François Truffaut is among the few French directors whose work can be labeled as “pure fiction.” He always professed that films should not become vehicles for social, political, religious, or philosophical messages.
A Charlie Brown Christmas was never supposed to be a success. It hit on all the wrong beats. The pacing was slow, the voice actors were amateurs, and the music was mostly laid back piano jazz (the opening theme, “Christmas Time is Here,” carried a strange, wintery melody built on unconventional modal chord progressions). It was almost like the program was constructed as a sort of anti-pop statement. In many ways, that’s exactly what it was. And that’s exactly why it so worried the media executives who had commissioned it.
[Reading list] Fake, false, inaccurate, misleading, and deceptive. This rhetoric is all too familiar to the news consuming public today. But what is fake news and how does it differ from misinformation and disinformation?
The SHAPE (Social Sciences, Humanities, and the Arts for People and the Economy) initiative advocates for the value of the social sciences, humanities, and arts subject areas in helping us to understand the world in which we live and find solutions to global issues. As societies around the world respond to the immediate impact of the COVID-19 pandemic, research from SHAPE disciplines has the potential to illuminate how societies process and recover from various social crises.
In the long history of America’s influence on the politics of innovation in Europe, the case of the planned football Super League stands out. This is not because of the project as such, but simply because, of all the variety of responses Europe has produced when faced with the latest American novelty, none has provoked enthusiasm and rejection—above all rejection—with such extraordinary intensity, unity, and speed.
As Artificial Intelligence technologies enter into more and more facets of our everyday life, we are growing accustomed to the idea of machines talking directly to us.
We’re used to travelling long distances to explore exotic new locations—but that hasn’t always been possible. So how did people visit far-flung spots in times gone by? Rachel Teukolsky, author of “Picture World: Image, Aesthetics, and Victorian New Media”, takes us on a fascinating journey in glorious Victoriana 3D, introducing us to the must-have virtual reality tech of the 19th century: the stereoscope.
This second part of our Q&A with Sophie Goldsworthy, Director of Content Strategy & Acquisitions at OUP, and Professor Julia Black CBE FCA, Strategic Director of Innovation and Professor of Law at the London School of Economics and Political Science, and President-elect of the British Academy, reflects on how SHAPE disciplines can help us to understand the impact of the events of the pandemic and look towards the future of SHAPE.
OUP is excited to support the newly created SHAPE initiative—Social Sciences, Humanities, and the Arts for People and the Economy. SHAPE has been coined to enable us to clearly communicate the value that these disciplines bring to not only enriching the world in which we live, but also enhancing our understanding of it. In the first instalment this two-part Q&A, we spoke to Sophie Goldsworthy and Professor Julia Black to find out more about SHAPE and what it means to them.
Pandemic life has underscored how digital technology can foster intimate connections. As citizens of a world that suddenly feels both more alienated and radically—dangerously—connected, the term “social distancing” has been added to many of our vocabularies.
Angelou’s creative talent and genius cut across many arenas. One of the most celebrated authors in the United States, Angelou wrote with an honesty and grace that captured the specificity of growing up a young black girl in the rural South.
Had he lived, Bruce Lee would have been 80 on 27 November 2020. This anniversary will be marked by countless people and innumerable institutions all over the world, from China to Russia to the USA, and almost everywhere in between. This is because, in the space of a few episodes of a couple of US TV series and four martial arts films, Bruce Lee changed global popular culture forever.
“If you give yourself to something that you think isn’t going to work, sometimes it does,” says retired school teacher and lifelong choir member Linda Bluth. She’s commenting on a surprising new musical bright spot that has popped up during the coronavirus pandemic: ordinary people becoming recording artists.
The unelected power of the Fourth Estate is never more evident—and potentially destructive—than during campaign seasons, when antagonists exploit the news to test authoritarian themes.
The key assumption of Dan Sperber and Deirdre Wilson’s relevance theory is that every act of communication comes with the promise (not the guarantee!) of being optimally relevant to its envisaged audience. Sperber and Wilson’s examples typically pertain to spoken face-to-face exchanges between two individuals: speaking Mary and listening Peter. A message gains in relevance for […]
Since the onset of the pandemic, online platforms like Facebook and YouTube have become indispensable hubs of musical collaboration. Simply scroll down your Facebook feed to encounter collaborative virtual performances of everything from “Over the Rainbow” to Mahler’s Third Symphony, each one painstakingly assembled from individual recordings of sequestered singers and isolated instrumentalists. While physically distant musical collaborations […]