As anyone who has flown United in the past quarter-century knows, the company has a long-standing history with George Gershwin’s Rhapsody in Blue. The piece appears in its television advertisements, its airport terminals, and even its pre-flight announcements. However, the history of United’s use of the piece is far from straight forward.
This month marks the 50th anniversary of Disney’s beloved film Mary Poppins, starring the legendary Julie Andrews. Although Andrews was only twenty-nine at the time of the film’s release, she had already established herself as a formidable star with numerous credits to her name and performances opposite Richard Burton, Rex Harrison, and other leading actors […]
Meet the woman behind Grove Music Online, Anna-Lise Santella. We snagged a bit of Anna-Lise’s time to sit down with her and find out more about her own musical passions and research.
What do we know of Salamone Rossi’s family? His father was named Bonaiuto Azaria de’ Rossi (d. 1578): he composed Me’or einayim (Light of the Eyes). Rossi had a brother, Emanuele (Menaḥem), and a sister, Europe, who, like him, was a musician.
What is a classic album? Not a classical album – a classic album. One definition would be a recording that is both of superb quality and of enduring significance. I would suggest that Miles Davis’s 1959 recording Kind of Blue is indubitably a classic.
Michael Kennedy has described Job as one of Vaughan Williams’s mightiest achievements. It is a work which, in a full production, combines painting (the inspiration for the work came from a scenario drawn up by Geoffrey Keynes based on William Blake’s Illustrations of the Book of Job), literature (the King James Bible), music, and dance.
The genre of ‘choral jazz’ has become increasingly prevalent among choirs, with the jazz mass the ultimate form. Settings of the Latin mass by Lalo Schifrin and Scott Stroman have enjoyed popular following, while more recently Bob Chilcott’s A Little Jazz Mass and Nidaros Jazz Mass have established the genre in the wider choral tradition, reaching choirs from across the choral spectrum and audiences young and old.
Rising to prominence at lightning speed during World War II, Leonard Bernstein quickly became one of the most famous musicians of all time, gaining notice as a conductor and composer of both classical works and musical theater. One day he was a recent Harvard graduate, struggling to earn a living in the music world.
That any person could become an expert in something if they simply spend about 3 hours per day for ten years is an appealing concept. This idea, first championed by Ericsson and brought to prominence by Gladwell, has now taken root in the popular media. It attempts to discuss these differences in terms of the environment. The idea is that practice with the purpose of constantly gathering feedback and improving can lead any person to become an expert.
By Gordon R. Thompson
In the opening months of 1964, The Beatles turned the American popular music world on its head, racking up hits and opening the door for other British musicians. Lennon and McCartney demonstrated that—in the footsteps of Americans like Buddy Holly and Chuck Berry—British performers could be successful songwriters too.
By Gordon R. Thompson
Fifty years ago, a wave of British performers began showing up on The Ed Sullivan Show following the dramatic and game-changing appearances by The Beatles.
By Matthew Hough
There are many cases of musicians with homonymic names, including jazz performers Bill Evans (pianist, 1929-1980) and Bill Evans (saxophonist, 1958-), and composers John Adams and John Luther Adams. In the following paragraphs, I discuss musical examples by artists comprising three such pairs.
In 1701, one year before Princess Anne succeeded to the throne, musicians from London traveled to Windsor to perform a special ode composed for her birthday by the gifted young composer Jeremiah Clarke. The anonymous poet addressed part of his poem to the performers, taking note of Anne’s keen interest in music.
Twenty-seven years ago, on 31 July 1987, James Bond returned to the screen in The Living Daylights, with Timothy Dalton as the new Bond. The film also has a notable departure in the style of music, as composer John Barry decided that the film needed a new sound to match this reinvented Bond, and his love interest — a musician with dangerous ties. To celebrate the anniversary, here is a brief extract from The Music of James Bond by John Burlingame.
When Leonard Bernstein first arrived in New York, he was unknown, much like the artists he worked with at the time, who would also gain international recognition. Bernstein Meets Broadway: Collaborative Art in a Time of War looks at the early days of Bernstein’s career during World War II, and is centered around the debut in 1944 of the Broadway musical On the Town and the ballet Fancy Free.
By Kirk Curnutt
Ask someone who came of age in the 1980s what they remember about the movie Eddie and the Cruisers and one of the following responses is likely: it spawned the great rock-radio staple “On the Dark Side” and briefly made MTV stars of the improbably named John Cafferty and the Beaver Brown Band…