Oxford University Press's
Academic Insights for the Thinking World
The Athenians were in a panic in 490 BC. A Persian army had landed at Marathon, on the coastline east of Athens, intent on capturing the city and even conquering all Greece. The famous battle of Marathon was Athens’ coming of age as a military power; a decade later its navy helped to block another Persian invasion (led by Xerxes), a stepping-stone to Athens’ rise as a wealthy imperial power.
In order to celebrate the release of Shakespeare: A Playgoer and Reader’s Guide, we created a quiz to see how well you know Shakespeare’s plays!
The first movement of Brahms’s Violin Sonata No. 1 in G, op. 78, has led many violin-piano duos either to ignore Brahms’s tempo markings or actually play the opposite of what he wrote. Joel Lester considers the what might we learn from this oddity.
In the second and final part of this interview, author Michael B. Bakan speaks to his co-author Graeme Gibson, Dr Deborah Gibson, and legendary science fiction author William Gibson about writing science fiction, musical influences, and essential lessons autism has taught them.
In the first part of this two-part interview, author of “Music and Autism,” Michael Bakan speaks to his co-author Graeme Gibson, Dr Deborah Gibson, and legendary science fiction author William Gibson about musical instruments and autism.
Doctors have appeared in fiction throughout history. From Dr Faustus, written in the sixteenth century, to more recent film adaptations in the twentieth and twenty-first centuries, the familiarity of these characters will be profitably read and watched by both experienced and future doctors who want to reflect on the human condition often so ably described by the established men and women of letters.
All of us who are devoted to music education are facing new challenges due to the pandemic, and while we are lucky and grateful to have extraordinary technology at our disposal, it is undeniably frustrating to be isolated from each other, to deal with inadequate sound quality, poor connections, and time delays. We need to temporarily but urgently reinvent how we teach and connect with students.
Three music therapy scholars examine rising college student stress levels and how music might help.
Justice Ruth Bader Ginsburg’s nickname in law school was “Bitch.” Senator Elizabeth Warren was sanctioned by her GOP colleagues when “nevertheless, she persisted” in her questioning of soon-to-be Attorney General Jeff Sessions. Senator Kamala Harris reminded Vice President Mike Pence “I am speaking, I am speaking,” as he attempted to interrupt and speak over her in a recent vice presidential debate. CNN found it more important to report that two women won the Nobel Prize in Chemistry than to report the names of the women who won it.
Though we may wish to think it otherwise, women and girls are still routinely silenced and excluded from positions of power, expertise, leadership, and full participation in the public sphere.
2020 has come to be defined by widespread human tragedy, economic uncertainty, and increased public discourse surrounding how to address systemic racism. With such important issues at stake, political leadership has been under enormous scrutiny. As the US election approaches, we’re featuring a selection of important books exploring politics from different philosophical perspectives, ranging from interrogating the moral duty to vote, to how grandstanding impacts public discourse.
On 7 October, shortly after being hospitalised after contracting COVID-19, President Donald Trump took to Twitter to warn his supporters that “DEMS WANT TO SHUT YOUR CHURCHES DOWN, PERMANENTLY. HOPE YOU SEE WHAT IS HAPPENING. VOTE NOW.”
The cause of the humanities’ current crisis is far older than critics of postmodern relativism allow—and more baked into the heart of the modern American university. In fact, one must look back to very creation of the American universities in the late nineteenth century to see why their triumph precipitated the marginalization of the modern humanities. The scientizing of our higher education amounts to the root of the problem, and without a deep-seated revolt against this process, the humanities will continue to wither.
In Western society, we spend a lot of time celebrating and welcoming new life, but very few cultures celebrate when a person dies. While death is not as taboo as 50 years ago, death is still a topic that many individuals are not comfortable speaking about in conversations.
Trump is Punk! It’s a hashtag. It’s a slogan on t-shirts and trucker hats. It’s a click-bait headline. Milo Yiannopoulos, a former Breitbart editor, may have started this buzz with his speech (delivered in drag) at Louisiana State University on 22 September 2016, in which he claimed that “being a Donald Trump supporter is the new punk” because it would “piss off your teachers, piss off your parents, piss off your friends.” Then in October, The Atlantic published “Donald Trump, Sex Pistol: The Punk Rock Appeal of the GOP Nominee,” and after the election, the New York Post ran an opinion piece with the headline “Trump is the Punk-Rock President America Deserves” (9 November 2016). Despite social media protestations, “punk” became shorthand for Trump’s rule-breaking, anti-establishment campaign filled with unapologetic vulgarity and appeals to white male grievance.
Looking at current events in the UK, one can conclude that the Kingdom is far from united. While media outlets such as the BBC and newspapers tell a particular story of the situation, I have found that there is a missing voice in these discourses which shed an important light on these contexts. The British rapper, or MC.
“If you give yourself to something that you think isn’t going to work, sometimes it does,” says retired school teacher and lifelong choir member Linda Bluth. She’s commenting on a surprising new musical bright spot that has popped up during the coronavirus pandemic: ordinary people becoming recording artists.