As the world shudders in the face of the Trump Administration rejection of the Paris Climate Accords, other forms of expertise and professional engagement are, again, taking on increased relevance. Buildings have long been important mediators in the relationship between energy, politics, and culture. Today the architecture, engineering and construction professions are increasingly compelled to take on energy efficiency.
One hundred thirty years after the birth of Moishe Shagall, as he was known in his small Hasidic neighborhood on the outskirts of Vitebsk, and thirty-two years after the death of Marc Chagall, as he came to be known in the modern art world, we are starting to understand his vision.
What makes something we see or something we talk about a single thing, or simply a unit that we can identify and that we can distinguish from others and compare to them? For ordinary objects like trees, chairs, mountains, and lakes, the answer seems obvious.
Frank Lloyd Wright, born on 8 June 1867, was one of the most significant architects of the Western world in the first half of the 20th century. At the height of his prolific career, Wright’s works revealed the architect’s keen insight into American and European culture, as well as an appreciation for indigenous art and architecture and the history and styles of Japan.
A hundred years ago last month, two of the most influential historical events of the twentieth century occurred within a span of three days. The first of these took place on 6 April 1917, when the United States declared war on Germany and, in doing so, thrust the USA into a leading role on the world stage for the first time in its history.
Collections of art, scientific instruments, historical relics, and peculiarities have attracted the curiosity and imaginations of people around the world since ancient times. The museum as an institution developed in antiquity and evolved over the years to encompass and celebrate all aspects of human society, science, art, and history. Museums are vital to the study […]
The Russian Front, 1944. A group of German soldiers happen upon a corpse encased in snow, apparent only by a frostbitten hand reaching towards them from the ground. “Looks like spring is coming,” one of the soldiers remarks.
London, rain, and Rothko—each was foreign to the missionary encampment on the Navajo reservation where Jakob grew up, in the 1980s. Back then, he seized every opportunity to share the gospel with his Native American friends, even as they played endless games of cowboys and Indians in the deserts of Arizona:
Eight months on from its opening, in May 2016, the London-based co-living enterprise known as The Collective Old Oak is still going strong. The residential concept, situated between North Acton and Wilesden Junction, now boasts 546 residents. The project has piqued the interest of locals and the media alike.
The Oxford Art team is excited to see you in our hometown of New York City for the upcoming 2017 College Arts Association’s Annual Conference! With so much to look forward to at this conference, we’ve gathered some suggestions from Oxford attendees.
Growing up in Manhattan meant that I didn’t live among ancient ruins – just subway stations, high-rise apartments, and Central Park’s relatively recent architectural confections. It took living for a year in Europe as a six-year old and for another year as a ten-year old to develop awareness about our collective heritage stretching back millennia. Visiting the vacant site of Stonehenge on a blustery fall day in the early 1960s
Running from November 2016–April 2017, the Pennsylvania Academy of Fine Arts hosts the exhibition World War I and American Art. With over 150 works by American artists, this carefully curated exhibit is the first major exhibit to explore how American artists reacted to WWI.
Sometimes when looking at some piece of reality, puzzling choices have to be made when describing it as ‘one’, as ‘many’ or perhaps as neither ‘one’ nor ‘many’. Three woodblock prints of the artist Hokusai can illustrate the issue.
Between 1986 and 1988, the jazz musician and experimental music pioneer George Lewis created the first version of Voyager. After spending some time making work that involved compositional programmes in Paris, Lewis returned to the US and began work on Voyager. His aspiration was not simply to use computers as a tool or raw material, but to create software that could take an equal improvisational role to the other (human) musicians in the performance.
From every window there were beauties to be seen. The rooms were lofty and handsome, and their furniture suitable to the fortune of their proprietor; but Elizabeth saw with admiration of his taste, that it was neither gaudy nor uselessly fine; with less of splendour, and more real elegance, than the furniture of Rosings
The Houses of Parliament in London is one of the most famous buildings in the world. A masterpiece of Victorian Gothic architecture which incorporates survivals from the medieval Palace of Westminster, it was made a World Heritage Site by UNESCO along with Westminster Abbey, and St Margaret’s Church, in 1987. With its restoration and renewal in the news, find out more about the background in this interactive timeline.