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Academic Insights for the Thinking World

The Private Life of William Shakespeare

Religion: was Shakespeare raised Catholic?

In this OUPblog post, Lena Cowen Orlin, author of the “detailed and dazzling” ‘The Private Life of William Shakespeare’ asks, was Shakespeare raised Catholic, and what role did his father, John, play.

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Moby Dick Oxford World's Classics

Moby-Dick is the answer. What is the question?

In December 2021, I was a contestant on the popular American quiz show Jeopardy! Every Jeopardy! game has a brief segment in which contestants share anecdotes about themselves, and I used my time to proselytize reading Moby-Dick. I talked about my work on the new Oxford World’s Classics edition of the novel, and emphasized that Melville’s novel is unexpectedly weird, moving, and hilarious despite its monumental reputation.

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Bram Stoker's Dracula

Five little-known facts about Dracula

The 26th May 2022 marks the 125th anniversary of Dracula’s publication. Despite its reputation as one of the great Gothic novels, there are facts about Dracula that might surprise even the most hardcore fans.

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The Diva's Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata

Why “the all-male stage” wasn’t

Why is “the all-male stage” inadequate as shorthand for the early modern stage? For one thing, it enforces a gender binary that has little to do with the subjects, desires, audiences, and practices of the time. Gender was elusive, plural, and performative, especially on the stage, where attractive androgynous boys played women, or switched back and forth between genders. The importance of female spectators, artisans, and backers gives the lie to total exclusion, and so does mounting evidence that women played in many spheres adjacent to the professional stage.

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Annotations to James Joyce's Ulysses

“A man of genius makes no mistakes”: Joycean misapprehensions

Joyce invites misapprehension in many ways. He overtly signals the importance of error with Stephen’s famous line in ‘Scylla and Charybdis’: ‘A man of genius makes no mistakes. His errors are volitional and are the portals of discovery’. This is a particularly shrewd move on Joyce’s part. Since a man of genius makes no mistakes, anything that seems like a mistake must actually be something ingenious that can only be discerned by a suitably astute reader. In effect, Joyce implies that there are no mistakes in this text, just artistic brilliance that may or may not be properly apprehended.

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