Two hundred years ago last Friday the owner of the London Times, John Walter II, is said to have surprised a room full of printers who were preparing hand presses for the production of that day’s paper. He showed them an already completed copy of the paper and announced, “The Times is already printed – by steam.”
On 28th November 1814 The Times in London was printed by automatic, steam powered presses for the first time. These presses, built by the German inventors Friedrich Koenig and Andreas Friedrich Bauer, meant that newspapers were now available to a new mass audience, and by 1815 The Times had a circulation of approximately 5,000 people.
One of the more interesting recent developments in film studies is the recognition that what have seemed to be separate histories—documentary filmmaking and avant-garde filmmaking—are, once again, converging.
Like its corollary clicktivism, slacktivism is a term that unites entrenched technosceptics and romantic revolutionaries from a pre-Internet or, more precisely, a pre-social media age as they admonish younger generations for their lack of commitment to “real” social change or willingness to do “what it takes” to make the world around them a better place.
On 9 August 2014, Officer Darren Wilson of the Ferguson, Missouri (a suburb of St. Louis) Police Department, shot and killed Michael Brown, an unarmed 18-year-old. Officer Wilson is white and Michael Brown was black, sparking allegations from wide swaths of the local and national black community that Wilson’s shooting of Brown, and the Ferguson Police Department’s reluctance to arrest the officer, are both racially motivated events that smack of an historic trend of black inequality within the US criminal justice system.
At the Conference on Open Access Scholarly Publishing in Paris last month, Claudio Aspesi, Senior Analyst at Sanford C. Bernstein, raised an uncomfortable question. Did the continuing financial health of traditional publishers like Elsevier indicate that open access had “failed”?
If you ask many people about nurses, they will tell you how caring and kind nurses are. The word “angel” might even appear. Nursing consistently tops the annual Gallup poll comparing the ethics and honesty of different professions.
A ten-year anniversary seems an opportune time to take stock. Much has been said already about Oxford Scholarship Online (OSO) as it moves into its second decade, and let’s cast the net a bit wider and focus not on OSO, per se, but on what the academic publishing industry has gotten right and what we’ve missed since OSO was in its infancy.
Open access (OA) publishing stands at something of a crossroads. OA is now part of the mainstream. But with increasing success and increasing volume come increasing complexity, scrutiny, and demand. There are many facets of OA which will prove to be significant challenges for publishers over the next few years
In 2014 Oxford University Press celebrates ten years of open access (OA) publishing. In that time open access has grown massively as a movement and an industry. Here we look back at five key moments which have marked that growth.
Checking the website for the upcoming Audio Engineering Society (AES) convention in Los Angeles, I took note of the swipes promoting the event. Each heading was framed as follows: If it’s about ____________ it’s at AES. The slide show contained nine headings that are to be a part of the upcoming convention (in no particular order because you start at whatever point in the slide show you happened to log-in to the site).
As a football team, the Dallas Cowboys are mired in mediocrity. In the 19 years since they last won the Super Bowl, their regular season record is a middling 146-142. The team made the playoffs seven times during that span, with only two wins to show for its efforts. The prognosis for the 2014 season is more of the same.
One of the most common questions that scholars confront is trying to find the right journal for their research papers. When I go to conferences, often I am asked, “how do I know if Political Analysis is the right journal for my work?” This is an important question, in particular for junior scholars who don’t have a lot of publishing experience — and for scholars who are nearing important milestones (like contract renewal, tenure, and promotion).
What does it mean for a woman to “feel sexy”? In our current consumer culture, the idea of achieving sexiness is all-pervasive: an expectation of contemporary femininity, wrapped up in objects ranging from underwear, shoes, sex toys, and erotic novels. Particular celebrities and “sex symbol” icons, ranging throughout the decades, are said to embody it…
Social media and other technologies have changed how we communicate. Consider how we coordinate events and contact our friends and family members today, versus how we did it 20 or 30 years ago. Today, we often text, email or communicate through social media more frequently than we phone or get together in person.
Now that the Internet has been with us for over 25 years, what are we to make of all the concerns about how this new medium is affecting us, especially the young digital natives who know more about how to maneuver in this space than most adults.