In case you missed it, the world was recently saved by the Avengers, a Marvel Comics superhero, super-team who defeated Thanos, a genocidal maniac of galactic proportions. However, the real victory belongs to Disney, which owns the Marvel movie properties. Avengers: Endgame annihilated the record for the largest opening weekend box office haul, raking in […]
This year’s Academy Awards presentation takes places at the end of Black History Month. The congruence of this fact with the increased profile of heretofore minority cinema is more than felicitous. Since the Twitter campaign #Oscarsowhite following the announcement of the 2015 nominations, both the Academy and the motion picture industry have made visible efforts to promote work by Asian, Latino, and African-American directors, writers, actors, and musicians.
Does it make you less of an intellectual woman, any less of a feminist, to derive insight and even pleasure from films where women appear as instruments in the service of male desire?
In 2008, StoryCorps created World Listening Day for citizens of all beliefs and backgrounds to record, preserve, and share the stories of their lives. This year, we invite you to celebrate by listening to our podcast, The Oxford Comment.
All eyes are on the U.S. political landscape heading into the 2018 Midterm Elections in November. With all 435 seats of the House of Representatives and about one-third of Senate spots up for grabs, the next decade of politics lies in the hands of voters.
When Grove Music Online launched its new website last December, it marked the beginning of a new era for the encyclopedic dictionary that serves as a primary reference tool for music scholars. Grove has been in continuous publication since 1879 and online since 2001, but the version of Grove that was published on December 2017 remade the dictionary for the first time as “digital first”—that is, with online prioritized over print—and is thus Grove’s first truly digital edition.
I can still recall the trip to Bournemouth to get the Atari ST “Discovery Pack.” The Atari ST was a major leap forward from our previous computer, the ZX Spectrum, offering superior graphics and sound capabilities. It also had a floppy disk drive, which meant it was no-longer necessary to listen to extended sequences of noise and coloured bars while the game loaded (this was an exercise in patience at the time, though retrospectively these loading sequences seem more interesting due to the similarities with experimental noise music!)
The fictional world has always featured women who solve crimes, from Nancy Drew to Veronica Mars. Although men crime-solvers outnumbered women on TV, women detectives have increasingly become more commonplace. This trend includes the policewomen depicted on CSI and Law & Order: SUV as well as private detectives like Veronica Mars and Miss Phryne Fisher who are the chief protagonists of their series.
At a Cambridge court hearing in 1584, Margery Johnson reported that she heard Thomas Wylkinson refer to “the said Jane Johnson thus ‘A pox of God on thee, bitch fox whore, that ever I knew thee.’” If Wylkinson indeed called down such a curse on Jane, he was guilty not of libel, but of slander, a verbal attack on another person. Libel, in contrast, is defined as defamation by written or printed words, pictures, or in any form other than by spoken words or gestures.
Movie-going has been an American pastime since the early 20th century. Since 1945 we have seen Hollywood rise to its apex, dominating movie theaters across the globe with its massive productions. It was not always this way, though. Below are 10 facts about the evolution of the American film industry after the Second World War.
Apple’s recent product launch on 12 September has cast into the mainstream technologies that were first envisioned by Mark Weiser in the 1990s, when he was Chief Technologist at Xerox’s Palo Alto Research Center (PARC). Though Weiser died in 1999, at the age of 46, his ideas continue to inspire cutting-edge smartphone innovations. Now is a good time to revisit Weiser’s ideas.
Thanksgiving is one of the most important holidays in the US calendar. However for those who have never lived in America, the celebration can seem perplexing and often down-right bewildering. Here in the Oxford offices at Oxford University Press, we thought we may have understood the basics, but on researching more into the holiday, we have been left with many more questions than answers. For instance, what is a “Turkey Trot” or sweet potato pie, and if television is to be believed – do people actually go around the table saying what they’re thankful for?
How can instructors equip students with the skills and knowledge to become effective social media professionals? Three years ago, I left my position as a social media director and transitioned back to academia to focus on this critical question. Since then I have experimented with a variety of pedagogical approaches. Here are a few tips that I have found to be consistently helpful in the classroom.
Although cast shadows lurk almost everywhere in the visual arts, they often slip by audiences unnoticed. That’s unfortunate, since every shadow tells a story. Whether painted, filmed, photographed, or generated in real time, shadows provide vital information that makes a representation engaging to the eye. Shadows speak about the shape, volume, location, and texture of objects, as well as about the source of light, the time of day or season, the quality of the atmosphere, and so on.
When the Oxford Dictionary of Quotations was first published in 1941, it all seemed so simple. It was taken for granted that a quotation was a familiar line from a great poet or a famous figure in history, and the source could easily be found in standard literary works or history books. Those early compilers of quotations did not think of fake facts and the internet. “Fake facts”, or perhaps more accurately misunderstandings, have been around in the world of quotations for a long time.
John Carpenter’s classic suspense film Halloween from 1978 launched the slasher subgenre into the mainstream. The low-budget horror picture introduced iconic Michael Myers as an almost otherworldly force of evil, stalking and killing babysitters in otherwise peaceful Haddonfield. It featured a bare-bones plot, a simple, haunting musical score composed by Carpenter himself, some truly nerve-wracking editing and cinematography