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SHAPE

SHAPE today and tomorrow: Q&A with Sophie Goldsworthy and Julia Black (part two)

By Julia Black and Sophie Goldsworthy

This second part of our Q&A with Sophie Goldsworthy, Director of Content Strategy & Acquisitions at OUP, and Professor Julia Black CBE FCA, Strategic Director of Innovation and Professor of Law at the London School of Economics and Political Science, and President-elect of the British Academy, reflects on how SHAPE disciplines can help us to understand the impact of the events of the pandemic and look towards the future of SHAPE.

SHAPE

Introducing SHAPE: Q&A with Sophie Goldsworthy and Julia Black (part one)

By Julia Black and Sophie Goldsworthy

OUP is excited to support the newly created SHAPE initiative—Social Sciences, Humanities, and the Arts for People and the Economy. SHAPE has been coined to enable us to clearly communicate the value that these disciplines bring to not only enriching the world in which we live, but also enhancing our understanding of it. In the first instalment this two-part Q&A, we spoke to Sophie Goldsworthy and Professor Julia Black to find out more about SHAPE and what it means to them.

Shakespeare and East Asia

Five themes in Asian Shakespeare adaptations

By Alexa Alice Joubin

Since the 19th century, stage and film directors have mounted hundreds of adaptations of Shakespeare drawn on East Asian motifs, and by the late 20th century, Shakespeare had become one of the most frequently performed playwrights in East Asia.

Oxford World's Classics

Which literary heroine are you? [quiz]

By Julia Baker

To best celebrate the online launch of the Oxford World’s Classics, discover which literary heroine you are most like with our quiz.

Henry James and the Art of Impressions

Impressionism’s sibling rivalry

By John Scholar

Sixty world-famous impressionist paintings arrived at the Royal Academy of Arts in London from Copenhagen in March of this year, a whisker before lockdown was imposed. Instead of drawing box-office crowds, they sat in storage for four months. But then the Academy reopened its doors in August with the Covid-secure ‘Gauguin and the Impressionists’. That this exhibition sold out so quickly is testament not only to our hunger for unmediated culture after a period of captivity, but also to the enduring popularity of impressionism.

Women & Literature: Maya Angelou

By Tasha M. Hawthorne

Angelou’s creative talent and genius cut across many arenas. One of the most celebrated authors in the United States, Angelou wrote with an honesty and grace that captured the specificity of growing up a young black girl in the rural South.

Women & Literature: Zora Neale Hurston

By Susan Butterworth

Susan Butterworth discusses the life and legacy of Zora Neale Hurston. A vibrant figure of the Harlem Renaissance, a fertile interpreter of black folklore, and a lyrical writer – Hurston had a fascinating career. By the time of her death however, she had sadly disappeared into poverty and obscurity.

Women & Literature: Lorraine Hansberry

By Margaret B. Winkerson

In this article from “Black Women in America” (2nd Ed.), Margaret B. Winkerson looks at the life and works of Lorraine Hansberry, author of “A Raisin in the Sun.”

Women & Literature: Alice Walker

By Stefanie K. Dunning

Like all of her heroines, Alice Walker is herself an agent of change. Walker once said that the best role model is someone who is always changing. Instead of desiring a long shelf life, Walker asserts that she wants to remain fresh. This commitment to fluidity and evolution characterizes both her life and her work.

Women & Literature: Toni Morrison

By Daniel Donaghy

Toni Morrison occupies a central place in the literature of twentieth-century America. Her epic themes and characters, her unique and sophisticated style of storytelling, and her ability to recreate urgent, long-silenced voices have expanded what readers know about African American history and what they understand about the complex, often confusing relationships between race and gender in contemporary society.

John Donne & the Conway Papers

Finding the Melford Hall Manuscript

By Daniel Starza Smith

The Melford Hall Manuscript is a large, expensively bound manuscript volume containing previously unknown witnesses of nearly 140 poems by John Donne (1572-1631), one of the most outstandingly significant poets and preachers of the early modern period. Discovered by Gabriel Heaton of Sotheby’s during a routine survey of Melford Hall in Suffolk, and restored by sale by the prestigious […]

A Playgoer's and Reader's Guide to Shakespeare

So you think you know Shakespeare? [Quiz]

By Michael Dobson and Stanley Wells

In order to celebrate the release of Shakespeare: A Playgoer and Reader’s Guide, we created a quiz to see how well you know Shakespeare’s plays!

Music & Autism

A conversation on music and autism (part two)

By Graeme Gibson and Michael B. Bakan

In the second and final part of this interview, author Michael B. Bakan speaks to his co-author Graeme Gibson, Dr Deborah Gibson, and legendary science fiction author William Gibson about writing science fiction, musical influences, and essential lessons autism has taught them.

Music & Autism

A conversation on music and autism (part one)

By Graeme Gibson and Michael B. Bakan

In the first part of this two-part interview, author of “Music and Autism,” Michael Bakan speaks to his co-author Graeme Gibson, Dr Deborah Gibson, and legendary science fiction author William Gibson about musical instruments and autism.

The History of Radiology

Five famous doctors in literature

By Arpan K. Banerjee

Doctors have appeared in fiction throughout history. From Dr Faustus, written in the sixteenth century, to more recent film adaptations in the twentieth and twenty-first centuries, the familiarity of these characters will be profitably read and watched by both experienced and future doctors who want to reflect on the human condition often so ably described by the established men and women of letters.

Scientism, the coronavirus, and the death of the humanities

By Eric Adler

The cause of the humanities’ current crisis is far older than critics of postmodern relativism allow—and more baked into the heart of the modern American university. In fact, one must look back to very creation of the American universities in the late nineteenth century to see why their triumph precipitated the marginalization of the modern humanities. The scientizing of our higher education amounts to the root of the problem, and without a deep-seated revolt against this process, the humanities will continue to wither.