Wedding: how did Shakespeare become a London playwright?
In this OUPblog post, Lena Cowen Orlin, author of the “detailed and dazzling” ‘The Private Life of William Shakespeare’ asks: just when was Shakespeare’s birthday?
A democracy, if we can keep it
At this fearful time in American democracy, the best way to starve anti-democratic forces of their energy is to change the subject away from conservative religion and demand investment in civic education, democratic localism, and human rights.
Religion: was Shakespeare raised Catholic?
In this OUPblog post, Lena Cowen Orlin, author of the “detailed and dazzling” ‘The Private Life of William Shakespeare’ asks, was Shakespeare raised Catholic, and what role did his father, John, play.
Public trust in model-based science: moving beyond the “view from nowhere”
Never more than during the COVID-19 pandemic, the public has been reminded of the importance of science and the need to trust scientific advice and model-based public health policy. The delicate triangulation among scientific experts, policymakers, and the public, which is so central to fight misinformation and mistrust, has shone a light on a well-entrenched “view from nowhere” that science is often identified with. Why trust experts and their model-based policy anyway?
Cut out characters and cracky plots: Jacob’s Room as Shakespeare play
“Why, within the world of the novel, is Jacob unknowable? He is the hero of a Shakespeare play.” Emily Kopley uses Virginia Woolf’s letters with her brother to examine her first experimental novel, “Jacob’s Room”.
Birth: when was Shakespeare’s birthday?
In this OUPblog post, Lena Cowen Orlin, author of the “detailed and dazzling” ‘The Private Life of William Shakespeare’ asks: just when was Shakespeare’s birthday?
How well do you know Mary Shelley? [Quiz]
How well do you know Mary Shelley? Take this short quiz to find out and put your knowledge to the test.
A summer playlist inspired by Oxford World’s Classics
To help curate your summer playlist and reading list, here are 10 songs and Oxford World’s Classics we recommend you add to your rotation:
Classical music, privilege, and ghosts of the French Revolution
The word privilege is a lightning rod in United States culture. For some, it indexes systemic inequities shaped by race, ethnicity, class, gender, and sexuality, while for others, it represents a “woke” vocabulary used to enforce political correctness. Perhaps unsurprisingly, accusations of privilege have reached the classical music world.
Recalling hymn tunes by Ralph Vaughan Williams
Hymn tunes of Ralph Vaughan Williams find consensus: undisputed quality. The foremost English composer of his generation is credited with composing, adapting, or arranging more than 80 tunes set to important hymns of our faith.
Moby-Dick is the answer. What is the question?
In December 2021, I was a contestant on the popular American quiz show Jeopardy! Every Jeopardy! game has a brief segment in which contestants share anecdotes about themselves, and I used my time to proselytize reading Moby-Dick. I talked about my work on the new Oxford World’s Classics edition of the novel, and emphasized that Melville’s novel is unexpectedly weird, moving, and hilarious despite its monumental reputation.
Eight books to read to celebrate the 1900th anniversary of Hadrian’s Wall
To commemorate the 1900th anniversary of Hadrian’s Wall, here’s a selection of titles exploring its history, ancient Rome’s influence on British identity, the new approaches being developed in Roman archaeology, and more.
Salvation on earth: “saviour” gods in Ancient Greece
What did it mean to be “saved” in antiquity? In a polytheistic system where multiple gods and goddesses reigned, which ones did the ancient Greeks turn to as their “saviour” and how could the gods be persuaded to “save”? Theodora Jim investigates how the Greeks imagine, solicit, and experience divine saving as they confronted the unknown and unknowable, and how their hopes of “salvation” differ from that in Christianity.
Eurovision 2022 in tempore belli: voices of the people, protest, and peace
Months before the Grand Finale of the Eurovision Song Contest on May 14, 2022 in Turin, Italy, Ukraine was able to claim both moral and musical victory with its entry, the Kalush Orchestra’s “Stefania” (Stephanie). Together with the official videos of all other national entries, “Stefania” began circulating globally on multiple internet platforms in the early weeks of 2022, even as the threat of Russia’s military aggression against Ukraine intensified and then reached the full force of invasion on 24 February.
Institutional distrust in Britain and America: a history
In the past few decades, trust and distrust have become frequent subjects of journalistic and academic discourse. Distrust of British and American public institutions has, in fact, a much longer and more complex history than most academics recognize.
The president and the Patriarch: the significance of religion in the Ukrainian crisis
Baffling though this seems to most Europeans, President Putin believes that by invading Ukraine he is defending Orthodox Christianity from the godless West.