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SHAPE

On SHAPE: a Q&A with Lucy Noakes, Eyal Poleg, Laura Wright & Mary Kelly

By Eyal Poleg, Laura Wright, Lucy Noakes, and Mary Kelly

OUP have recently announced our support for the newly created SHAPE initiative—Social Sciences, Humanities, and the Arts for People and the Economy. To further understand the crucial role these subjects play in our everyday lives, we have put three questions to four British Academy SHAPE authors and editors—social and cultural historian Lucy Noakes, historian of objects and faith Eyal Poleg, historical sociolinguist Laura Wright, and Lecturer in Contemporary Art History Mary Kelly—on what SHAPE means to them, and to their research.

Arthur Sullivan

Rehabilitating the sacred side of Arthur Sullivan, Britain’s most performed composer

By Ian Bradley

November 2018 saw the release of the first ever professional recording of Arthur Sullivan’s oratorio, The Light of The World, based on Biblical texts and focused on the life and teaching of Jesus. The critical reaction to this work, which had been largely ignored and rarely performed for over 140 years, was extraordinary.

Winner of Grove Music’s 2021 spoof article contest

By Anna-Lise Santella

It’s April Fool’s Day, which means the time has come to reveal the winner of the 20th anniversary edition of Grove Music Online’s Spoof Article Contest.

Erard: A Passion for the Piano

Family secrets and the demise of Erard pianos and harps

By Robert Adelson

Musicians from Haydn to Liszt were captivated by the rich tone and mechanical refinement of the pianos and harps invented by Sébastien Erard, whose firm dominated nineteenth-century musical life. Erard was the first piano builder in France to prioritise the grand piano model, a crucial step towards creating a modern pianistic sonority.

SHAPE

SHAPE today and tomorrow: Q&A with Sophie Goldsworthy and Julia Black (part two)

By Julia Black and Sophie Goldsworthy

This second part of our Q&A with Sophie Goldsworthy, Director of Content Strategy & Acquisitions at OUP, and Professor Julia Black CBE FCA, Strategic Director of Innovation and Professor of Law at the London School of Economics and Political Science, and President-elect of the British Academy, reflects on how SHAPE disciplines can help us to understand the impact of the events of the pandemic and look towards the future of SHAPE.

Transcending Dystopia

Digging into the vaults of the unknown: the “Transcending Dystopia” research diaries

By Tina Frühauf

Research for Transcending Dystopia over the course of almost a decade was truly a journey, piecing together disparate snippets that have been transmitted in different repositories to gain insight into the musical practices and lives of Jews in postwar Germany. Among the 26 archives and private collections I consulted, two experiences stand out—the first being somewhat unusual, the second being quite extraordinary.

SHAPE

Introducing SHAPE: Q&A with Sophie Goldsworthy and Julia Black (part one)

By Julia Black and Sophie Goldsworthy

OUP is excited to support the newly created SHAPE initiative—Social Sciences, Humanities, and the Arts for People and the Economy. SHAPE has been coined to enable us to clearly communicate the value that these disciplines bring to not only enriching the world in which we live, but also enhancing our understanding of it. In the first instalment this two-part Q&A, we spoke to Sophie Goldsworthy and Professor Julia Black to find out more about SHAPE and what it means to them.

Black History Month square

Ten empowering books to read in celebration of Black History Month

By Jo Wojtkowski

In observance of Black History Month, we are celebrating our prize-winning authors and empowering scholarship spanning a variety of topics across African American history, the civil rights movement, Black Lives Matter, the Harlem Renaissance, jazz, and more. Explore our reading list and update your bookshelf with the most recent titles from these eminent authors.

Language Arts, Math, and Science in the Elementary Music Classrooom

Tips for adapting the elementary music curriculum to online teaching

By Kim Milai

Teachers of the performing arts are adapting their classes to go online. The problems and challenges range from ensuring enough physical space for movement around each student’s computer to overcoming audio and video syncing delays during the live feed. But what about elementary music?

Grove Music’s 2021 spoof article contest is now open!

By Anna-Lise Santella

I think we can all agree that recent months of pandemic and political unrest have been difficult ones, and often entirely bereft of humor. I am therefore pleased to announce the revival of the Grove Music Online Spoof Article Contest 2021.

Journeys through Galant expositions

Joseph Riepel and a very long hello

By L. Poundie Burstein

Joseph Riepel’s celebrated music theory treatise, Anfangsgründe zur musicalischen Setzkunst, unfolds in a lively and witty manner. Most of its chapters are framed in the guise of lessons, presented as dialogues between a teacher and student.

My song is love unknown, by Becky McGlade

A Q&A with composer Becky McGlade

By Becky McGlade

I was fortunate enough to rehearse daily with the Truro cathedral choristers from the age of 8 to 13 (in the days before girl choristers). This fostered in me a love for choral music and for singing, which has continued throughout my life.

Using Technology with Elementary Music Approaches

Technology in the elementary music classroom after the pandemic

By Amy M. Burns

The pandemic will leave a lasting impression on music education for years to come. Though we do not have to use technology every day after the pandemic ends, there are ways to use technology that can level up and benefit music-making with elementary students.

Making Time for Making Music

Online music-making with nearly no lag time—really!

By Amy Nathan

Susan Alexander found a way to fill the “big, depressing hole in your life where playing music with other people used to be” when she discovered JamKazam, one of several free music-making software programs that nearly eliminate the annoying lag time in sound transmission that occurs when musicians try to make music together on Zoom or Skype.

Gems of Exquisite Beauty

Nineteenth-century US hymnody’s fascination with classical music

By Peter Mercer-Taylor

How could it ever have seemed like a good idea to set one of the most familiar Christmas hymns in the English language to a tune intended by Mozart (a genius at close-binding music to drama) as a vehicle for a seductive outpouring of double-entendre?

Eubie Blake: Rags, Rhythm, and Race

10 little-known facts about Sissle and Blake’s Shuffle Along

By Ken Bloom and Richard Carlin

Written, staged, and performed entirely by African Americans, Shuffle Along was the first show to make African-American dance an integral part of American musical theater, eventually becoming one of the top ten musical shows of the 1920s. Authors Richard Carlin and Ken Bloom provide a list of ten little-known facts about the show.