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Academic Insights for the Thinking World

The Diva's Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata

Why “the all-male stage” wasn’t

Why is “the all-male stage” inadequate as shorthand for the early modern stage? For one thing, it enforces a gender binary that has little to do with the subjects, desires, audiences, and practices of the time. Gender was elusive, plural, and performative, especially on the stage, where attractive androgynous boys played women, or switched back and forth between genders. The importance of female spectators, artisans, and backers gives the lie to total exclusion, and so does mounting evidence that women played in many spheres adjacent to the professional stage.

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Annotations to James Joyce's Ulysses

“A man of genius makes no mistakes”: Joycean misapprehensions

Joyce invites misapprehension in many ways. He overtly signals the importance of error with Stephen’s famous line in ‘Scylla and Charybdis’: ‘A man of genius makes no mistakes. His errors are volitional and are the portals of discovery’. This is a particularly shrewd move on Joyce’s part. Since a man of genius makes no mistakes, anything that seems like a mistake must actually be something ingenious that can only be discerned by a suitably astute reader. In effect, Joyce implies that there are no mistakes in this text, just artistic brilliance that may or may not be properly apprehended.

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OUPblog

The top 10 literature blog posts of 2021

This year on the OUPblog, our authors have marked major anniversaries, championed activism, confronted antisemitism, shattered stereotypes, and sought to understand our post-pandemic world through literature. Dive into the top 10 literature blog posts of the year on the OUPblog:

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V.S. Naipaul, Caribbean Writing, and Caribbean Thought by William Ghosh

Homi K. Bhabha on V.S. Naipaul: in conversation with William Ghosh

“Literature, we’re told, is the immortality of speech, but in fact reputations fade quickly.” In this OUPblog, read foundational figure in postcolonial theory, Homi K. Bhabha, in conversation with William Ghosh, author of V.S. Naipaul, Caribbean Writing, and Caribbean Thought (Oxford 2020).

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Perceptions of Medieval Manuscripts

Fragmentology: bits of books and the medieval manuscript

So many fragments of manuscripts exist that a new term—Fragmentology—has recently been applied to the study of these parts and parcels. Librarians, archivists and academics are paying more attention to what can be learned about textual culture from a folio cut, say, from a twelfth-century manuscript and later used by a binder to line the oak boards of a fifteenth-century book.

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Classical Mythology

Can interpretations of the Pandora myth tell us something about ourselves?

According to the early Greek poet Hesiod (ca. 700 BC), the primordial human community consisted only of men, who lived lives of health and ease, enjoying a neighborly relationship with the gods. That relationship soured, however, after Prometheus deceived the Olympian gods for the benefit of mankind. In retaliation, Zeus schemed to punish men by […]

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Dante's New Life of the Book

The real scandal of Dante’s Beatrice

2021 saw the 700th anniversary of the death of poet Dante Alighieri. To mark this, we asked some of our authors to write for the OUPblog on Dante. In this blog, Martin Eisner author of “Dante’s New Life of the Book: A Philology of World Literature”, explores Dante’s divinization of a mortal woman, with specific reference to Beatrice from Dante’s the New Life (Vita nuova).

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SHAPE

SHAPE and societal recovery from crises

The SHAPE (Social Sciences, Humanities, and the Arts for People and the Economy) initiative advocates for the value of the social sciences, humanities, and arts subject areas in helping us to understand the world in which we live and find solutions to global issues. As societies around the world respond to the immediate impact of the COVID-19 pandemic, research from SHAPE disciplines has the potential to illuminate how societies process and recover from various social crises.

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