What would be left of the Eurovision Song Contest once wrenched from the spectacle and ritual of its annual Grand Finale in May? Could it survive, stripped of glitz, pyrotechnics, and camp, its penchant for ever-expanding excess? Would the legions of fans worldwide, who love the contest, retain their passion and return in 2021? Such […]
Keeping Upbeat in Tough Times is the new motto for the San Francisco Community Music Center. The phrase sums up the school’s attitude toward the abrupt transition to online instruction that it had to make this spring, after local schools closed their doors because of a government-ordered mandate aimed at slowing the spread of the COVID-19 […]
At 10:50 a.m. recently, I was all set to teach my Theory II class. My I-Pad was charged. I had the links queued up to the textbook for screen share, and I had already created several videos explaining the concepts. When the 11:00 a.m. hour arrived and only two students were visible on Zoom, my […]
The film industry started making jazz-related features as soon as synchronized sound came in, in 1927: “I’m gonna sing it jazzy,” Al Jolson’s Jack Robin optimistically declares in the pioneering talkie The Jazz Singer, before taking off on Irving Berlin’s “Blue Skies.” (He gets closer to the jazzy mark whistling a quasi-improvised chorus of “Toot Toot […]
If you approached bystanders on a street corner in sixteenth-century Naples and asked them “What do conservatories conserve?” the likely answers would not have been “performing arts” or “rare plants.” No, you would have been told confidently that conservatories conserved orphans and foundlings. These church-sponsored orphanages practiced a kind of alchemy—they took in defenseless little […]
Black History Month is cause for celebration and remembrance of black excellence throughout American history. This February, we’re celebrating with a playlist highlighting some of the most remarkable musicians of the twentieth and twenty-first centuries. Beginning with ragtime pioneer, Scott Joplin, this playlist navigates through the many different musical movements created and perfected by black artists. Ragtime gave […]
The New Year has arrived and with it comes that familiar feeling of a fresh start. Everything is bright and full of possibility. If you’re the planning type, you probably have a typed list of shiny goals and resolutions already hung in a prominent place to remind you of your intentions for this year. Even […]
Beginning the 26th of December, a globe-spanning group of millions of people of African descent will celebrate Kwanzaa, the seven-day festival of communitarian values created by scholar Maulana Karenga in 1966. The name of the festival is adapted from a Swahili phrase that refers to “the first fruits,” and is meant to recall ancient African harvest celebrations.
Google “hip hop” and “diplomacy” and what images come up? Black men wearing gold chains and baggy clothes, holding microphones. White men in suits shaking hands, flanked by flags. The contrast is stark: informal/formal, loud/quiet, the resistance/the establishment, black/white. These images reflect common perceptions but also misconceptions about diplomacy and hip hop. Both are, in fact, more […]
Successful composers, authors, and scientists have distinctive writing styles which define all their works. They are rarely in isolation from their contemporaries, so their work is inherently time stamped. Similarities can exist with their students and followers, so they set the pattern of writing over one or two generations.
My thrill in seeing Ramona Diaz’s film Imelda (2004), streaming for free online this month, was dampened by the hype surrounding a new film about the former first lady of the Philippines. I was puzzled to read about The Kingmaker (2019) by Lauren Greenfield, touted for its “unprecedented access” (Showtime) by a filmmaker “perfect” for the subject (Variety). Frankly […]
How artists express individual style and creativity within the context of a cultural tradition is one of the central questions of Aesthetics. This is applicable to an extraordinary range of artistic practices across different cultures, although its answers and solutions differ widely. Our views on the problem can be easily distorted by the particular solution adopted in Europe and America in the modern period: to abandon traditions as much as possible and strive for total originality.
Over the course of four decades, Cornelius “Johnny” Hodges became the most famous soloist in the Duke Ellington orchestra, and the highest-paid. His pure tone on the alto saxophone was his calling card, and he used it both on lush, romantic ballads and on bluesier numbers that kept the band grounded in the music of […]
On 25 August 2019, which would have been Leonard Bernstein’s 101st birthday, the busy centenary year filled with performances, exhibitions, publications, and events comes to a close. Much of Bernstein’s status as a world maestro tends to be discussed in terms of his relationship to Israel and Europe, but once we turn our attention eastward […]
The summer of 1939 was busy for Metro-Goldwyn-Mayer, one of Hollywood’s major studios, as it rolled out The Wizard of Oz, a movie musical almost two years in preparation. The budget for production and promotion was almost $3 million, making it MGM’s most expensive effort up to that time. A June radio broadcast introduced the songs and characters to the public.
When Duncan Laurence of the Netherlands briefly acknowledged his victory in the 2019 Eurovision Song Contest with the dedication, “this is to music first, always,” he was making a claim that most viewers would have found unobjectionable. Laurence’s hopefulness notwithstanding, the real position of music in the 2019 Eurovision Grand Finale on 18 May 2019 in Tel Aviv was more troubling than secure.