The British Museum’s current blockbuster show, Defining Beauty: the Body in Ancient Greek Art, amasses a remarkable collection of classical sculpture focusing on the human body. The most intriguing part of the show for me was the second room, “Body colour,” which displays plaster casts of several Greek sculptures brightly painted in green, blue, yellow, red and pink. The press has not known what to make of “Body colour.” It has been met with surprise, sneers, or been entirely ignored in otherwise glowing reviews.
The general election of May 2015 brought an end to five years of coalition government in Britain. The Cameron-Clegg coalition, between 2010 and 2015, prompted much comment and speculation about the future of the British party system and the two party politics which had seemed to dominate the period since 1945. A long historical perspective, however, I think throws an interesting light on such questions.
Film is little over 120 years old, and lives in film seem to fall into three phases. The first comprises those who were born before the era of film, and whose different experiences and expectations helped shape the young medium. The second comprises those who grew up with film, in the era of the studios and mass cinema-going. The third consists of those who saw the bastion of the film world assailed by new technologies, from television to video games, which divided the audience’s attention and changed professions.
Family historians know the sensation of discovery when some longstanding ‘brick wall’ in their search for an elusive ancestor is breached. Crowds at the recent ‘Who Do You Think You Are?’ exhibition at Birmingham explored the new resources available to assist their researches, and millions worldwide subscribe to online genealogical sites, hosting ever-growing volumes of digitized historical records, in the hope of tracking down their family roots.
How well do you know your military strategists? Napoleon Bonaparte and Carl von Clausewitz are considered some of the finest thinkers on war and strategy. Although they were enemies on the battlefield, both men’s insights into the dynamics of war are still widely consulted today. Take our quiz and see if you can tell who said what. Quotes are drawn from Napoleon: On War and On War by Carl Von Clausewitz.
The 7 May 2015 marks the conclusion of a long and challenging five years for Ed Miliband as leader of the opposition. After one of the worst defeats in the party’s history in May 2010, he took over as the new leader of the Labour party with the mission to bring the party back into power after only one term in opposition. A difficult task at the best of times, but made even harder due to internal tensions between Blairites and Brownites, Blue Labour and New Labour as well as many voters blaming the previous Labour government for the economic state of the country immediately after the 2010 election.
In March 2007 the British government of Tony Blair officially decided to extend the life of the Trident submarine deterrent through a ‘life extension programme’ whilst also placing before parliament the need for a successor system. This essentially began the debate on a successor system.
World War Two was the most devastating conflict in recorded human history. It was both global in extent and total in character. It has understandably left a long and dark shadow across the decades. Yet it is three generations since hostilities formally ended in 1945 and the conflict is now a lived memory for only a few. And this growing distance in time has allowed historians to think differently about how to describe it, how to explain its course, and what subjects to focus on when considering the wartime experience.
The first female Juliet appears to have been Mary Saunderson, to Henry Harris’s Romeo in 1662 when her future husband, Thomas Betterton, played Mercutio. Later she acted admirably as Ophelia and Lady Macbeth but nothing I have read characterizes her as great. Elizabeth Barry (c.1658–1713) succeeded her as Betterton’s leading lady, excelling in pathetic roles and achieving her greatest successes in the heroic tragedies of her own time.
As I approached retirement, it seemed appropriate that I should tackle one of the most controversial aspects of Liverpool history: race relations. Since there is outstanding scholarship on the operation, legacy, and memorialisation of the heinous slave trade, I chose to concentrate on later developments, particularly the growth of a large ‘black’ population from the late 19th century, primarily composed of ‘seamen’ who dropped anchor in ‘sailortown’ Liverpool.
The beliefs of British Prime Ministers since 1941 about the nation’s security and role in the world have been of critical importance in understanding the development and retention of a nuclear capability. Winston Churchill supported the development as a means of national survival during the Second World War.
The flow of girls in particular from the safety of Britain into the war zones of the Middle East causes much hand-wringing. A report from the Institute for Strategic Dialogue says one in six of foreigners going to Syria and Iraq are women or girls.
Imagine a plant that grew into a plum pudding, a cricket bat, or even a pair of trousers. Rather than being a magical transformation straight out of Cinderella, these ‘wonderful plants’ were instead to be found in Victorian Britain. Just one of the Fairy-Tales of Science introduced by chemist and journalist John Cargill Brough in his ‘book for youth’ of 1859, these real-world connections and metamorphoses that traced the origins of everyday objects were arguably even more impressive than the fabled conversion of pumpkin to carriage (and back again).
On 25 February 1603, Queen Elizabeth I’ s cousin and friend – Katherine Howard, the countess of Nottingham – died. Although Katherine had been ill for some time, her death hit the queen very hard; indeed one observer wrote that she took the loss ‘muche more heavyly’ than did Katherine’s husband, the Charles, Earl of Nottingham. The queen’s grief was unsurprising, for Elizabeth had known the countess longer than almost anyone else alive at that time.
Every campus has one, and sometimes more than more: the often unlovely and usually unloved concrete building put up at some point in the 1960s. Generally neglected and occasionally even unfinished, with steel reinforcing rods still poking out of it, the sixties building might be a hall of residence or a laboratory, a library or lecture room. It rarely features in prospectuses and is never – never ever – used to house the vice chancellor’s office.
History is surfeited with examples of the interactions between society and individual sexuality. Same-sex desire in particular has been, up until the present moment, a topic largely shrouded in shame, secrecy, and silence. As a result, it is often visualized through the image of ‘the closet,’ conveying notions of entrapment, protection, and liberation. Dominic Janes, author of Picturing the Closet: Male Secrecy and Homosexual Visibility in Britain, recently sat down with us to talk about visualization of same-sex desire in eighteenth-century Britain to the present.