Born into poverty in Richmond, Virginia, John Latouche (1914-1956) even as a youth established himself as both a rascal and a genius. After dropping out of Columbia his sophomore year (but not before scandalizing the university with his risqué lyrics to the school’s 1935 Varsity Show, Flair-Flair: The Idol of Paree), he won a coterie of devoted admirers among New York’s artistic elite for his witty and suggestive cabaret songs.
The intersection between music and health occurs on a continuum of care ranging from the personal use of music to “feel better”, to professional music therapy work. While music therapists may work more often in the professional end of the continuum, our experiences and knowledge as clinicians and scholars provide us a unique perspective on […]
David Bednall is Organist of the University of Bristol, Sub Organist at Bristol Cathedral and conducts the Bristol University Singers. He has a busy career as a composer also, and has published many works. In this occasional series we ask Oxford composers questions based around their musical likes, influences, and challenges. We spoke with David about his composing habits, and his most difficult work to write.
For the last 16 years, I have been “supplementing” my day job as a professor by gigging in blues bands. There are advantages–that are also disadvantages–to the double life.
In her keynote speech at Vision 2020: The Housewright Symposium on the Future of Music Education held at Florida State University in 1999, composer Libby Larson shared the story of her daughter’s experience playing saxophone in middle school band.
Some say it is the effect of Gareth Malone’s TV programme The Choir, others claim that it is a result of research pointing to the many health benefits to singing in a choir; whatever the cause, it is undeniable that choral singing in the UK has seen something of a renaissance in recent years. Explore this infographic to find out more about the state of choral singing in the UK.
I find myself reflecting upon my own experiences in music as a student, a piano teacher, a performer, a psychologist and a psychoanalyst. How did I get from “then” to “now”? Who assisted me along my winding journey? Do you ever wonder these things about yourself?
“Over the Rainbow,” with music by Harold Arlen and E. Y. “Yip” Harburg, is one of the most beloved songs of all time, especially as sung by Judy Garland in her role as Dorothy Gale in the 1939 MGM film The Wizard of Oz. The song itself is familiar all over the world. But some things […]
“My status as a musician hasn’t been a large part of my public identity since the beginning of high school. I took lessons and practiced at home, and that was it. But even that yielded other, more private lessons that my flute seemed to teach me. Those lessons will stay with me for much longer,”
At an early age, Américo Paredes was preoccupied with the inexorable passing of time, which would leave an imprint in his academic career. Devoting his academic career to preserving and displaying Mexican-American traditions through thorough analysis and recording of folk-songs, it is clear that Paredes kept his focus on beating back the forces of time and amnesia. Indeed, Paredes’ lessons are still very much relevant today.
On July 5, 2017, Ted Lehmann’s weekly bluegrass column in No Depression asked this provocative question: Bluegrass goes to college, but should it? Through deft turn of phrase, Lehmann hints that the answer may be no, and that perhaps both the music’s historical integrity and today’s aspiring performers might not be best served via the college route.
This year New York Oxford University Press office started a Summer OUP Choir Session! Originally, it began as a holiday initiative in the Winter of 2014–ending with a spectacular performance at the holiday party.
Malcolm Archer’s career as a church musician has taken him to posts at Norwich, Bristol, Wells Cathedrals, and St. Paul’s Cathedral in London. As a composer, Malcolm has published many works; his pieces are widely performed, recorded and broadcast and are greatly enjoyed for their approachable nature and singability. We spoke with Malcolm about his writing, his inspiration, and his career ambitions besides being a composer.
An overlooked aspect of the conductor’s rehearsal procedure is the precise planning of any given rehearsal and of the rehearsal trajectory, from first reading to final dress, toward the end of “peaking” at the concert.
Rising to popularity in the 15th century, the bassoon is a large woodwind instrument that belongs to the oboe family and looks similar to the oboe in terms of coloring and use of the double reed. The bassoon enabled expansion of the range of woodwind instruments into lower registers.
On Thursday, 31 August, the Fifth Rhythm Changes Conference, themed “Re/Sounding Jazz” will kick off at the Conservatory of Amsterdam, the Netherlands. Rhythm Changes conferences are the largest jazz research conferences in the field, bringing together some 150 researchers from all over the globe. This year’s edition is produced in collaboration with the Conservatory of Amsterdam, the University of Amsterdam.