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Academic Insights for the Thinking World
In the anniversary year marking 100 years since the publication of R. W. Chapman’s OUP edition of “The Novels of Jane Austen”, Kathryn Sutherland (Jane Austen’s Fiction Manuscripts, OUP 2018) examines the call to reassess the contribution made to the edition by Chapman’s wife, Katharine Metcalfe.
Colin Summeryhayes explains how global warming is affecting the polar regions and what the loss of “Earth’s Refrigerator” means for our future.
From the Soviet invasion of Afghanistan to the Russian invasion of Ukraine, Elisabeth Leake walks us through how the past resembles the present 40 years on.
When Sheridan Le Fanu’s “Uncle Silas” appeared in 1864, its author was best known as the proprietor of the Dublin University Magazine and a writer of Irish historical novels. Yet, as advised by his publisher, Le Fanu had produced a work of fiction situated not in the Irish past but the English present.
In this blog post, the Oxford Etymologist responds to questions from readers on word borrowing across Hebrew, Greek, and Germanic, plus a few new etymology ideas.
In a speech to the UN General Assembly in the fall of 2022, President Biden called on the UN to stand in solidarity with Ukraine. At least 1,000 companies have left Russia because of Putin’s brutal unprovoked war on Ukraine. Some companies left because of sanctions. Others left for moral reasons, often under pressure from investors, consumers, and out of […]
The fifth edition of Garner’s Modern English Usage has recently been published by OUP. I was happy to talk to Bryan Garner—who was declared a “genius” by the late David Foster Wallace—about what it means to write a usage dictionary.
The American author James Purdy has long been considered a “lost” figure in literary studies, but he has always enjoyed a certain cult following among artists and writers interested in the fringes of society. Michael Snyder details how Purdy began making the connections that would carry him through his career.
Reading literature has us think differently, with a subtler emotional lexicon. Explore three case studies into reading for identity, expression, and mental health from the Centre for Research into Reading, Literature, and Society (CRILS).
In the first half of the century, the three great killers among endemic diseases—smallpox, malaria, and tuberculosis—raging around the world (we think today of malaria as a tropical malady but in the 1920s there were outbreaks as far north as Siberia) were each responsible for more deaths than the 80 million who died in both world wars. Innovations stemming from the Second World War, an immense hothouse of technological progress, made it possible to contemplate combatting infectious disease on a global scale.
A Winter Breviary is a triptych of carols that tells the story of a person walking in the woods on solstice night. This pilgrim—she, he, they—searches for hope, the hope they cannot name, or hear or see. And still, they walk deeper and deeper into the dark.
Sometimes the meeting of an actor and a role produces a rare kind of alchemy that forever bonds the two… and sometimes the opposite happens. The former occurred when twenty-one-year-old Barbra Streisand was cast as famed comedienne Fanny Brice in the 1964 musical Funny Girl.
When people ask me about the Salvator Mundi, just like Google, I can predict the questions they will “also ask.”
European state-formation would have looked very different if rulers did not constantly have to negotiate with a strong clergy, independent townsmen, and the nobility over, inter alia, the wherewithal for warfare, succession and public peace. But the medieval Church shaped European societies in other ways than this. It was the one institution of late antiquity that survived the fall of the Western Roman Empire in the fifth century, and it carried the torch of the Roman world after the Empire collapsed.
Discovering the provenance of Leonardo da Vinci’s Salvator Mundi formed a significant part of the book that I co-authored with Margaret Dalivalle and Martin Kemp. Determining which records and references pertained to the original and which to the many copies and derivations of the painting required the unraveling of dozens of documentary threads, intertwined and occasionally knotted, stretching across the centuries.
There is little doubt that “Narnia” has effectively entered the English language and that references to a “wardrobe” or “wardrobe door” have been given additional meanings by C. S. Lewis: any reference to it requires no explanation simply because everyone knows.