Historians should be banned from watching movies or TV set in their area of expertise. We usually bore and irritate friends and family with pedantic interjections about minor factual errors and chronological mix-ups. With Hilary Mantel’s novels Wolf Hall and Bring Up the Bodies, and the sumptuous BBC series based on them, this pleasure is denied us. The series is as ferociously well researched as it is superbly acted and directed. Cranmer probably didn’t have a beard in 1533, but, honestly, that’s about the best I can do.
Given the scope and the length of time I’ve been working on the African American National Biography (over 13 years and counting), selecting just a few biographies that were somehow “representative” of the overall project would have been an impossible task. Instead, working with The Root’s managing editor, Lyne Pitts, I chose four entries that showcased some of the diversity of the collection, but focused on hidden or barely remembered figures in black history.
Dante can seem overwhelming. T.S. Eliot’s peremptory declaration that ‘Dante and Shakespeare divide the modern world between them: there is no third’ is more likely to be off-putting these days than inspiring. Shakespeare’s plays are constantly being staged and filmed, and in all sorts of ways, with big names in the big parts, and when we see them we can connect with the characters and the issues with not too much effort.
Migrant farmworkers plant and pick most of the fruits and vegetables that you eat. Seasonal crop farmers, who employ workers only a few weeks of the year, rely on workers who migrate from one job to another. However, farmers’ ability to rely on migrants to fill their seasonal labor needs is in danger. From 1989 through 1998, roughly half of all seasonal crop farmworkers migrated — traveled at least 75 miles for a US job. Since then, the share of workers who migrate has dropped by more than in half, hitting 18% in 2012.
What do opera singer Leontyne Price, activist Victoria Gray Adams, civil rights organizer Bayard Rustin, and Harvard sociologist William Julius Wilson have in common? They all attended or graduated from Wilberforce University. Located outside of Dayton, Ohio, Wilberforce was the first institution of higher education to be owned and operated by African Americans.
If it were not for his impeachment on 24 February 1868, and the subsequent trial in the Senate that led to his acquittal, Andrew Johnson would probably reside among the faded nineteenth century presidents that only historical specialists now remember. Succeeding to the White House after the murder of Abraham Lincoln in April 1865, Johnson proved to be a presidential failure […]
Last week marked two important events in the unfinished story of southern racial violence. On February 10, the Alabama-based Equal Justice Initiative released Lynching in America, an unflinching report that documents 3,959 black victims of mob violence in twelve southern states between 1877 and 1950.
Millions of Americans are eagerly anticipating this year’s Academy Awards ceremony. For over a century, motion pictures have been a dominant cultural and leisure medium. There are, however, two aspects worth highlighting: the sheer novelty of motion pictures and the medium’s initial democratic nature. Twenty-first century Americans have difficulty imagining the wonder and awe motion pictures inspired in the early 1900s.
It’s Thursday evening in Dhaka, the capital of Bangladesh. I am late for an appointment to see my friend Shimanto (lit. boundary [Sanskrit]). On the street I shout ‘ei mama jaben?’ (Hey uncle, will you go? [Bangla]) to catch an auto-rickshaw (auto [English] man-powered-wheeler [Japanese]). After striking the deal, I sit inside the three-wheeler. As the young driver speeds up almost hitting passers-by and curses ‘jyam khub kharap!’ (Traffic jam [English] is very bad! [Persian]), I recollect the writing at the back of the car: ‘allāḥ sarvaśaktimān’ (God [Arabic] almighty [Sanskrit]).
The seemingly unassailable rise of the MOOC – the Massive Open On-Line Course – has many universities worried. Offering access to millions of potential students, it seems like the solution to so many of the problems that beset higher education. Fees are low, or even non-existent; anyone can sign up; staff time is strictly limited as even grading is done by peers or automated multiple-choice questionnaires. In an era of ever-rising tuition fees and of concerns about the barriers that stop the less well-off from applying to good universities, the MOOC can seem like a panacea.
A few months ago, we asked you to tell us about the work you’re doing. Many of you responded, so for the next few months, we’re going to be publishing reflections, stories, and difficulties faced by fellow oral historians. This week, we bring you the first post in this series, focusing on a multimedia project from Mark Larson. We encourage you to engage with these posts by leaving comments on the post or on social media, or by reaching out directly to the authors.
Last month on Capitol Hill, a tedious slur on Henry Kissinger (“war criminal”) provoked an irate reaction (“low-life scum”). The clash between Senator McCain and the protesters of Code Pink garnered media coverage and YouTube clicks. The Senate’s hearings on national strategy not so much. This is unfortunate.
Fresh Off the Boat, the newest addition to ABC’s primetime lineup, has garnered more than its share of attention in the lead-up to its recent debut: based on restaurateur Eddie Huang’s critically-acclaimed memoir, it’s the first sitcom in 20 years since Margaret Cho’s All-American Girl to feature an Asian-American family at its epicenter, assuming a place among the network’s recent crop of 21st-century family comedies, including Modern Family, Blackish, and Cristela.
As the city buzzes around us in preparation for the 2015 NBA All-Star Weekend, hosted jointly by the New York Knicks and Brooklyn Nets, we caught up with a few of our office’s basketball fans to reflect on their all-time favorite NBA All-Stars — and their entries in the Oxford African American Studies Center. Without further ado, Oxford University Press New York’s 5 Guys and a Girl weigh in
On Valentine’s Day, we usually think of romance and great love stories. But there is another type of love we often overlook: love between friends, particularly between men and women in a platonic friendship. This is not a new phenomenon: loving friendships were possible and even fairly common among elite men and women in America’s founding era.
How do you approach the history of love? Is it through psychology and the understanding of emotion? Is it through the great works of literature? Or is it through sound — from the chord that pulls the heart strings to the lyric that melts your heart? But this music has a strange history of its own. We can trace our ‘saccharine’ comments to Ancient Rome and the language of servitude to the Convivencia.