Over the last 15 years, research into various online addictions has greatly increased. Prior to the 2013 publication of the American Psychiatric Association’s fifth edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM-5), there had been some debate as to whether ‘internet addiction’ should be introduced into the text as a separate disorder.
In the film A Christmas Story, Ralphie desperately wants “an official Red Ryder, carbine action, 200 shot range model air rifle.” His mom resists because she reckons it will damage his well-being. (“You’ll shoot your eye out!”) In the end, though, Ralphie gets the air rifle and deems it “the greatest Christmas gift I ever received, or would ever receive.”
Recently I was talking to a younger colleague, a recent PhD, about what we and our peers read for pleasure. He noted that the only fiction that most of his friends read is young adult fiction: The Hunger Games, Twilight, that kind of thing. Although the subject matter of these series is often dark, the appeal, hypothesized my colleague, lies elsewhere: in the reassuringly formulaic and predictable narrative arc of the plots.
We have plenty of excuses for torture. Most of them are bad. Evaluating these bad excuses, as ethical philosophers are able to do, should disarm them. We can hope that clear thinking about excuses will prevent future generations–for the sake of their moral health–from falling into the trap.
On the surface, the Lifetime channel’s special Women of the Bible tells a very different story than The Red Tent. The two-hour program which aired just prior to the miniseries premiere claims to read with the Bible rather than against it, suggesting that the text itself depicts strong and faithful women—no retelling necessary.
Amongst the many famous people Lerner corresponded with, Frederick Loewe is naturally the most important in terms of musical collaborators. Yet sadly, correspondence between Lerner and Loewe is quite rare. I found only a few letters between them during the course of the research for the book, and was particularly disappointed by the lack of letters from their early years.
In celebration of the recently published biography, Elvis Presley: A Southern Life by Joel Williamson, I thought I would share some memories of Christmas past. In the 1970s we listened to Elvis on vinyl. Every December when it was time to decorate the tree you could hear the deep dulcet warbling of Elvis coming from the hi-fi.
The Red Tent was perfect for the Lifetime channel. The network’s four-hour miniseries closely followed Anita Diamont’s 1997 novel, which gave voice—and agency—to the biblical character of Dinah.
When the “Case of the Black Macaque” scooped media headlines this summer, copyright was suddenly big news.Here was photographer David Slater fighting Wikipedia over the right to disseminate online a portrait photo of a monkey which had, contrary to all expectations and the law of averages, managed within just a few jabs of a curious finger, to take a plausible, indeed publishable “selfie”.
The holiday season can be an insanely stressful time. Looking for presents, wrapping them, cooking, getting the house ready for visitors, cleaning before and after. Nothing like a normal Saturday night on the couch in front of the TV or with a couple of close friends. The holidays demand perfection. You see it all around you, friends are talking about how stressed out they are, how much they still have to do in just a couple of days. Hyper-decorated stores are talking in their own way.
Moses and Pharaoh are returning to the big screen in Ridley Scott’s seasonal blockbuster, Exodus: Gods and Kings. With a $200m budget and Christian Bale in the leading role, the British director will hope to replicate the success of Gladiator [...]
Director Robert Altman made more than thirty feature films and dozens of television episodes over the course of his career. The Altman retrospective currently showing at MoMA is a treasure trove for rediscovering Altman’s best known films (M*A*S*H, Nashville, Gosford Park) as well as introducing unreleased shorts and his little-known early work as a writer.
Carols bring Christians together around the Christ Child lying in the manger. During Advent and at Christmas, Christians everywhere sing more or less the same repertoire. Through our carols we share the same deep delight at the birth of a poor child who was to become the Saviour of all human beings.
A ‘slobbering valentine to a member of the upper classes’, ‘an orgy of snobbery’, and ‘the apotheosis of brown-nosing’: Angela Carter’s excoriating dismissal of Virginia Woolf’s Orlando (1928), delivered in Tom Paulin’s notorious televisual polemic, J’accuse Virginia Woolf (1991), serves as a reminder that this work has as much potential as any of her novels to provoke heated disagreements.
There are plenty of operas about teenage girls—love-sick, obsessed, hysterical teenage girls who dance, scheme, and murder in a frenzy of musical passion. Disney Princess films are also about teenage girls—lonely, skinny, logical teenage girls who follow their hearts because the plot gives them no other option. The music Disney Princesses sing can be divided into three periods that correspond to distinct animation styles
In order to spread some festive cheer, Blackstone’s Policing has compiled a watchlist of some of the best criminal Christmas films. From a child inadvertently left home alone to a cop with a vested interest, and from a vigilante superhero to a degenerate pair of blaggers, it seems that (in Hollywood at least) there’s something about this time of year that calls for a special kind of policing. So let’s take a look at some of Tinseltown’s most arresting Christmas films.