LGBTQ+ Victorians in the archives
The first challenge that confronts researching LGBTQ+ Victorians in the archives is the question: where to look? Simon Joyce explores how to access more accurate, reliable information about LGBTQ+ Victorians.
The first challenge that confronts researching LGBTQ+ Victorians in the archives is the question: where to look? Simon Joyce explores how to access more accurate, reliable information about LGBTQ+ Victorians.
Throughout Europe reaction to the March on Rome was, inevitably, mixed, with some appalled by the violence and the total disregard the fascists showed for parliamentary politics, while others—such as those among British conservative opinion—thought that the fascist government would bring much-needed “order” to what they condescendingly saw as typically Mediterranean chaos. Many right-wing European politicians looked on Mussolini and to his mode of achieving power with admiration. One man in particular was greatly impressed by the March on Rome and even hoped to emulate it. This was Adolf Hitler.
As a not-for-profit university press which publishes over 75% of its journals on behalf of scholarly societies and other organisations, OUP is committed to a transparent approach to OA. The transition to OA can appear opaque, steeped in jargon and complexity, and we see a major part of our role in the move to OA as being as open and clear as possible.
On November 1, 1922 Egyptologist Howard Carter and his team of excavators began digging in a previously undisturbed plot of land in the Valley of the Kings. For decades, archaeologists had searched for the tomb of the Pharaoh Tutankhamun with no success, and that November was to be Carter’s final attempt to locate the lost treasures. What Carter ultimately discovered—the iconic sarcophagus, the mummy that inspired whispers of a curse, and the thousands of precious artifacts—would shape Egyptian politics, the field of archaeology, and how museums honor the past for years to come.
The last two years have proved the restaurant business is nothing if not adaptable. In my residential London neighbourhood, a popular Indian restaurant quickly moved to take-away meals once the first wave of the pandemic hit, a pattern many other businesses followed in a fight for survival. Theirs is a small-scale, family operation; factors that […]
George Orwell served for five years in the 1920s as an officer in the Imperial Police in Burma, at that time part of the British Raj. He was to write about the Empire as an unjustifiable despotism. Mahatma Gandhi did more than anyone else to bring about the independence of India and Pakistan in 1947, the first step in the dismantling of the Empire. Orwell should have seen Gandhi as a comrade in arms, a fellow anti-imperialist, even a hero. Instead he speaks of Gandhi with suspicion, hostility, irritation, and ” sort of aesthetic distaste.” Why?
Where do we go to mourn the dead? A graveyard? A photograph album? A Facebook page? The very intangibility of death makes us yearn for a physical space to locate grief—a space we might return to. For many Victorians, mourning took place in notebooks. This was certainly the case for the future poet laureate, Alfred Tennyson.
To help put you in the apt mood for Halloween this year, we have created a quiz to test your knowledge on some of Oxford World’s Classics scariest tales. Are you up for the challenge?
In November 1914, when Benito Mussolini, then prominent as a revolutionary socialist, tried to mobilize popular opinion for Italy to intervene in World War I, he gave the name “Autonomous Fasci of Revolutionary Action” to his disparate supporters. The term “fascio” (plural “fasci”) was then common in Italy’s political lexicon, in its core meaning of “bundle”, to denote a loosely-organized group grounded in a common ideology.
As the Under-Secretary General of the UN, Ralph Bunche was one of the leaders in the fight to end empire in the second half of the Twentieth Century, In 1965, he had the opportunity to speak to Princess Margaret about the role of the British Empire in the world.
The open access landscape is fast evolving, and for good reason. Following the global outbreak of COVID-19 in which research and knowledge lay at the heart of hope, we have seen a renewed focus in the industry for open access publishing. In recognition of Open Access Week 2022, we reflect on the progress that has been made at OUP and the people who have been influential in driving it.
Human nature is a paradox. On the one hand, thanks to our evolution in the five million years since we left the jungle, we are a highly social species. On the other hand, as the last centuries show only too well, we can be truly hateful towards our fellow human beings—on a group level, war, and on an individual level, prejudice.
Rumi, the thirteenth-century Muslim poet, has become a household name in the last few decades, even becoming the best-selling poet in North America thanks to translations of his work into English. Verses of his poetry are used to begin yoga sessions, religious ceremonies, and weddings, and are ubiquitous throughout social media, in addition to actual […]
In the Vaughan Williams’s 150th anniversary year, his primary publisher Oxford University Press are donating around 60 items to the British Library, to be preserved and made available to musicians and researchers. These items include artefacts from all stages in the publishing process, from conductor’s marked scores, copyist’s copies and handwritten notes by the composer. In this blog, Simon Wright highlights some interesting features amongst the titles being donated.
This past summer, millions of Americans were transfixed by the prospect of becoming billionaires. After weeks with no winner, the jackpot for the multi-state lottery game Mega Millions rose to $1.3 billion before being won by an as-yet-unnamed gambler who purchased the winning ticket at a Speedway gas station in Des Plaines, Illinois. Or, more specifically, at the convenience store portion of the gas station, where customers can purchase gas, food, drinks, cigarettes, and, of course, lottery tickets.
From Teresa Carreno to Samuel Coleridge-Taylor, this blog post features composers who experienced barriers to music education within their lifetimes, leading to their exclusion from the historical canon.