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Academic Insights for the Thinking World
Written, staged, and performed entirely by African Americans, Shuffle Along was the first show to make African-American dance an integral part of American musical theater, eventually becoming one of the top ten musical shows of the 1920s. Authors Richard Carlin and Ken Bloom provide a list of ten little-known facts about the show.
Beethoven wrote an enormous quantity of music: nine symphonies, some fifty sonatas, seven concertos, sixteen string quartets, more than a hundred songs…the list goes on and on. It is almost inevitable that certain of these works have been relatively neglected by performers and the listening public alike. Here are a few overlooked gems.
The first movement of Brahms’s Violin Sonata No. 1 in G, op. 78, has led many violin-piano duos either to ignore Brahms’s tempo markings or actually play the opposite of what he wrote. Joel Lester considers the what might we learn from this oddity.
In the second and final part of this interview, author Michael B. Bakan speaks to his co-author Graeme Gibson, Dr Deborah Gibson, and legendary science fiction author William Gibson about writing science fiction, musical influences, and essential lessons autism has taught them.
In the first part of this two-part interview, author of “Music and Autism,” Michael Bakan speaks to his co-author Graeme Gibson, Dr Deborah Gibson, and legendary science fiction author William Gibson about musical instruments and autism.
All of us who are devoted to music education are facing new challenges due to the pandemic, and while we are lucky and grateful to have extraordinary technology at our disposal, it is undeniably frustrating to be isolated from each other, to deal with inadequate sound quality, poor connections, and time delays. We need to temporarily but urgently reinvent how we teach and connect with students.
Three music therapy scholars examine rising college student stress levels and how music might help.
In Western society, we spend a lot of time celebrating and welcoming new life, but very few cultures celebrate when a person dies. While death is not as taboo as 50 years ago, death is still a topic that many individuals are not comfortable speaking about in conversations.
Trump is Punk! It’s a hashtag. It’s a slogan on t-shirts and trucker hats. It’s a click-bait headline. Milo Yiannopoulos, a former Breitbart editor, may have started this buzz with his speech (delivered in drag) at Louisiana State University on 22 September 2016, in which he claimed that “being a Donald Trump supporter is the new punk” because it would “piss off your teachers, piss off your parents, piss off your friends.” Then in October, The Atlantic published “Donald Trump, Sex Pistol: The Punk Rock Appeal of the GOP Nominee,” and after the election, the New York Post ran an opinion piece with the headline “Trump is the Punk-Rock President America Deserves” (9 November 2016). Despite social media protestations, “punk” became shorthand for Trump’s rule-breaking, anti-establishment campaign filled with unapologetic vulgarity and appeals to white male grievance.
Looking at current events in the UK, one can conclude that the Kingdom is far from united. While media outlets such as the BBC and newspapers tell a particular story of the situation, I have found that there is a missing voice in these discourses which shed an important light on these contexts. The British rapper, or MC.
“If you give yourself to something that you think isn’t going to work, sometimes it does,” says retired school teacher and lifelong choir member Linda Bluth. She’s commenting on a surprising new musical bright spot that has popped up during the coronavirus pandemic: ordinary people becoming recording artists.
Films like Immortal Beloved and Copying Beethoven, whatever their value as entertainment, have helped create an image of the composer that often runs counter to the historical evidence. Here are five things that might surprise you about the composer. He laughed a lot Most images of Beethoven—especially those done after his death—show him scowling. But […]
It is one thing to condemn Chuck Close, James Levine, or R. Kelly for their alleged wrongdoing, but another to regard their artworks as though they were somehow polluted by association with their creators.
Composer Cecilia McDowall and poet Seán Street have collaborated on the creation of many choral works in recent years, from Shipping Forecast to Angel of the Battlefield. Here they discuss some of the challenges and pleasures of balancing words and music to create something that is greater than the sum of its parts. *** Cecilia McDowall (CM): Writing for choral forces, characteristically, requires […]
Since the onset of the pandemic, online platforms like Facebook and YouTube have become indispensable hubs of musical collaboration. Simply scroll down your Facebook feed to encounter collaborative virtual performances of everything from “Over the Rainbow” to Mahler’s Third Symphony, each one painstakingly assembled from individual recordings of sequestered singers and isolated instrumentalists. While physically distant musical collaborations […]
Why would anyone choose to learn a musical instrument which is too large and expensive for almost every home, and only accessible if one is prepared to brave a lonely, cold, and dark old building? You guessed it: we are talking about the pipe organ. Yet despite this, the instrument continues to attract players of […]