Oxford University Press's
Academic Insights for the Thinking World
On 27 February 1932, the American modern dancer Pauline Koner presented a concert at New York City’s Town Hall. For the occasion, Koner, who was Jewish, premiered Chassidic Song and Dance, a solo in which she portrayed a young Hasidic Jew. Her characterization of an Eastern European Jew was not so different from the other exotics that constituted Koner’s repertory in the 1930s.
Spaniards are celebrating with some fanfare the 40th anniversary of their democratic constitution that was approved overwhelmingly in a referendum on 6 December 1978, sealing the end of the 36-year dictatorship of General Francisco Franco, the victor of the country’s civil war. Whichever way one looks at it, Spain has been transformed profoundly since then.
I always knew that my family was a little different, but it wasn’t until my mid-teens that I realized exactly how weird we were. An African-American family living in the suburban greenery of Hollis, Queens, at the outskirts of New York City, we thought little of the fact that my father’s big hobby was hunting game birds. With dogs, no less. Often on horseback.
A few years ago, two colleagues of mine traveled around the country documenting what was going on in the newspaper industry, talking to editors, reporters, and publishers in all 50 states. Reading their book, Practicing Journalism: The Power and Purpose of the Fourth Estate, I was struck by the great passion of journalists and their commitment to public service.
As we celebrate the golden anniversary of the Civil Rights Act of 1964, a significant aspect of the struggle for racial equality often gets ignored: racial activism in performance. Actors, singers, and dancers mobilized over the decades, pushing back against racial restrictions that shifted over time, and On the Town of 1944 marked an auspicious but little-recognized moment in that history.
It started innocently enough at a lunch-time event with some friends at the Randolph Hotel in the centre of Oxford. ‘The trouble with Islam …’ began some self-opinioned pundit, and I knew where he was going. Simple. Islam lends itself to fanaticism, and that is why Muslims perpetrate so much violence in the name of religion. The pundit saw himself as Christian, and therefore a man of peace, so I had my cue. ‘Look out of the window. Over there in the fork of the road you see the Martyr’s Memorial. In 1555 the Wars of Religion were in full spate, Catholics were burning Protestants at the stake, Protestants were no less fanatical when their turn came, and things got even worse with the Civil War. So why are Muslims any worse?’
For many people, the celebration of the Advent-Christmas-Epiphany season begins as they wind their way through St. Olaf College’s buildings during the first weekend of December to attend the annual St. Olaf Christmas Festival.
Music can intensify moments of elation and moments of despair. It can connect people and it can divide them. The prospect of psychologists turning their lens on music might give a person the heebie-jeebies, however, conjuring up an image of humorless people in white lab coats manipulating sequences of beeps and boops to make grand pronouncements about human musicality.
Over the course of history, the word “political” has evolved from being synonymous with “public sphere” or “good government” to meaning “calculating” or “partisan.” How did we get here? This adapted excerpt from Keywords for Today: A 21st Century Vocabulary explains the evolution. The problems posed by political result from a combination of the term’s semantic shift over the last several centuries and the changing face of post-national politics that have become so important since mid-twentieth century.
The year was 1968 and I was a young postgraduate music student walking down King’s Parade in Cambridge when I saw the revered figure of David Willcocks, director of King’s College Choir, striding towards me. He had rock-star status in Cambridge and beyond, and although I knew him from his weekly harmony and counterpoint classes which I had attended, I wasn’t quite sure whether to nod politely, say ‘good afternoon, Mr Willcocks’, or hurry past hoping he hadn’t noticed me. Fortunately he spoke first.
In 2008, StoryCorps created World Listening Day for citizens of all beliefs and backgrounds to record, preserve, and share the stories of their lives. This year, we invite you to celebrate by listening to our podcast, The Oxford Comment.
In October, William Godwin (1756–1836) was featured as our Philosopher of the Month. He was a leading political philosopher and public intellectual during the crisis in British politics in the 1790s and achieved fame with the publication of his treatise ‘An Enquiry Concerning Political Justice’.
On 26 October 2018, twenty years after two men in Wyoming brutally murdered gay college student Matthew Shepard, the Washington National Cathedral hosted a service to inter Shepard’s ashes in a permanent memorial. More than four thousand people attended the service that was co-led by the Reverend Gene Robinson, the first openly-gay elected bishop of […]
Detroit is known as the birthplace of Motown Records, but there’s more to the musical history of the city than just that, due to the key role of the public schools in music training, the impact on music of the auto companies and the media, and the huge variety of ethnic music-making across Detroit’s 139 square miles.
National Novel Writing Month challenges writers from all over the world to complete a 50,000-word novel within the month of November. To help guide our readers who have taken on the challenge, we reached out to three-time National Jewish Book Award winner Howard Schwartz. Howard offers a deeper reading of “The Lost Princess,” and his analysis demonstrates the power of allegories as literary devices.
Graffiti used to be thought of primarily as vandalism—as a furtive, illegal activity that defaced public property. It was seen as both a reflection of and contributor to urban decay. However, several recent high-profile lawsuits involving what is now called “exterior aerosol art” reveal just how far graffiti has advanced in cultural esteem and recognition as a legitimate art form.