Comics is both a medium—although some would say it’s an art form—as well as the texts produced in that medium. Publication formats and production modes differ: for instance, comics can be short-form or long-form, serialized or stand-alone, single panel or sequential panels, and released as hardcovers, trade paperbacks, floppies, ‘zines, or in various digital formats. […]
On 18 September, in AD 96, the 65 year-old senator, Nerva, became emperor of Rome (Figure 1). His predecessor, Domitian, was assassinated in the culmination of a palace conspiracy; there is no evidence that Nerva had anything to do with the plot.
Martin Parr is one of Britain’s best-known contemporary photographers, with a broad international following, and President of Magnum, the world-famous photo agency. His social documentary style of photography turns a wry and sometimes satirical lens on British life and social rituals, lightened by humour and affection. Parr turned his lens on life at the University of Oxford, capturing the day-to-day life of the colleges and University at work and play.
Like war stories, like disaster films, like any kind of narrative that revolts and scares yet also delights us, the Zombie Apocalypse offers a laboratory for observing human emotion and experience. Its excess opens up a multitude of responses that don’t get explored in the course of our everyday lives, although these same choices lurk underneath the surface of all our lives.
Birthdays are complicated. They are cause for celebration but also remind us that we are closer to death. Such duality would not have been lost on Andy Warhol (1928-1987), an artist who strove throughout his career to find images that could house such contradictory notions.
Johannes Vermeer’s luminous paintings are loved and admired around the world, yet it is not fully understood exactly what painting methods he used. Experts over the years have been confounded as to how he captured light in such a way. The image below discusses seven of his masterpieces, and reveals the few traces Vermeer has left behind in an intriguing detective story.
As the world shudders in the face of the Trump Administration rejection of the Paris Climate Accords, other forms of expertise and professional engagement are, again, taking on increased relevance. Buildings have long been important mediators in the relationship between energy, politics, and culture. Today the architecture, engineering and construction professions are increasingly compelled to take on energy efficiency.
One hundred thirty years after the birth of Moishe Shagall, as he was known in his small Hasidic neighborhood on the outskirts of Vitebsk, and thirty-two years after the death of Marc Chagall, as he came to be known in the modern art world, we are starting to understand his vision.
What makes something we see or something we talk about a single thing, or simply a unit that we can identify and that we can distinguish from others and compare to them? For ordinary objects like trees, chairs, mountains, and lakes, the answer seems obvious.
Frank Lloyd Wright, born on 8 June 1867, was one of the most significant architects of the Western world in the first half of the 20th century. At the height of his prolific career, Wright’s works revealed the architect’s keen insight into American and European culture, as well as an appreciation for indigenous art and architecture and the history and styles of Japan.
A hundred years ago last month, two of the most influential historical events of the twentieth century occurred within a span of three days. The first of these took place on 6 April 1917, when the United States declared war on Germany and, in doing so, thrust the USA into a leading role on the world stage for the first time in its history.
Collections of art, scientific instruments, historical relics, and peculiarities have attracted the curiosity and imaginations of people around the world since ancient times. The museum as an institution developed in antiquity and evolved over the years to encompass and celebrate all aspects of human society, science, art, and history. Museums are vital to the study […]
The Russian Front, 1944. A group of German soldiers happen upon a corpse encased in snow, apparent only by a frostbitten hand reaching towards them from the ground. “Looks like spring is coming,” one of the soldiers remarks.
London, rain, and Rothko—each was foreign to the missionary encampment on the Navajo reservation where Jakob grew up, in the 1980s. Back then, he seized every opportunity to share the gospel with his Native American friends, even as they played endless games of cowboys and Indians in the deserts of Arizona:
Eight months on from its opening, in May 2016, the London-based co-living enterprise known as The Collective Old Oak is still going strong. The residential concept, situated between North Acton and Wilesden Junction, now boasts 546 residents. The project has piqued the interest of locals and the media alike.
The Oxford Art team is excited to see you in our hometown of New York City for the upcoming 2017 College Arts Association’s Annual Conference! With so much to look forward to at this conference, we’ve gathered some suggestions from Oxford attendees.