Oxford University Press's
Academic Insights for the Thinking World
Bach’s superlative works for violin are considered the pinnacle of achievement for any violinist. Both the unaccompanied Partitas and Sonatas and his violin works with keyboard accompaniment require great technical mastery of the instrument alongside a mature musicality. Players who haven’t yet scaled these heights are also keen to access his music and develop their understanding of Baroque playing techniques.
In 1890, a strange letter with “hieroglyphic script” arrived at Pennsylvania’s Carlisle Indian Industrial School. It was sent from a reservation in the Oklahoma Territory to a Kiowa student named Belo Cozad. Cozad, who did not read or write in English, was able to understand the letter’s contents—namely, its symbols that offered an update about his family.
French and Francophone Studies is a vibrant and diverse field of study, in which research on nineteenth century literature, and research from the perspective of postcolonial theory, are thriving—and indeed represent particular areas of growth. What does it mean, then, to argue for a “postcolonial nineteenth century”? It would certainly be misleading to see the two areas as completely divorced or discordant.
On this, the 74th anniversary of the end of the Second World War in Europe, when refugee camps across the globe are overflowing, it’s worth considering that the war itself was the violent climax of a massive refugee crisis. Even before the refugee problems caused by the First World War and the Bolshevik Revolution could be solved, Hitler’s seizure of power in early 1933 convinced Jews and left-leaning political opponents of Nazism to leave their homes. Not long after, refugees from the Spanish Civil War trekked into southern France, followed by millions of families fleeing from the Wehrmacht’s blitzkrieg through western Europe.
This May, the OUP Philosophy team honors Karl Marx (1818-1883) as their Philosopher of the Month. 5 May 2018 marks the 200th anniversary of the birth of this revolutionary philosopher who is best known for The Communist Manifesto and Das Kapital, and the substantive theories he formulated on the capitalist mode of production, communism, and class struggles after the dawn of modernity.
When Stephen Hawking died recently, a report echoed around the internet that he had rejected atheism in his last hours and turned to God. The story was utterly false; Hawking experienced no such deathbed conversion. Similar spurious accounts circulated after the deaths of other notoriously secular figures, including Christopher Hitchens and, back in the day, Charles Darwin.
Melody is one of the four foundational materials—melody, harmony, rhythm, and texture— used to make music. It is also the one most people would cite as the most attractive, the one that draws audiences to the works of Puccini, Tchaikovsky, Chopin, and others, and to the popular songs of George Gershwin, Diane Warren, Bruno Mars, and more. Yet I know of no college course that is devoted to teaching this subject in depth.
The Oxford Dictionary defines poetry as a piece of writing expressing feelings and ideas that are given intensity by particular attention to diction. Poetry at its core is a uniquely personal form of expression. To honor National Poetry Month, we’re sharing what poetry means to the writers of the Pavilion Poetry Series, including a sample from Nuar Alsadir’s new collection Fourth Person Singular. Maybe it will inspire to explore what poetry means to you.
This April, the OUP Philosophy team honors Adam Smith (1723-1790) as their Philosopher of the Month. You may have read his work, but how much do you really know about Adam Smith? Test your knowledge with our quiz.
Chicago is arguably one of the most famous Broadway musicals of the 20th century, if not the most famous. Based off Maurine Dallas Watkins’ satiric 1926 play, it has spawned a Tony Award-winning revival and Academy Award-winning movie version. Songs like “All That Jazz” and “Cell Block Tango” have become household tunes and were recorded as singles by jazz and pop singers alike. So many versions of the same song can lead to contention: was Chita Rivera’s original “All That Jazz” the most varied interpretation, or does one prefer the breathiness of Renée Zellweger’s raw (if underdeveloped) take on it? How “jazzy” should the song be? (It is a show tune, after all).
A recent phenomenon in New Testament research is the involvement of Jewish scholars. They perform the vital task of correcting Christian misunderstandings, distortions, stereotypes, and calumnies, with the aim of recovering the various Jewish contexts of Jesus, Paul, and the early Christian movement.
In our contemporary moment, as our digital spaces are saturated with feeds and streams of images, it’s clearer than ever that photography is a medium poised between arresting singularity and ambiguous plurality. Art historians have conventionally focused on the singularity of the photograph and its instant of capture. But the digital turn has prompted many scholars to reconsider photography in its many serialized incarnations.
Billy Graham’s death on 21 February, 2018, unleashed a flood of commentary on his life and legacy, much of it positive, some of it sharply negative. Both the length of his career and the historical moment at which he died contributed to the complexity of this discussion. His views on many subjects, including nuclear proliferation, the environment, global humanitarianism, and women’s ordination, changed over time.
To celebrate Earth Day, Katie D. Bennet takes a look at how environmentally conscious libraries from all over the world are using using sustainable architectural methods to achieve their green-goals. The team at the Vancouver Community Library shed some light on the steps they have taken to build an environmentall sustainable library that aligns with the ideals of the community.
“When Paris sits down at the table, the entire world stirs….” Eugène Briffault’s Paris à Table captures the manners and customs of Parisian dining in 1845. He gives a panoramic view of the conception of a dish (as detailed as the amount of coal used in stoves) to gastronomy throughout the city—leaving no bread roll unturned as he investigates how Paris eats. The below excerpt from Paris à Table (translated into English by J. Weintraub) provides statistics to capture the magnitude of the Parisian way of life.
Are you familiar with the mullet? It’s a distinctive hairstyle—peculiarly popular in continental Europe in the 1980s—in which the hair is cut short on the top and sides but left long at the back. Whatever the aesthetic gravity of the mullet, it comes with a philosophy. The philosophy of the mullet is this: “Business in the front, party in the back.” I’ll argue that the reverse holds true for the horror genre, didactically speaking. Horror fiction is sexy. Horror has zombies. It has ghosts and vampires. It has Hannibal Lecter and Jigsaw, Michael Myers and Jason Voorhees, Freddy Krueger and Leatherface. It has cannibal hillbillies and crazed college kids.