Noted psychologist and educator Erik Erikson has written about human development from a biological, psychological, and social perspective encompassing the entire life cycle. His famous chart “The Eight Stages of Man” is in his book Childhood and Society (1950). I have found his ideas particularly helpful to understanding the importance of development in musicians, particularly so since children begin to study musical instruments at very young ages.
The figure most closely identified with the Protestant Reformation is, of course, Martin Luther. But after him probably comes Johann Sebastian Bach, who spent much of his musical career in the service of Luther’s church. As the world marks the 500th anniversary of the Reformation on 31 October 2017, we can remember that Bach and his contemporaries also took careful note of Reformation anniversaries, commemorating them in liturgy and music.
William: I played in a violin recital a couple of weeks ago. I had played the music many times before but in that concert I really messed up my finger work passages – one in particular – and then I started feeling that my memorization was shaky. I was a nervous wreck and couldn’t wait to finish. I cannot figure this out. I feel haunted that it is going to happen again and again.
JJN: This sounds terribly upsetting – both your concerns about your playing and your worries about trying to figure it out on your own and not being able to do that. Has this kind of thing happened before? Do you typically try to figure things out on your own?
Village echoes (and reverb, and delay): the drums of Nepal’s rural festivals and the booming speakers of urban dohori restaurants
Nepal’s dohori restaurants aim to reproduce festive rural environments in urban areas, with folk music and dance performances onstage, and opportunities for restaurant guests to sing and dance themselves. One of the first things that newcomers notice is how loud these restaurants are.
Sarah Quartel is a Canadian composer, conductor, and educator known for her fresh and exciting approach to choral music. Her music is performed by children and adults around the world, and celebrates the musical potential of all learners by providing singers access to high quality and engaging repertoire. We spoke with Sarah about why she composes, how she approaches writing, and the pieces that mean the most to her.
Cymbals are a highly versatile instrument of ancient origin. In the West, they have been used not only in orchestral music, but also in jazz and popular music. From being played very quietly to making a striking splash in the orchestra, composers and musicians have found the instrument to be widely adaptable.
In no particular order, here are ten reasons why string teachers may want to teach guitar. This list was originally created to for a presentation at a national conference for the American String Teachers Association.
Born into poverty in Richmond, Virginia, John Latouche (1914-1956) even as a youth established himself as both a rascal and a genius. After dropping out of Columbia his sophomore year (but not before scandalizing the university with his risqué lyrics to the school’s 1935 Varsity Show, Flair-Flair: The Idol of Paree), he won a coterie of devoted admirers among New York’s artistic elite for his witty and suggestive cabaret songs.
The intersection between music and health occurs on a continuum of care ranging from the personal use of music to “feel better”, to professional music therapy work. While music therapists may work more often in the professional end of the continuum, our experiences and knowledge as clinicians and scholars provide us a unique perspective on […]
David Bednall is Organist of the University of Bristol, Sub Organist at Bristol Cathedral and conducts the Bristol University Singers. He has a busy career as a composer also, and has published many works. In this occasional series we ask Oxford composers questions based around their musical likes, influences, and challenges. We spoke with David about his composing habits, and his most difficult work to write.
For the last 16 years, I have been “supplementing” my day job as a professor by gigging in blues bands. There are advantages–that are also disadvantages–to the double life.
In her keynote speech at Vision 2020: The Housewright Symposium on the Future of Music Education held at Florida State University in 1999, composer Libby Larson shared the story of her daughter’s experience playing saxophone in middle school band.
Some say it is the effect of Gareth Malone’s TV programme The Choir, others claim that it is a result of research pointing to the many health benefits to singing in a choir; whatever the cause, it is undeniable that choral singing in the UK has seen something of a renaissance in recent years. Explore this infographic to find out more about the state of choral singing in the UK.
I find myself reflecting upon my own experiences in music as a student, a piano teacher, a performer, a psychologist and a psychoanalyst. How did I get from “then” to “now”? Who assisted me along my winding journey? Do you ever wonder these things about yourself?
“Over the Rainbow,” with music by Harold Arlen and E. Y. “Yip” Harburg, is one of the most beloved songs of all time, especially as sung by Judy Garland in her role as Dorothy Gale in the 1939 MGM film The Wizard of Oz. The song itself is familiar all over the world. But some things […]
“My status as a musician hasn’t been a large part of my public identity since the beginning of high school. I took lessons and practiced at home, and that was it. But even that yielded other, more private lessons that my flute seemed to teach me. Those lessons will stay with me for much longer,”