A summer playlist inspired by Oxford World’s Classics
To help curate your summer playlist and reading list, here are 10 songs and Oxford World’s Classics we recommend you add to your rotation:
To help curate your summer playlist and reading list, here are 10 songs and Oxford World’s Classics we recommend you add to your rotation:
The word privilege is a lightning rod in United States culture. For some, it indexes systemic inequities shaped by race, ethnicity, class, gender, and sexuality, while for others, it represents a “woke” vocabulary used to enforce political correctness. Perhaps unsurprisingly, accusations of privilege have reached the classical music world.
Hymn tunes of Ralph Vaughan Williams find consensus: undisputed quality. The foremost English composer of his generation is credited with composing, adapting, or arranging more than 80 tunes set to important hymns of our faith.
In December 2021, I was a contestant on the popular American quiz show Jeopardy! Every Jeopardy! game has a brief segment in which contestants share anecdotes about themselves, and I used my time to proselytize reading Moby-Dick. I talked about my work on the new Oxford World’s Classics edition of the novel, and emphasized that Melville’s novel is unexpectedly weird, moving, and hilarious despite its monumental reputation.
To commemorate the 1900th anniversary of Hadrian’s Wall, here’s a selection of titles exploring its history, ancient Rome’s influence on British identity, the new approaches being developed in Roman archaeology, and more.
What did it mean to be “saved” in antiquity? In a polytheistic system where multiple gods and goddesses reigned, which ones did the ancient Greeks turn to as their “saviour” and how could the gods be persuaded to “save”? Theodora Jim investigates how the Greeks imagine, solicit, and experience divine saving as they confronted the unknown and unknowable, and how their hopes of “salvation” differ from that in Christianity.
Months before the Grand Finale of the Eurovision Song Contest on May 14, 2022 in Turin, Italy, Ukraine was able to claim both moral and musical victory with its entry, the Kalush Orchestra’s “Stefania” (Stephanie). Together with the official videos of all other national entries, “Stefania” began circulating globally on multiple internet platforms in the early weeks of 2022, even as the threat of Russia’s military aggression against Ukraine intensified and then reached the full force of invasion on 24 February.
In the past few decades, trust and distrust have become frequent subjects of journalistic and academic discourse. Distrust of British and American public institutions has, in fact, a much longer and more complex history than most academics recognize.
Baffling though this seems to most Europeans, President Putin believes that by invading Ukraine he is defending Orthodox Christianity from the godless West.
Here are 10 books that we recommend you read if you’re looking to immerse yourself in the world of classical literature, but don’t know where to start:
The 26th May 2022 marks the 125th anniversary of Dracula’s publication. Despite its reputation as one of the great Gothic novels, there are facts about Dracula that might surprise even the most hardcore fans.
To my knowledge, Price’s Boston address remained inconclusive until I visited Special Collections at the University of Arkansas Mullins Library this past January to find new leads for the Price biography I am co-authoring with Samantha Ege, the Lord Crewe Junior Research Fellow in Music at Lincoln College, Oxford. The recovery of this information fills a void in a life story for which “the necessary evidence to write a detailed biography,” as preeminent Price scholar Rae Linda Brown once put it, “is surprisingly scant.”
There are many ways to signal a change of direction in a piece of text, but the most common is by inserting a “but.” Alternatives such as “although,” “though,” “however,” “yet,” and “nevertheless” generally run a poor second. In research articles, though, the prevalence of “however” increases—especially in some disciplines.
To my knowledge, Price’s Boston address remained inconclusive until I visited Special Collections at the University of Arkansas Mullins Library this past January to find new leads for the Price biography I am co-authoring with Samantha Ege, the Lord Crewe Junior Research Fellow in Music at Lincoln College, Oxford. The recovery of this information fills a void in a life story for which “the necessary evidence to write a detailed biography,” as preeminent Price scholar Rae Linda Brown once put it, “is surprisingly scant.”
In this timeline, we explore key figures and events that contributed to shaping modernism and celebrate 100 years since 1922: the pinnacle year of modernist publishing!
For today’s episode of The Oxford Comment, we’re commemorating National DNA Day in the United States with Amber Hartman Scholz and Dee Denver.