Supplementing real dogs with digital animation produces performances that have benefits on many different levels. Firstly, they are much more effective dramatically because they can become more anthropomorphically expressive to suit the needs of the story. Economically they are less time-consuming and therefore less expensive because the performance is no longer determined by the unpredictable or intractable volition of real animals, however ‘well-trained’. The problems that arise even when working with ‘professional’ dog actors can be exasperating.
“I think I’ve just got an exclusive interview with the new Royal Bank of Scotland chief executive Stephen Hester.” These were the words I told my editor after a couple of years in the newspaper game. He was obviously pleased. This is the kind of thing editors constantly want from reporters: an ability to dig out a story or to see something not everyone else will spot.
In the 1960s British comedy radio show, Beyond Our Ken, an old codger would, in answer to various questions wheel out his catchphrase—in a weary, tremulous groan—‘Thirty Five Years!’ I was reminded of this today when I realized that it is exactly 35 years ago that my first book on privacy was published. And how the world has changed since then!
At least a decade prior to the recording of the first “hillbilly” records in the 1920s, journalists were writing about rural music-making in the United States, often treating the music heard at barn dances, quilting bees, and other rural social events as curious markers of local color. Since the emergence of country music as a recorded popular music in the 1920s, though, the press’s fascination with the genre has not waned.
If over the holidays you received a book, was it digital or printed on paper? E-books (and devices on which to read them) are multiplying like rabbits, as are the numbers of eReading devotees. It’s easy to assume, particularly in the United States, with the highest level of eBook sales worldwide, that the only way this trend can go is up. Yes, there was triple-digit eBook growth in 2009, 2010, and 2011, though by 2014 those figures had settled down into the single digits.
Today many are asking why Parisians have been attacked in their own city, and by their own people. But for many years the question for those following the issues of foreign policy and religion was why France had suffered so little terrorism in comparison to other European states.
This year marks the 350th anniversary of the scholarly journal, as recorded by the first publication of the Royal Society’s Philosophical Transactions in 1665. In a dedicatory epistle to the Society’s Fellows and the Introduction, editor Henry Oldenburg set forth its purpose to inform the scientific community of the latest and most valuable discoveries.
Disseminating scholarship is at the heart of the Oxford University Press mission and much of academic publishing. It drives every part of publishing strategy—from content acquisition to sales. What happens, though, when a student, researcher, or general reader discovers content that they don’t have access to?
When the “Case of the Black Macaque” scooped media headlines this summer, copyright was suddenly big news.Here was photographer David Slater fighting Wikipedia over the right to disseminate online a portrait photo of a monkey which had, contrary to all expectations and the law of averages, managed within just a few jabs of a curious finger, to take a plausible, indeed publishable “selfie”.
In order to spread some festive cheer, Blackstone’s Policing has compiled a watchlist of some of the best criminal Christmas films. From a child inadvertently left home alone to a cop with a vested interest, and from a vigilante superhero to a degenerate pair of blaggers, it seems that (in Hollywood at least) there’s something about this time of year that calls for a special kind of policing. So let’s take a look at some of Tinseltown’s most arresting Christmas films.
At the American Political Science Association meetings earlier this year, Gary King (Albert J. Weatherhead III University Professor at Harvard University) gave a presentation on Dataverse (here are his slides). Dataverse is an important tool that many researchers use to archive and share their research materials; as many readers of this blog may already know, the journal that I co-edit, Political Analysis, uses Dataverse to archive and disseminate the replication materials for the articles we publish in our journal.
Two hundred years ago last Friday the owner of the London Times, John Walter II, is said to have surprised a room full of printers who were preparing hand presses for the production of that day’s paper. He showed them an already completed copy of the paper and announced, “The Times is already printed – by steam.”
On 28th November 1814 The Times in London was printed by automatic, steam powered presses for the first time. These presses, built by the German inventors Friedrich Koenig and Andreas Friedrich Bauer, meant that newspapers were now available to a new mass audience, and by 1815 The Times had a circulation of approximately 5,000 people.
One of the more interesting recent developments in film studies is the recognition that what have seemed to be separate histories—documentary filmmaking and avant-garde filmmaking—are, once again, converging.
Like its corollary clicktivism, slacktivism is a term that unites entrenched technosceptics and romantic revolutionaries from a pre-Internet or, more precisely, a pre-social media age as they admonish younger generations for their lack of commitment to “real” social change or willingness to do “what it takes” to make the world around them a better place.
On 9 August 2014, Officer Darren Wilson of the Ferguson, Missouri (a suburb of St. Louis) Police Department, shot and killed Michael Brown, an unarmed 18-year-old. Officer Wilson is white and Michael Brown was black, sparking allegations from wide swaths of the local and national black community that Wilson’s shooting of Brown, and the Ferguson Police Department’s reluctance to arrest the officer, are both racially motivated events that smack of an historic trend of black inequality within the US criminal justice system.