Announcing the winner of the 2022 Grove Music Online spoof contest
Happy April Fool’s Day! I’m pleased to announce that the winner of this year’s Grove Music Online Spoof Article Contest is David Barber, for an entry on “L.O.L. Bach.”
Happy April Fool’s Day! I’m pleased to announce that the winner of this year’s Grove Music Online Spoof Article Contest is David Barber, for an entry on “L.O.L. Bach.”
“It is a truth universally acknowledged…” that there is no such thing as too many period dramas—at least, this remains true for those of us who are drawn to them, time and time again. Watching period dramas bring with them a sense of comfort as they transport the viewer to a world that is so […]
A look at the process of reconstructing Claudius’ Arch in Rome and how it was informed by the latest research in archaeology and classical studies to provide a better understanding of the significance of the Roman Invasion of Britain.
Why is “the all-male stage” inadequate as shorthand for the early modern stage? For one thing, it enforces a gender binary that has little to do with the subjects, desires, audiences, and practices of the time. Gender was elusive, plural, and performative, especially on the stage, where attractive androgynous boys played women, or switched back and forth between genders. The importance of female spectators, artisans, and backers gives the lie to total exclusion, and so does mounting evidence that women played in many spheres adjacent to the professional stage.
I didn’t enter the world of digital dance cultures as a scholar. When I was introduced to TikTok and Dubsmash in October 2018 by my high school students, I first engaged with the platforms as a dancer.
Popular culture often romanticizes Zenobia of Palmyra as a warrior queen. But the ancient evidence doesn’t support that she fought in battles. Instead, we should remember Zenobia as a skilled political tactician. She became ruler without being dominated by the men of her court.
There had been attempts to lay out streets in New York going back to its founding. It was a process that would go on for the next few centuries, and would only accelerate in the decades before and after the Great Fire of 1835.
Pulitzer Prize recipient and American playwright Lynn Nottage shared in a recent interview, “What music can do is get to the emotion with incredible economy and efficiency.” This capacity that music holds to reach in and connect to the wide range of emotions we experience as human beings can be a wonderful asset as it accesses those feelings we want to revisit and are ready to express. This becomes challenging and potentially harmful when it relates to unexpressed or unresolved emotions and experiences.
In Jane Campion’s 1993 film “The Piano”, and her new film, “The Power of the Dog”, the grand piano serves as more than the emblematic instrument of feminine domestic music-making and of European bourgeois culture transported to the hinterlands of the nation or empire; it also functions as a gender technology because it regulates the metaphorical sound-body of the woman who plays it.
We think of New York as an island packed with buildings, a place of concrete sidewalks and tarmacked avenues, a city that as Frank Sinatra sang, “doesn’t sleep.” But Manhattan at the turn of the 19th century—in the years before its street grid was laid out and decades before the Great Fire of 1835 which would accelerate the city’s northward growth—was a very different sort of place. New York City back then was a sleepy town just on the island of Manhattan.
Clara Zetkin was instrumental in establishing International Women’s Day. It did not take long to catch on. The following year the International Women’s Day was marked by over a million people taking to the streets.
Several years ago, a choir in which I sang premiered a piece by a successful male composer. The music and text combined to suggest a Blessed Virgin who was inoffensively meek, sweet, and… small. I was not the only singer who found this composer’s vision unsatisfying. After one rehearsal, a normally-reserved alto walked up to me and fumed, “Tawnie, you have to compose a feminist Magnificat!”
In communities and state legislatures across the United States, there is a concerted movement underway to limit the kinds of ideas to which students are exposed. Often hidden behind claims to parental rights, balanced treatment, and a desire to avoid division, these efforts target students’ ability to think freely, to ask probing questions, and to […]
With a history spanning back over 2,000 years, coins are much more than just money. They are also a means of storing and communicating information, resembling tiny discs of information technology that convey images and text across vast swatches of time and territory. Coins are the first world wide web linking us together. While they […]
Since 1987, Women’s History Month has been observed in the US annually each March as an opportunity to highlight the contributions of women to events in history and contemporary society. This month, we’re sharing some of the latest history titles covering a range of eras and regions but all charting the lives of women and the impact they made, whether noticed at the time or from the shadows.
In the mid 1820s, New York had three theaters:, the Park, the Chatham, and the Lafayette. Some citizens felt there should be more, and in October 1825, the New York Association started work on a new house. They chose a site between the Bowery and Elizabeth Street just south of Canal Street, and Mayor Philip Hone officiated at the laying of the cornerstone. “This spot which a few years since was surrounded by cultivated fields,” he told the gathered, “where the husbandman was employed in reaping the generous harvest, and cattle grazed for the use of the city, then afar off, has now become the centre of a compact population.”