Oxford University Press's
Academic Insights for the Thinking World
In art, a figleaf is used to barely cover something one isn’t supposed to show in public. I use the term ‘figleaf’ for utterances (and sometimes pictures, or other things) which barely cover for speech of a sort one isn’t supposed to openly engage in. When someone says “I’m not a racist but…” and then […]
Dogwhistles are one of the most discussed methods for politicians to play on voters’ racial attitudes in a stealthy manner, although they come in handy for manipulation on other topics as well. The key to a dogwhistle is this hiding of what’s really going on. Broadly speaking, a dogwhistle is a bit of communication with an interpretation that seems perfectly innocent—but which also does something else.
Since Bette Midler first entered a recording studio, she’s tackled just about every genre of music. This tour through her recorded output reveals not just the familiar best-selling hits but five decades of deep cuts and delightful discoveries.
Breaking out of the chains had emerged as a central leitmotif and call for activism at the Eurovision Song Contest long before Swiss non-binary singer, Nemo, performed it as the winning song, “The Code,” at the Grand Finale on May 11 2024 in Malmö, Sweden.
New York-based talk shows in the 1970s offered plentiful opportunities for quirky young talents like Bette Midler to sing a song or two and maybe kibitz with the host, regardless of whether they had a Broadway show or film or new record to promote. Midler had none of these when her manager Budd Friedman got her booked on The Tonight Show starring Johnny Carson not long after she began her legendary run at the Continental Baths.
Perhaps the finest representation of battle to survive from antiquity, the Alexander Mosaic conveys all the confusion and violence of ancient warfare. It also exemplifies how elite patrons across diverse artistic cultures commission artworks that draw inspiration from and celebrate past and present events important to the community.
Robert Lawson explores both toxic masculinity and positive masculinity in the media landscape, from Andrew Tate to the television show Brooklyn 99.
Simon Huxtable explores the history of Russian journalism in the Soviet Union and asks how, or whether, it compares to the situation of Russian journalists after the Russian invasion of Ukraine on 24 February 2022.
I didn’t enter the world of digital dance cultures as a scholar. When I was introduced to TikTok and Dubsmash in October 2018 by my high school students, I first engaged with the platforms as a dancer.
François Truffaut is among the few French directors whose work can be labeled as “pure fiction.” He always professed that films should not become vehicles for social, political, religious, or philosophical messages.
A Charlie Brown Christmas was never supposed to be a success. It hit on all the wrong beats. The pacing was slow, the voice actors were amateurs, and the music was mostly laid back piano jazz (the opening theme, “Christmas Time is Here,” carried a strange, wintery melody built on unconventional modal chord progressions). It was almost like the program was constructed as a sort of anti-pop statement. In many ways, that’s exactly what it was. And that’s exactly why it so worried the media executives who had commissioned it.
[Reading list] Fake, false, inaccurate, misleading, and deceptive. This rhetoric is all too familiar to the news consuming public today. But what is fake news and how does it differ from misinformation and disinformation?
The SHAPE (Social Sciences, Humanities, and the Arts for People and the Economy) initiative advocates for the value of the social sciences, humanities, and arts subject areas in helping us to understand the world in which we live and find solutions to global issues. As societies around the world respond to the immediate impact of the COVID-19 pandemic, research from SHAPE disciplines has the potential to illuminate how societies process and recover from various social crises.
In the long history of America’s influence on the politics of innovation in Europe, the case of the planned football Super League stands out. This is not because of the project as such, but simply because, of all the variety of responses Europe has produced when faced with the latest American novelty, none has provoked enthusiasm and rejection—above all rejection—with such extraordinary intensity, unity, and speed.
As Artificial Intelligence technologies enter into more and more facets of our everyday life, we are growing accustomed to the idea of machines talking directly to us.
We’re used to travelling long distances to explore exotic new locations—but that hasn’t always been possible. So how did people visit far-flung spots in times gone by? Rachel Teukolsky, author of “Picture World: Image, Aesthetics, and Victorian New Media”, takes us on a fascinating journey in glorious Victoriana 3D, introducing us to the must-have virtual reality tech of the 19th century: the stereoscope.