Oxford University Press's
Academic Insights for the Thinking World
Morality is a funny thing. On the one hand, it stands as a normative boundary – a barrier between us and the evils that threaten our lives and humanity. It protects us from the darkness, both outside and within ourselves. And it structures and guides our conception of what it is to be good (decent, honorable, honest, compassionate) and to live well.
“I think I’ve just got an exclusive interview with the new Royal Bank of Scotland chief executive Stephen Hester.” These were the words I told my editor after a couple of years in the newspaper game. He was obviously pleased. This is the kind of thing editors constantly want from reporters: an ability to dig out a story or to see something not everyone else will spot.
The much anticipated Valentine’s Day release 50 Shades of Gray set off a flurry of activity on social media sites, with bloggers lining up to cajole, shame, reason or plead with women to resist temptation and abstain from viewing the film. In a case of strange bedfellows, if you will, conservative Christians and liberal feminists alike castigated the film for its packaging of abuse as mainstream entertainment.
In the 1960s British comedy radio show, Beyond Our Ken, an old codger would, in answer to various questions wheel out his catchphrase—in a weary, tremulous groan—‘Thirty Five Years!’ I was reminded of this today when I realized that it is exactly 35 years ago that my first book on privacy was published. And how the world has changed since then!
Fifty-nine years ago this month, My Fair Lady made its debut on Broadway to a rapturous critical response. It became the longest-running musical to date, and was a landmark in the genre.
This story may or may not be a fairy tale, though there are certainly fairies in it. However, unlike any of his Victorian forebears or most of his contemporaries, Machen manages to achieve, only a few years before the comfortably kitsch flower fairies of Cicely Mary Barker, the singular feat of rendering fairies terrifying. With James Hogg’s ‘Confessions of a Justified Sinner’, Robert Louis Stevenson’s ‘Thrawn Janet’ and several of M. R. James’s marvellous ghost stories, ‘The White People’ is one of only a handful of literary texts that have genuinely unnerved me.
As we approach 26 March 2015, the centenary of the publication of Virginia Woolf’s first novel, The Voyage Out, it seems apposite to consider how her writing resonates in the twenty-first century. In the performing and filmic arts, there certainly seems to be something lupine in the air.
As I look out my office window in Salem, Massachusetts at the massive piles of snow left by blizzard after unrelenting blizzard during the worst winter in memory, I could not help but consider the thoughts a local would have thought in 1692: “what have we done to incur God’s wrath?” For New England Puritans living before the age of science, everything was a sign of God’s pleasure or displeasure including extremes of weather.
In honor of the countless phenomenal women who have shaped the music industry, we’ve pulled together a playlist highlighting our favorite boldest and brightest female voices who have made a lasting impression in music.
Centuries after its 1847 publication, Wuthering Heights, Emily Brontë’s breathtaking literary classic, remains a seminal text to scholars, students, and readers around the world. Though best known for its depiction of romance between Heathcliff and Catherine Earnshaw, it is also largely multidimensional, grappling with themes such as religious hypocrisy, the precariousness of social class, and the collision of nature and culture. But how much do you know about this famous work of English literature?
In 2011, the Middle East saw more people peacefully protesting long entrenched dictatorships than at any time in its history. The dictators of Tunisia, Egypt, and Yemen were deposed in a matter of weeks by nonviolent marches. Described as ‘the Arab Spring’, the revolution has been convulsing the whole region ever since.
On Tower Hill, 25 February 1601, Robert Devereux, second Earl of Essex, was beheaded with three blows of an axe before some 150 spectators. The headsman held the head up for the spectators to see. He called out, “God save the Queen.” This beheading and others of that time color an important question for Shakespeare scholars. Severed heads populate many Elizabethan period plays. What objects represented those heads on stage?
This March, Oxford University Press is celebrating Women in Philosophy as part of Women’s History Month. We asked three of our female staff members who work on our distinguished list of philosophy books and journals to describe what it’s like to work on philosophy titles. Eleanor Collins is a Senior Assistant Commission Editor in philosophy who works in the Oxford office. Lucy Randall is a Philosophy Editor who works from our New York office. Sara McNamara is an Associate Editor who assists to manage our philosophy journals from our New York offices.
Every campus has one, and sometimes more than more: the often unlovely and usually unloved concrete building put up at some point in the 1960s. Generally neglected and occasionally even unfinished, with steel reinforcing rods still poking out of it, the sixties building might be a hall of residence or a laboratory, a library or lecture room. It rarely features in prospectuses and is never – never ever – used to house the vice chancellor’s office.
Even though the harp is Ireland’s national symbol, the fiddle is the most commonly played instrument in traditional Irish music. Its ornamental melodies are more relaxed than the classical violin and improvisation is encouraged. The fiddle has survived generational changes from its start as a low-class instrument popular among the poor.
History is surfeited with examples of the interactions between society and individual sexuality. Same-sex desire in particular has been, up until the present moment, a topic largely shrouded in shame, secrecy, and silence. As a result, it is often visualized through the image of ‘the closet,’ conveying notions of entrapment, protection, and liberation. Dominic Janes, author of Picturing the Closet: Male Secrecy and Homosexual Visibility in Britain, recently sat down with us to talk about visualization of same-sex desire in eighteenth-century Britain to the present.