Oxford University Press's
Academic Insights for the Thinking World
Creating access for people with disabilities sometimes means fundamentally changing the nature of the thing that is made accessible. When we change the nature of the thing made accessible, we don’t just create access and inclusion for people with disabilities—we often create a new kind of experience altogether.
We’re used to travelling long distances to explore exotic new locations—but that hasn’t always been possible. So how did people visit far-flung spots in times gone by? Rachel Teukolsky, author of “Picture World: Image, Aesthetics, and Victorian New Media”, takes us on a fascinating journey in glorious Victoriana 3D, introducing us to the must-have virtual reality tech of the 19th century: the stereoscope.
During the nineteenth century, Britain, Canada, and the United States began to construct, in earnest, a border across the northern part of North America. They placed hundreds of markers across the 49th parallel and surveyed the land around them. Each government saw the border as a symbol of their sovereignty, a marker of belonging, and as the basic outline of their nation-states.
To know Russia, you really have to understand 1837. The assertion might seem strange. Even among historians of Russia, it is likely to produce head-scratching rather than nods of knowing approval. Most would point to other years—1613 and the birth of the Romanov dynasty; 1861 and the end of Russian serfdom; 1917 and the Bolshevik seizure of power—as more consequential. But in fact 1837 was pivotal for the country’s entry into the modern age and for defining many of Russia’s core attributes. Russia is what it is today, in no small measure, because of 1837.
Musicians from Haydn to Liszt were captivated by the rich tone and mechanical refinement of the pianos and harps invented by Sébastien Erard, whose firm dominated nineteenth-century musical life. Erard was the first piano builder in France to prioritise the grand piano model, a crucial step towards creating a modern pianistic sonority.
Test your knowledge of eighteenth- and nineteenth-century literary classics penned by women!
This second part of our Q&A with Sophie Goldsworthy, Director of Content Strategy & Acquisitions at OUP, and Professor Julia Black CBE FCA, Strategic Director of Innovation and Professor of Law at the London School of Economics and Political Science, and President-elect of the British Academy, reflects on how SHAPE disciplines can help us to understand the impact of the events of the pandemic and look towards the future of SHAPE.
When asked to name a philosopher, it is more than likely that many of the major thinkers that spring to mind will be male. There is a long and rich tradition of female thinkers who have made important contributions to philosophy, and whose works merit further recognition. To celebrate Women’s History Month, we asked some of our authors to tell us about a female philosopher they admire, and why.
On the afternoon of 27 April 1859, two top-hatted businessmen, standing in a gravel pit outside the French city of Amiens, were about to change history. Joseph Prestwich and John Evans had brought with them a photographer, scientific witnesses, and a great deal of zeal and perseverance to answer a longstanding question: how old was humanity?
Research for Transcending Dystopia over the course of almost a decade was truly a journey, piecing together disparate snippets that have been transmitted in different repositories to gain insight into the musical practices and lives of Jews in postwar Germany. Among the 26 archives and private collections I consulted, two experiences stand out—the first being somewhat unusual, the second being quite extraordinary.
OUP is excited to support the newly created SHAPE initiative—Social Sciences, Humanities, and the Arts for People and the Economy. SHAPE has been coined to enable us to clearly communicate the value that these disciplines bring to not only enriching the world in which we live, but also enhancing our understanding of it. In the first instalment this two-part Q&A, we spoke to Sophie Goldsworthy and Professor Julia Black to find out more about SHAPE and what it means to them.
The early modern period in India (roughly from 1550 to 1750) has been increasingly understood as a time of heightened religious self-awareness—the fertile soil from which Hinduism emerged as a unified world religion. Yet it was also a tumultuous period of intense rivalry across scholarly and religious communities.
In observance of Black History Month, we are celebrating our prize-winning authors and empowering scholarship spanning a variety of topics across African American history, the civil rights movement, Black Lives Matter, the Harlem Renaissance, jazz, and more. Explore our reading list and update your bookshelf with the most recent titles from these eminent authors.
John Rawls’s “A Theory of Justice” was published fifty years ago. What is the connection between Rawls’s abstract theorizing about justice and work aiming to address real-world injustices?
Teachers of the performing arts are adapting their classes to go online. The problems and challenges range from ensuring enough physical space for movement around each student’s computer to overcoming audio and video syncing delays during the live feed. But what about elementary music?
Since the 19th century, stage and film directors have mounted hundreds of adaptations of Shakespeare drawn on East Asian motifs, and by the late 20th century, Shakespeare had become one of the most frequently performed playwrights in East Asia.