“It is a truth universally acknowledged…” that there is no such thing as too many period dramas—at least, this remains true for those of us who are drawn to them, time and time again. Watching period dramas bring with them a sense of comfort as they transport the viewer to a world that is so […]
Why is “the all-male stage” inadequate as shorthand for the early modern stage? For one thing, it enforces a gender binary that has little to do with the subjects, desires, audiences, and practices of the time. Gender was elusive, plural, and performative, especially on the stage, where attractive androgynous boys played women, or switched back and forth between genders. The importance of female spectators, artisans, and backers gives the lie to total exclusion, and so does mounting evidence that women played in many spheres adjacent to the professional stage.
Inky thumbprints: what common women can tell us about reading, relationships, and resisting anti-intellectualism
In communities and state legislatures across the United States, there is a concerted movement underway to limit the kinds of ideas to which students are exposed. Often hidden behind claims to parental rights, balanced treatment, and a desire to avoid division, these efforts target students’ ability to think freely, to ask probing questions, and to […]
Do you know what Neil Gaiman once said about librarians? Perhaps you share Sir Francis Bacon’s taste for books? Give our library quotations quiz a go and tell us how you score!
Listen to season three of The VSI Podcast for concise and original introductions to a selection of our VSI titles from the authors themselves.
Joyce invites misapprehension in many ways. He overtly signals the importance of error with Stephen’s famous line in ‘Scylla and Charybdis’: ‘A man of genius makes no mistakes. His errors are volitional and are the portals of discovery’. This is a particularly shrewd move on Joyce’s part. Since a man of genius makes no mistakes, anything that seems like a mistake must actually be something ingenious that can only be discerned by a suitably astute reader. In effect, Joyce implies that there are no mistakes in this text, just artistic brilliance that may or may not be properly apprehended.
This year on the OUPblog, our authors have marked major anniversaries, championed activism, confronted antisemitism, shattered stereotypes, and sought to understand our post-pandemic world through literature. Dive into the top 10 literature blog posts of the year on the OUPblog:
“Literature, we’re told, is the immortality of speech, but in fact reputations fade quickly.” In this OUPblog, read foundational figure in postcolonial theory, Homi K. Bhabha, in conversation with William Ghosh, author of V.S. Naipaul, Caribbean Writing, and Caribbean Thought (Oxford 2020).
So many fragments of manuscripts exist that a new term—Fragmentology—has recently been applied to the study of these parts and parcels. Librarians, archivists and academics are paying more attention to what can be learned about textual culture from a folio cut, say, from a twelfth-century manuscript and later used by a binder to line the oak boards of a fifteenth-century book.
Across the centuries, in paintings and eventually in photography, one of the most common subjects for representation has been the reader.
According to the early Greek poet Hesiod (ca. 700 BC), the primordial human community consisted only of men, who lived lives of health and ease, enjoying a neighborly relationship with the gods. That relationship soured, however, after Prometheus deceived the Olympian gods for the benefit of mankind. In retaliation, Zeus schemed to punish men by […]
2021 saw the 700th anniversary of the death of poet Dante Alighieri. To mark this, we asked some of our authors to write for the OUPblog on Dante. In this blog, Martin Eisner author of “Dante’s New Life of the Book: A Philology of World Literature”, explores Dante’s divinization of a mortal woman, with specific reference to Beatrice from Dante’s the New Life (Vita nuova).
2021 saw the 700th anniversary of the death of poet Dante Alighieri. To mark this, we asked authors of some of our new publishing on Dante to write for the OUPblog. Do comedies owe us a happy ending? When Dante called his masterpiece a “comedy” the explanation of his title was fairly straightforward. Comedies promise to […]
The SHAPE (Social Sciences, Humanities, and the Arts for People and the Economy) initiative advocates for the value of the social sciences, humanities, and arts subject areas in helping us to understand the world in which we live and find solutions to global issues. As societies around the world respond to the immediate impact of the COVID-19 pandemic, research from SHAPE disciplines has the potential to illuminate how societies process and recover from various social crises.
Listen to season two of The VSI Podcast for concise and original introductions to a selection of our VSI titles from the authors themselves.
In this OUPblog, Kenneth M. Price explores American poet Walt Whitman and what has often seemed to many to be a loss of Whitman’s early political and poetic radicalism after the war, and how it can be better understood as his own effort to reconceptualize a multiracial democracy.