Archaeology, architecture, and “Romanizing” Athens
The question of whether Athens was a Greek or Roman city seems straightforward, but among scholars there is some debate.
On SHAPE: a Q&A with Lucy Noakes, Eyal Poleg, Laura Wright & Mary Kelly
OUP have recently announced our support for the newly created SHAPE initiative—Social Sciences, Humanities, and the Arts for People and the Economy. To further understand the crucial role these subjects play in our everyday lives, we have put three questions to four British Academy SHAPE authors and editors—social and cultural historian Lucy Noakes, historian of objects and faith Eyal Poleg, historical sociolinguist Laura Wright, and Lecturer in Contemporary Art History Mary Kelly—on what SHAPE means to them, and to their research.
From fortified castle to wedding venue: Venetian examplars of adaptive reuse
What does one do with a castle? The Venetian Terraferma (and, indeed, all of Europe) is dotted with medieval castles that have long outlived the purposes for which they were intended. And yet, built of stone, they are costly to demolish and—more importantly—of great historical interest.
Victorian 3D: virtual adventures in the stereoscope
We’re used to travelling long distances to explore exotic new locations—but that hasn’t always been possible. So how did people visit far-flung spots in times gone by? Rachel Teukolsky, author of “Picture World: Image, Aesthetics, and Victorian New Media”, takes us on a fascinating journey in glorious Victoriana 3D, introducing us to the must-have virtual reality tech of the 19th century: the stereoscope.
SHAPE today and tomorrow: Q&A with Sophie Goldsworthy and Julia Black (part two)
This second part of our Q&A with Sophie Goldsworthy, Director of Content Strategy & Acquisitions at OUP, and Professor Julia Black CBE FCA, Strategic Director of Innovation and Professor of Law at the London School of Economics and Political Science, and President-elect of the British Academy, reflects on how SHAPE disciplines can help us to understand the impact of the events of the pandemic and look towards the future of SHAPE.
Introducing SHAPE: Q&A with Sophie Goldsworthy and Julia Black (part one)
OUP is excited to support the newly created SHAPE initiative—Social Sciences, Humanities, and the Arts for People and the Economy. SHAPE has been coined to enable us to clearly communicate the value that these disciplines bring to not only enriching the world in which we live, but also enhancing our understanding of it. In the first instalment this two-part Q&A, we spoke to Sophie Goldsworthy and Professor Julia Black to find out more about SHAPE and what it means to them.
Impressionism’s sibling rivalry
Sixty world-famous impressionist paintings arrived at the Royal Academy of Arts in London from Copenhagen in March of this year, a whisker before lockdown was imposed. Instead of drawing box-office crowds, they sat in storage for four months. But then the Academy reopened its doors in August with the Covid-secure ‘Gauguin and the Impressionists’. That this exhibition sold out so quickly is testament not only to our hunger for unmediated culture after a period of captivity, but also to the enduring popularity of impressionism.
An astronomically good deal: King James I and the Shogun’s silver telescope
Over the winter of 1610-11, a magnificent telescope was built in London. It was almost two metres long, cast in silver and covered with gold. This was the first telescope ever produced in such an extraordinary way, worthy of a great king or emperor. Why was it made and who was it going to?
Is it rational to condemn an artwork for an artist’s personal immorality?
It is one thing to condemn Chuck Close, James Levine, or R. Kelly for their alleged wrongdoing, but another to regard their artworks as though they were somehow polluted by association with their creators.
The reconversion of Hagia Sophia in perspective
At the beginning of January 1921, a special service was held in the cathedral of St. John the Divine in New York City, with Orthodox and Episcopal clergy offering prayers in six languages—Hungarian, Greek, Arabic, Russian, Serbian, and English—for the restoration of Hagia Sophia as a Christian sanctuary. As reported in the New York Times, the […]
How germs (or the fear of them) spawned Modernism
The world’s attention has been fully trained for many months on detecting a microbe that, inevitably, most people will never see for themselves: SARS-CoV-2, the coronavirus that causes COVID-19. We take for granted the invisibility of this new enemy. But when scientists first ventured the hypothesis that germs were the cause of many virulent diseases, […]
A visual history of skyscrapers [infographic]
Where did the structural capability for skyscrapers come from? The 1860s saw the refinement of the Bessamer process, or a steel-making process, now largely superseded, in which carbon, silicon, and other impurities are removed from molten pig iron by oxidation in a blast of air in a special tilting retort, pushing skyscraper construction into unstoppable […]
Making Shakespeare a classic
Despite his foundational status in today’s academy, William Shakespeare was not particularly welcome in the early modern English universities. In the 1570s and 1580s, just as the commercial playhouses were gaining steam in London, the authorities of both Oxford and Cambridge Universities enacted statutes banning “common stage players” from performing within university precincts. Chancellors lacked the […]
How pictures can lie
On 9 August 1997, The Mirror printed an edited photo of Diana, Princess of Wales, and Dodi Fayed on its front page. The edited photo shows Diana and Fayed facing each other and about to kiss, although the unedited photo reveals that at that point Fayed was facing an entirely different direction. Did The Mirror lie to its readers?
Ten Facts about World Peace
The United Nations’ International Day of Peace is celebrated on 21 September each year, marking efforts to bring the world closer to a state of harmony and further away from violence. Here are some surprising facts about peace and the quest to achieve it:
Friedrich Schiller on Beauty and Aesthetics – Philosopher of the Month
German poet and playwright, Friedrich Schiller is considered a profound and influential philosopher. His philosophical-aesthetic writings played an important role in shaping the development of German idealism and Romanticism in one of the most prolific periods of German philosophy and literature. Those writings are primarily concerned with the redemptive value of the arts and beauty […]