Gary Totten is Editor-in-Chief of the journal MELUS: Multi-Ethnic Literature of the United States. In this interview session, we ask Gary Totten a few questions to learn more about his work, and the coming work for the field and the journal.
There is a theory current among many of my fellow Janeites about what kind of a Jane Austen devotee one can be. Either, it is said, one unreservedly cleaves to the Austen of Pride and Prejudice and Emma, or one emphatically embraces the Austen of Persuasion and Sense and Sensibility.
Well? Have you? If not, it’s probably because René Blum’s lifelong career in the arts has been safely hidden from the history books. Only his brother Léon Blum, the first Socialist and Jewish Prime Minister of France, received enormous attention. But Judith Chazin-Bennahum knows why René Blum deserves to be remembered: because he was an extraordinary man. Chazin-Bennahum’s book introduces the reader to the world of the Belle Epoque artists and writers, the Dreyfus Affair, the playwrights and painters who reigned supreme during the late 19th century and early 20th century period in Paris. Below she provides us with just a few of his most impressive accomplishments.
Your most recent book, John Stuart Mill: A Secular Life, is in OUP’s ‘Spiritual Lives’ series and is essentially a religious biography of Mill. Mill decided that strictly in terms of proof the right answer to that question of God’s existence is that it is ‘a very probable hypothesis’.
On 27 February 1932, the American modern dancer Pauline Koner presented a concert at New York City’s Town Hall. For the occasion, Koner, who was Jewish, premiered Chassidic Song and Dance, a solo in which she portrayed a young Hasidic Jew. Her characterization of an Eastern European Jew was not so different from the other exotics that constituted Koner’s repertory in the 1930s.
Spaniards are celebrating with some fanfare the 40th anniversary of their democratic constitution that was approved overwhelmingly in a referendum on 6 December 1978, sealing the end of the 36-year dictatorship of General Francisco Franco, the victor of the country’s civil war. Whichever way one looks at it, Spain has been transformed profoundly since then.
I always knew that my family was a little different, but it wasn’t until my mid-teens that I realized exactly how weird we were. An African-American family living in the suburban greenery of Hollis, Queens, at the outskirts of New York City, we thought little of the fact that my father’s big hobby was hunting game birds. With dogs, no less. Often on horseback.
A few years ago, two colleagues of mine traveled around the country documenting what was going on in the newspaper industry, talking to editors, reporters, and publishers in all 50 states. Reading their book, Practicing Journalism: The Power and Purpose of the Fourth Estate, I was struck by the great passion of journalists and their commitment to public service.
As we celebrate the golden anniversary of the Civil Rights Act of 1964, a significant aspect of the struggle for racial equality often gets ignored: racial activism in performance. Actors, singers, and dancers mobilized over the decades, pushing back against racial restrictions that shifted over time, and On the Town of 1944 marked an auspicious but little-recognized moment in that history.
It started innocently enough at a lunch-time event with some friends at the Randolph Hotel in the centre of Oxford. ‘The trouble with Islam …’ began some self-opinioned pundit, and I knew where he was going. Simple. Islam lends itself to fanaticism, and that is why Muslims perpetrate so much violence in the name of religion. The pundit saw himself as Christian, and therefore a man of peace, so I had my cue. ‘Look out of the window. Over there in the fork of the road you see the Martyr’s Memorial. In 1555 the Wars of Religion were in full spate, Catholics were burning Protestants at the stake, Protestants were no less fanatical when their turn came, and things got even worse with the Civil War. So why are Muslims any worse?’
For many people, the celebration of the Advent-Christmas-Epiphany season begins as they wind their way through St. Olaf College’s buildings during the first weekend of December to attend the annual St. Olaf Christmas Festival.
Music can intensify moments of elation and moments of despair. It can connect people and it can divide them. The prospect of psychologists turning their lens on music might give a person the heebie-jeebies, however, conjuring up an image of humorless people in white lab coats manipulating sequences of beeps and boops to make grand pronouncements about human musicality.
Over the course of history, the word “political” has evolved from being synonymous with “public sphere” or “good government” to meaning “calculating” or “partisan.” How did we get here? This adapted excerpt from Keywords for Today: A 21st Century Vocabulary explains the evolution. The problems posed by political result from a combination of the term’s semantic shift over the last several centuries and the changing face of post-national politics that have become so important since mid-twentieth century.
The year was 1968 and I was a young postgraduate music student walking down King’s Parade in Cambridge when I saw the revered figure of David Willcocks, director of King’s College Choir, striding towards me. He had rock-star status in Cambridge and beyond, and although I knew him from his weekly harmony and counterpoint classes which I had attended, I wasn’t quite sure whether to nod politely, say ‘good afternoon, Mr Willcocks’, or hurry past hoping he hadn’t noticed me. Fortunately he spoke first.
In 2008, StoryCorps created World Listening Day for citizens of all beliefs and backgrounds to record, preserve, and share the stories of their lives. This year, we invite you to celebrate by listening to our podcast, The Oxford Comment.
In October, William Godwin (1756–1836) was featured as our Philosopher of the Month. He was a leading political philosopher and public intellectual during the crisis in British politics in the 1790s and achieved fame with the publication of his treatise ‘An Enquiry Concerning Political Justice’.