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SHAPE

Introducing SHAPE: Q&A with Sophie Goldsworthy and Julia Black (part one)

By Julia Black and Sophie Goldsworthy

OUP is excited to support the newly created SHAPE initiative—Social Sciences, Humanities, and the Arts for People and the Economy. SHAPE has been coined to enable us to clearly communicate the value that these disciplines bring to not only enriching the world in which we live, but also enhancing our understanding of it. In the first instalment this two-part Q&A, we spoke to Sophie Goldsworthy and Professor Julia Black to find out more about SHAPE and what it means to them.

Henry James and the Art of Impressions

Impressionism’s sibling rivalry

By John Scholar

Sixty world-famous impressionist paintings arrived at the Royal Academy of Arts in London from Copenhagen in March of this year, a whisker before lockdown was imposed. Instead of drawing box-office crowds, they sat in storage for four months. But then the Academy reopened its doors in August with the Covid-secure ‘Gauguin and the Impressionists’. That this exhibition sold out so quickly is testament not only to our hunger for unmediated culture after a period of captivity, but also to the enduring popularity of impressionism.

The Shogun's Silver Telescope by Timon Screech

An astronomically good deal: King James I and the Shogun’s silver telescope

By Timon Screech

Over the winter of 1610-11, a magnificent telescope was built in London. It was almost two metres long, cast in silver and covered with gold. This was the first telescope ever produced in such an extraordinary way, worthy of a great king or emperor. Why was it made and who was it going to?

Dangerous Art by James Harold

Is it rational to condemn an artwork for an artist’s personal immorality?

By James Harold

It is one thing to condemn Chuck Close, James Levine, or R. Kelly for their alleged wrongdoing, but another to regard their artworks as though they were somehow polluted by association with their creators.

Eastern Medieval Architecture

The reconversion of Hagia Sophia in perspective

By Robert G. Ousterhout

At the beginning of January 1921, a special service was held in the cathedral of St. John the Divine in New York City, with Orthodox and Episcopal clergy offering prayers in six languages—Hungarian, Greek, Arabic, Russian, Serbian, and English—for the restoration of Hagia Sophia as a Christian sanctuary. As reported in the New York Times, the […]

How germs (or the fear of them) spawned Modernism

By Victoria Rosner

The world’s attention has been fully trained for many months on detecting a microbe that, inevitably, most people will never see for themselves: SARS-CoV-2, the coronavirus that causes COVID-19. We take for granted the invisibility of this new enemy. But when scientists first ventured the hypothesis that germs were the cause of many virulent diseases, […]

A visual history of skyscrapers [infographic]

By Julia Baker

Where did the structural capability for skyscrapers come from? The 1860s saw the refinement of the Bessamer process, or a steel-making process, now largely superseded, in which carbon, silicon, and other impurities are removed from molten pig iron by oxidation in a blast of air in a special tilting retort, pushing skyscraper construction into unstoppable […]

Making Shakespeare a classic

By Daniel Blank

Despite his foundational status in today’s academy, William Shakespeare was not particularly welcome in the early modern English universities. In the 1570s and 1580s, just as the commercial playhouses were gaining steam in London, the authorities of both Oxford and Cambridge Universities enacted statutes banning “common stage players” from performing within university precincts. Chancellors lacked the […]

How pictures can lie

By Emanuel Viebahn

On 9 August 1997, The Mirror printed an edited photo of Diana, Princess of Wales, and Dodi Fayed on its front page. The edited photo shows Diana and Fayed facing each other and about to kiss, although the unedited photo reveals that at that point Fayed was facing an entirely different direction. Did The Mirror lie to its readers?

Ten Facts about World Peace

By Alex J. Bellamy

The United Nations’ International Day of Peace is celebrated on 21 September each year, marking efforts to bring the world closer to a state of harmony and further away from violence. Here are some surprising facts about peace and the quest to achieve it:

Friedrich Schiller on Beauty and Aesthetics – Philosopher of the Month

By OUP Philosophy Team

German poet and playwright, Friedrich Schiller is considered a profound and influential philosopher. His philosophical-aesthetic writings played an important role in shaping the development of German idealism and Romanticism in one of the most prolific periods of German philosophy and literature. Those writings are primarily concerned with the redemptive value of the arts and beauty […]

Did Caravaggio paint Judith Beheading Holofernes?

By Keith Sciberras

A disconcerting exclusion of alternative views and scholarship has marked the very carefully choreographed two-year long build-up toward the most controversial sale of a seicento picture this year—that of the so-called Toulouse Judith Beheading Holofernes, ascribed to Caravaggio.

Nell Blaine, the artist who wouldn’t allow disability to cramp her style

By Cathy Curtis

The wonderful and amazing thing about Nell Blaine—whose polio attack came at age 37, during what appeared to be the peak of her career—is that the work she made afterward is far superior to the earlier paintings.

Why posh politicians pretend to speak Latin

By Gordon Campbell

When Jacob Rees-Mogg wished to criticise the judges of the European Union, he said, “Let me indulge in the floccinaucinihilipilification of EU judges.” The meaning of the jocular term (the action of judging something to be worthless) is not as important as its source—the Eton Latin Grammar. Latin and Latinate English flow readily from the […]

9 forgotten facts about Leonardo da Vinci

By Steven Filippi

For over 500 years, the masterful works of Leonardo da Vinci have awed artists, connoisseurs, and laypeople alike. Often considered the first High Renaissance artist, Leonardo worked extensively in Florence, Milan, and Rome before ending his career in France, and his techniques and writings influenced artists for centuries after his death. However, to refer to Leonardo da Vinci as just an artist minimizes his role in numerous areas of study; in addition to painting, sculpture, and drawing, the quintessential “Renaissance Man” left an indelible mark on architecture, engineering, science, philosophy, and even music.

Notre-Dame, a work in progress

By Richard Ingersoll

At dusk on Monday, April 15th, just in time for the evening news, the world was treated to the horrendous spectacle of uncontrollable flames licking the roof of Notre-Dame cathedral in Paris. The fire spread from a scaffold that had been installed six months earlier for restorations.