Distributed voice: disability and multimodal aesthetics
Over the years since writing about tapevoice I have lost most of my hearing and rely on various interfaces—captions, American Sign Language, lip-reading, conversation slips, and body language—that distribute the voice through multiple modalities. What I call “distributed voice” refers to the multiple forms through which the voice is produced and reproduced. But the idea of a voice dissevered from its source in the body and distributed through other media touches on larger communicational ethics in an era of digital information, social media, “fake news,” and broadband connections.