Oxford University Press's
Academic Insights for the Thinking World
Twenty years ago, if you wanted internet access in many rural areas of America, you had to plug your computer into a phone line, listen to the dialing sound, and hope for the best. Today many people can easily join the cyber world at reliable speeds that few imagined decades ago. Although the percentage of people with broadband has increased, many in rural communities still lack broadband access and the accompanying benefits.
In 1947, with Britain’s empire collapsing and Stalin’s rise in Europe, US officials under new Secretary of State George C. Marshall set out to reconstruct Western Europe as a bulwark against communist authoritarianism. Their massive, costly, and ambitious undertaking confronted Europeans and Americans alike with a vision at odds with their history and self-conceptions.
From the start, audiences liked Claude Debussy’s music. Critics, perplexed by its originality, were less enthusiastic. It seemed so non-traditional that they found it difficult to grasp, and a challenge to categorize. That’s what eventually led to the term Impressionism being applied to it. It became an easy way both to classify it and make it seem less unusual. Prior to linking Debussy to it, Impressionism was solely associated with the visual arts.
The 112th American Society of International Law’s annual meeting (4-7 April 2018) will focus on the constitutive and often contentious nature of ‘International Law in Practice’. Practice not only reifies the law, but how it is understood, applied, and enforced in practice shapes its meaning and impacts the generation of future international rules.
Etymological bodybuilding is a never-ceasing process. The important thing is to know when to stop, and I’ll stop soon, but a few more exercises may be worth the trouble. Today’s post is about liver. What little can be said about this word has been said many times, so that an overview is all we’ll need. First, as usual, a prologue or, if you prefer, a posy of the ring.
Ancient Greek history is conventionally broken down into three periods: Archaic, Classical, and Hellenistic. However, the language used to describe them highlights an oversight made by generations of historians. By dubbing one period of history as “Classical,” scholars imply that the other two periods are inferior, simplifying the Archaic age as a mere precursor to and the Hellenistic age as a lesser descendant of the Classical age.
Diversity in science is in the news today as never before, and it is hard to imagine what it might have been like to be a woman scientist in 1900, knocking at the doors of learned societies requesting that women be granted the full advantages of Fellowship. It might seem trivial to us now, but in the past these societies were the primary arena in which discussions took place, contacts were made and science progressed.
The Medici had everything, almost. They got immensely rich as bankers during the fifteenth century. As patrons of the arts they assembled some of the finest collections in Italy. They placed two scions on the papal throne as Leo X and Clement VII. They won political control over the city of Florence. The Medici lacked only one thing to render their earthly felicity complete: they lacked a port city.
What do we think of when we hear the word “plague”? Red crosses on boarded-up doors? Deserted medieval villages? Or maybe the horror film-esque cloak and mask of a plague doctor? Unsurprisingly, the history of plague and its impact on health regulation is more complex and far-reaching than many assume. This extract from the Textbook of Global Health looks at the medical and environmental legacy of pandemics.
Most of us remember learning the life cycle of a frog when we were young children, being fascinated by foamy masses of frogspawn, and about how those little black specks would soon be sprouting legs. That was a while ago, though. We think it’s about time that we sat you down for a grown-ups’ lesson on the life cycle of a frog. Frog eggs face a plethora of challenges from the moment they are laid.
I discovered the violin and piano version of The Lark Ascending in my youth, and I still remember how much I loved playing the violin part, unaccompanied. I was impressed by the programmatic transformation of the underlying poem as well as the liberating setting of the pentatonic scale and transcendent cadenza. Even then, I was already thinking of adapting this wonderful work for a different instrumentation.
With the dropping of the atomic bombs over Hiroshima and Nagasaki, the nature of military conflict was changed forever. The nuclear arms race between the United States and the Soviet Union escalated throughout the twentieth century, limited by “Deterrance,” a policy of Mutually Assured Destruction (MAD).
Years ago, while researching my book Women Scientists, I asked famous women scientists to name the greatest challenge in their life. Almost without exception, they noted the difficulty of adjusting their family obligations and their work. Chemist Rita Cornforth, wife and colleague of the Nobel laureate John W. Cornforth, said: “I found it easier to put chemistry out of my mind when I was at home than to put our children out of my mind when I was in the lab.”
When New York’s Crystal Palace opened in 1853, it quickly became one of the most celebrated landmarks in the city. But five years later, the building was gone—engulfed in flames and reduced to a heap of smoldering debris. The below photographs from The Finest Building in America recapture the sensation and spectacle behind the New York Crystal Palace: a building that mattered so much to antebellum Americans and New Yorkers, yet was never rebuilt.
Over the last year, scholars, pundits, and policymakers interested in China have rhetorically asked whether US President Donald Trump will make President Xi Jinping’s China “great again.” There is now mounting evidence that the answer to that question is “yes.” Since his inauguration, there are a number of ways in which Trump has contributed to China’s rise, and Xi Jinping’s tightening grip on power.
Tragedy provokes sorrow and concludes with downfall and death. Comedy elicits laughter and ends happily. Laurence Sterne’s Tristram Shandy is one of the funniest novels of world literature. But does the work, overshadowed by death, end happily? Can death and comedy mix? “Everybody dies. If you are going to take that badly, you’re doing it wrong. So you have to take it as a joke.” The sentiments of the celebrated Spanish cartoonist Antonio Fraguas, Forges, who died on 22 February 2018, might echo those of Sterne, whose own death took place 250 years ago on 18 March 1768.