Oxford University Press's
Academic Insights for the Thinking World
Describing her role as the ambitious political wife Claire Underwood in the American TV series House of Cards, Robin Wright recognized she is “Lady Macbeth to [Francis] Underwood’s Macbeth.” At one point in the second series, Claire emboldens her wavering husband: “Trying’s not enough, Francis. I’ve done what I had to do. Now you do what you have to do.”
How do opera and philosophy intersect? At first glance, this might seem like a strange question, for opera and philosophy are unlikely bedfellows. To speak of philosophy conjures up images of dry abstraction and bookish head-scratching, whereas to talk of opera is to call to mind cacophonous spectacles of colours and voices, of multitudinous audiences enthralled by impassioned song.
Although soda companies such as Coca-Cola and PepsiCo are recognized around the world – the history, politics, and nutrition of these corporations are not as known. In her latest book, Soda Politics: Taking on Big Soda (and Winning), Marion Nestle exposes the truth behind this multi-billion dollar industry. Check out these hard hitting facts and see how much you actually know about the soda industry.
Every day after school, eager children cross the doorstep of a suburban Melbourne house. It’s the home of Daphne Proietto, an exceptional piano teacher who gives lessons to children six days a week, entirely pro bono. While some kids would be more inclined to see piano lessons as a chore, these kids can’t wait. The reason? Music for them is more than just an activity.
I approach myth from the standpoint of theories of myth, or generalizations about the origin, the function, and the subject matter of myth. There are hundreds of theories. They hail from anthropology, sociology, psychology, politics, literature, philosophy, and religious studies.
If your experience of school music was anything like mine, you’ll recall those dreaded aural lessons when the teacher put on a recording and instructed you to identify the instruments, to describe the main melody, to spot a key change, perhaps even to name the composer.
The poet we call Martial, Marcus Valerius Martialis, lived by his wits in first-century Rome. Pounding the mean streets of the Empire’s capital, he takes apart the pretensions, addictions, and cruelties of its inhabitants with perfect comic timing and killer punchlines.
In antiquity, ‘Arabia’ covered a vast area, running from Yemen and Oman to the deserts of Syria and Iraq. Today, much of this region is gripped in political and religious turmoil that shows no signs of abating.
The popular music industries of the 1960s produced thousands of recordings with each studio relying on an infrastructure of producers, engineers, music directors, songwriters, and, of course, musicians. In recent years, documentaries have introduced us to instrumentalists and singers who formed the artistic backbones of America’s major studios.
The shadow of the Roman poets falls right across the entire western literary tradition: from Vergil’s Aeneid, about the fall of Troy, the wooden horse, and the founding of Rome; through the great love poets, Catullus, Propertius, and Tibullus; Ovid’s Metamorphoses, treasure-house of myth for the Renaissance and Shakespeare; to Horace’s Dulce et decorum est, echoing through the twentieth century. We all take it for granted … so now’s the time to check your working.
The relationship between wine and the vineyard earth has long been held as very special, especially in Europe. Tradition has it that back in the Middle Ages the Burgundian monks tasted the soils in order to gauge which ones would give the best tasting wine, and over the centuries this kind of thinking was to become entrenched. The vines were manifestly taking up water from the soil.
October is an important month for book festivals—in Boston, Austin, Madison, Baton Rouge, and of course Frankfurt, Germany, which hosts the world’s oldest book festival. In honor of book festivals, I want to delve a bit into the way that the language of books expanded the English vocabulary.
Robert Hanna presents an argument based on some highly-plausible Kantian metaphysical, moral, political premises, about a huge real-world problem that greatly concerns me: the global refugee crisis, including its current manifestation in Europe.
Each year in July, I greet a new group of post-doctoral psychiatric trainees (‘residents,’ ‘registrars’) for a year’s work in our psychiatric outpatient clinic. One of the rewards of being a psychiatric educator is witnessing the professional growth of young clinicians as they mature into seasoned, competent, and humanistic psychiatrists.
Since the advent of film and television production, Shakespeare’s plays have been adapted, re-imagined, and performed on screen hundreds of times. Although many early Shakespeare adaptations remained faithful to his work, over time writers and directors selected only certain characters, plot lines, conflicts, or themes into their films.
In a 1929 lecture, Martin Heidegger argued that the following claim is true: Nothing nothings. In German: “Das Nichts nichtet”. Years later Rudolph Carnap ridiculed this statement as the worst sort of meaningless metaphysical nonsense in an essay titled “Overcoming of Metaphysics Through Logical Analysis of Language”. But is this positivistic attitude reasonable?