The summer of 1939 was busy for Metro-Goldwyn-Mayer, one of Hollywood’s major studios, as it rolled out The Wizard of Oz, a movie musical almost two years in preparation. The budget for production and promotion was almost $3 million, making it MGM’s most expensive effort up to that time. A June radio broadcast introduced the songs and characters to the public.
When Duncan Laurence of the Netherlands briefly acknowledged his victory in the 2019 Eurovision Song Contest with the dedication, “this is to music first, always,” he was making a claim that most viewers would have found unobjectionable. Laurence’s hopefulness notwithstanding, the real position of music in the 2019 Eurovision Grand Finale on 18 May 2019 in Tel Aviv was more troubling than secure.
Kids aren’t the only ones about to head off to sleep-away summer camps. Scores of adults are packing bags—and musical instruments—to spend a week at summer programs that let them experience “camp food, lumpy beds, and music from 9:00 a.m. to 9:30 p.m.—what could be better? I return to work energized, inspired, and at peace. […]
Mindfulness is the mental skill that can help musicians practice the more abstract philosophies of this performance mindset. A trendy synonym for awareness, mindfulness is simply the deliberate and nonjudgmental focus of attention on the thoughts and events of the present moment.
For over 500 years, the masterful works of Leonardo da Vinci have awed artists, connoisseurs, and laypeople alike. Often considered the first High Renaissance artist, Leonardo worked extensively in Florence, Milan, and Rome before ending his career in France, and his techniques and writings influenced artists for centuries after his death. However, to refer to Leonardo da Vinci as just an artist minimizes his role in numerous areas of study; in addition to painting, sculpture, and drawing, the quintessential “Renaissance Man” left an indelible mark on architecture, engineering, science, philosophy, and even music.
Wimbledon Choral Society and conductor, Neil Ferris, commissioned me to write the Da Vinci Requiem to commemorate the 500th anniversary of Leonardo da Vinci’s death. Leonardo died on 2 May 1519 at the Château du Clos Lucé, Amboise, France; Wimbledon Choral Society will premiere the work in the Royal Festival Hall, London, on 7 May 2019.
How should music reference works deal with jazz in the era of multi-genre freelancing? Back in November 1983, when I asked Stanley Sadie, series editor for Grove Dictionaries of Music, if he’d ever thought of having a New Grove Dictionary of Jazz, jazz seemed to be a reasonably coherent genre with a connected succession of styles. Maybe I was just being young, naive, ignorant. Or maybe the notion of jazz as something coherent hadn’t yet started to completely unravel, even though all sorts of challenges were nipping at it, especially as the fusions emerged (jazz-rock, jazz-funk, and so forth).
I’m anxiously awaiting the release of Bolden, a film about the New Orleans cornettist Buddy Bolden (1888 – 1933) who may actually have invented jazz. But since Bolden will not be released until May, and since April is Jazz Appreciation Month, now is a good time to talk about the cultural capital that jazz has recently acquired, at least in that […]
Over his esteemed six decade career, Italian composer Ennio Morricone has scored hundreds of movies across numerous genres, most famously the Spaghetti Westerns of Sergio Leone.
Everyone loves a good plot twist. And what better plot twist than finding out that a work of art, scientific discovery, or other creation was the achievement not of a well-known man, but rather a woman? Fanny Mendelssohn Hensel was a talented composer of the early 19th century who worked mostly in private. As an upper-class woman with […]
“When my mother died, the music stopped in my house,” said Isabel Heredia. Her mother wasn’t a professional singer, “but she had a fantastic voice. She sang at parties.”
Not just once, but repeatedly, I have heard something like “I just didn’t see in science any room for my own imagination or creativity,” from young students clearly able to succeed at any subject they set their minds to. It is a tragedy that so many people do not perceive science as a creative. Yet […]
Entrepreneurship for musicians need not be mysterious. It’s really just a different way of looking at your world and capitalizing on opportunities. How do you develop that kind of mindset? Here are five things you can start doing that may help you think like an entrepreneur.
Music histories like these do not offer anything as technical as a musicological analysis, yet they treat music as much more than a soundtrack. They delve deeply into the stylistic attributes, technological production and commercial distribution of music, while situating it within broader contexts shaped by migration, empire, and war, as well as by racial, ethnic, and gender hierarchy.
In a rare television interview, Jimi Hendrix appeared on a network talk show shortly after his historic performance at the Woodstock Music & Art Fair. When host Dick Cavett asked the guitarist about the “controversy” surrounding his wild, feedback-saturated version of “The Star-Spangled Banner,” Hendrix gently demurred.
Around the world, the arts are being used within communities to address local needs. For such projects to be most effective, program participants must: ensure that their program goals are locally-defined; research which art forms, content, and events might best feed into their program goals; develop artistic products that address their goals; and evaluate these products to ensure their efficacy.