For over 500 years, the masterful works of Leonardo da Vinci have awed artists, connoisseurs, and laypeople alike. Often considered the first High Renaissance artist, Leonardo worked extensively in Florence, Milan, and Rome before ending his career in France, and his techniques and writings influenced artists for centuries after his death. However, to refer to Leonardo da Vinci as just an artist minimizes his role in numerous areas of study; in addition to painting, sculpture, and drawing, the quintessential “Renaissance Man” left an indelible mark on architecture, engineering, science, philosophy, and even music.
How should music reference works deal with jazz in the era of multi-genre freelancing? Back in November 1983, when I asked Stanley Sadie, series editor for Grove Dictionaries of Music, if he’d ever thought of having a New Grove Dictionary of Jazz, jazz seemed to be a reasonably coherent genre with a connected succession of styles. Maybe I was just being young, naive, ignorant. Or maybe the notion of jazz as something coherent hadn’t yet started to completely unravel, even though all sorts of challenges were nipping at it, especially as the fusions emerged (jazz-rock, jazz-funk, and so forth).
Rabindranath Tagore (1861-1941) was a highly prolific Indian poet, philosopher, writer, and educator who wrote novels, essays, plays, and poetic works in colloquial Bengali. He was a key figure of the Bengal Renaissance, a cultural nationalist movement in the city.
Jane Austen’s Emma Woodhouse tells her father, “Mr. Knightley loves to find fault with me, you know—in a joke—it is all a joke.” Mr. Knightley isn’t joking, as he and Emma know; he presents his criticisms without a hint of jocularity. But if Emma persuades Mr. Woodhouse to believe Mr. Knightley is joking, he “would not suspect such a circumstance as her not being thought perfect by everyone.” A little over 200 years after Emma was published, the comedian Roseanne Barr defended a racist tweet about Valerie Jarrett, President Obama’s former adviser, in a further tweet, “It’s a joke—”.
I’m anxiously awaiting the release of Bolden, a film about the New Orleans cornettist Buddy Bolden (1888 – 1933) who may actually have invented jazz. But since Bolden will not be released until May, and since April is Jazz Appreciation Month, now is a good time to talk about the cultural capital that jazz has recently acquired, at least in that […]
The English-language heyday of classical verse translation, in the seventeenth and eighteenth centuries, produced works that people still read, enjoy, and study today. Translation has been central in what we now call the reception of ancient poetry through the ages.
This March, in honour of Women’s History Month, and in celebration of the achievements and contributions of women to the field of philosophy, the OUP philosophy team honours Philippa Foot (1920–2010) as its Philosopher of the Month. Philippa Foot is widely regarded as one of the most distinctive and influential moral philosophers of the twentieth-century.
Ever wonder why Lady Justice looks the way she does? She is modeled after the Roman goddess Iustitia and is an allegorical personification of the justice system. She is usually depicted with a scale in one hand, a sword in the other, and wearing a blindfold. Why? Well, she is to use the scale to weigh the evidence.
Though history favours the warriors, monarchs, and rebels, female pacifists and mediators behind the scenes were just as vital in the fight for equality.
While tensions continued to boil in the United States with the outbreak of the civil war in 1861 on the horizon, those aiming to assist slaves in securing their freedom often used letter correspondences to plan escape routes and share elated stories of their successes.
In the decades preceding the Civil War, the free black community in the North struggled both for freedom from racial oppression and for the freedom of their enslaved southern brethren. Black newspapers reflected these twin struggles in their own fight for survival—a fight that most black newspapers in the antebellum era lost in a relatively short time.
Over the past 20 years, scientists and governments around the world have wrestled with the challenge of climate change. The Kyoto Protocol, the Paris Agreement, and other international climate negotiations seek to limit warming to an average of two degrees Celsius (2°C). This objective is justified by scientists that have identified two degrees of warming as the point at which climate change becomes dangerous.
We might expect that people will have trouble understanding one another when they are using a foreign language, but several studies have found that overt misunderstandings are relatively uncommon in such situations. The reason for this is that when people can anticipate that some problems of understanding may occur, they adapt the way they speak.
This January the OUP Philosophy team honours William James (1842-1910) as their Philosopher of the Month. James was the founder of pragmatism, an influential Harvard philosopher and scholar on religion and was arguably considered one of the dominant figures in psychology of his day, before Sigmund Freud.
This year was, once again, one of great political turmoil. The international legal order is not immune from the impact of the rise of populism and increasingly strained relations between many of the world’s most powerful states. A positive view is that we are witnessing a period of global re-adjustment. A more negative take is that there is a real risk of the fabric of the international legal order, created so carefully in the aftermath of the First and Second World Wars, unravelling.
In the wake of the November 11, 1918 armistice between Germany and the Allies, high-minded idealism confronted a mélange of very unpleasant realities. All the belligerents had claimed to be fighting for a noble set of aims, and the United States President, Woodrow Wilson, went further. He proposed the creation of a supranational agency, the League of Nations, to govern international relations in a pacific age of transparent, altruistic diplomacy.