rhetoric is all too familiar to the news consuming public today. But what is fake news and how does it differ from misinformation and disinformation?
America’s World War II military was a force of unalloyed good. While saving the world from Nazism, it also managed to unify a famously fractious American people. At least that’s the story many Americans have long told themselves… But the reality is starkly different. The military built not one color line, but a complex tangle […]