Oxford University Press's
Academic Insights for the Thinking World
Bibles have had a long history at our Press; in fact, Oxford’s Bible business made OUP a cornerstone of the British book trade, and, ultimately, the world’s largest university press. When you’ve been in the Bibles business for this long, you’re bound to have some interesting anecdotes. Read on for some fun facts in the history of Bibles at OUP.
In episode 82 of The Oxford Comment, we discussed the ethics and cultural implications of artificial intelligence (AI) with scholars Kerry McInerney, Eleanor Drage, and Kanta Dihal
As decolonization gathered pace in the 1950s, Great Britain began to destroy evidence of violence that was rife through out the British Empire, yet evidence of violence can still be found in archives and through first hand accounts.
The gargantuan task of the fight against climate change needs practical know-how and political militancy. It also requires a clear sense of its wider goals. Robert Spencer explores how “forest literature” can help us to formulate new ways of inhabiting the living world.
Writers often worry that someone will scoop them before they finish, or an unexpected event will undo years of research and writing. Two weeks after naturalist Rachel Carson published her first book, Under the Sea Wind, Japan attacked Pearl Harbor. Despite excellent reviews, the book sold fewer than a thousand copies. The COVID-19 pandemic became my […]
The addition to Electronic Enlightenment of nearly 500 letters from the Beaumarchais correspondence is a significant event in eighteenth-century studies.
Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles.
In this interview, our Marketing Manager for philosophy, Hana Purslow, outlines OUP’s approach to subject marketing.
The idea that Xenophon’s Socratic dialogues entirely lacked the philosophical bite or intellectual depth of Plato’s had become a commonplace in a philosophical discourse which prioritised abstract knowledge over broader ethics. Dr Carol Atack makes the case for Xenophon’s kinder Socrates.
Learn 10 things about US immigration policy in the nineteenth century that give context to some of the immigration concerns we face in the US today.
A novel about a female composer struggling with depression after the birth of her child does not, on the face of it, seem to have much to do with war or peace in Northern Ireland. But appearances can be deceiving.
Can local memory of an association between a place and the people who lived there be preserved for more than three centuries? Ken Dark looks at this question in reference to the “House of Jesus”, and whether it is plausible that the historical associations of a place—even a place in Nazareth—can be remembered 200 years on, let alone three centuries.
Simon Wright digs into the curious history of an almost forgotten Tudor composer, Nicholas Bugsworthy. Thanks to an insert in OUP’s in-house magazine, ‘The Dominant’, published on 1 April 1928, Sir Richard Runciman Terry was able to bring the music of this prolific composer into the public domain. Simon Wright picks up where Terry left off, considering, amongst other things, the origins of a curious tune almost certainly shows the earliest version of musical patterns later to become threaded within Irving Berlin’s 1911 hit ragtime song “Everybody’s Doin’ It Now.”
The making of Façade “Poetry is more like a crystal globe, with Truth imprisoned in it, like a fly in amber. The poet is the magician who fashions the crystal globe. But the reader is the magician who can find in these scintillating flaws, or translucent depths, some new undiscovered land.” Osbert Sitwell, writing in 1921 […]
The world is literally on fire; authoritarianism threatens multiple countries; racism and xenophobia are rampant; women’s and LGBTQ rights are under threat—why on earth would anyone spend time reading a 3,000-page novel by a man who’s been dead (exactly) a hundred years?
Possibly the most dangerous play William Shakespeare wrote was The Tragedie of Macbeth. The drama is packed with illegality: assassination of kings; prophecies about kings; supernatural women; and necromancy. To add to the danger, Shakespeare’s employer, King James, was a prickly patron of the performing arts and notorious for his sensitivity to slights, real and perceived. […]