Oxford University Press's
Academic Insights for the Thinking World
By Alice Hammel and Ryan Hourigan
(1) Be aware that people with autism can usually understand more than they can express.
Autism doesn’t change the fact that everyone understands more than they can express. When we learn a new language, we can understand what someone is saying long before we can create sentences that demonstrate the depth of our knowledge.
By Anna-Lise Santella
This is no April fool. The results of the contest to write the best spoof of a Grove Music article are really in! We received many excellent submissions and thank all contributors for providing us with entertainment, hysterical laughter, and frequent groans of recognition. Our choice was extremely difficult.
For Black History Month, I wrote about an American Television pioneer: Nat “King” Cole, who was the first African American to host a television show. Since many have dubbed March as “National Women’s Month,” I focus on another pioneer of early television, Dinah Shore.
By Ruth Fielder
At the age of sixteen I was told that I would no longer be able to play my beloved trumpet, due to medical complications. The only alternative, to uphold my county scholarship and commitments to orchestras and brass bands, was to take up the tuba. The arrogant trumpeter that I was back then was horrified at this cumbersome instrument, cuddling a great lump of brass that seemed to prove no merit to my sense of style or popularity.
By Steve Pratt and Emma Croager
Most adults won’t be familiar with the music video You Make Me Feel by Cobra Starship, as it has much greater appeal to young people. There is little doubt however that the overwhelming majority of adults would quickly identify the product placement in the video. The commercial intent of the product placement in this example is self-evident.
Somehow, I’ve made it into my 30s without ever having listened to Bob Dylan‘s first album. That is, not that I can remember; my mother informed me over the weekend that I indeed heard it many times as a young one, but truth be told I don’t remember much from my diaper-wearing days (but we’ve already gone over how terrible my memory is).
By James David Christie
The world lost one of its greatest and most beloved musicians on 26 February 2013, when the great teacher, recording artist and organist, Marie-Claire Alain, passed away in her 87th year. She was among the very few organists known in households around the world. She was usually referred to as the “First Lady of the Organ” and she was definitely that, but I always thought she should have been more appropriately called the “Greatest Organist in the World”
By William Kinderman
Two centuries after Richard Wagner’s birth in 1813, his final music drama Parsifal continues to exert uncanny fascination, as Francois Girard’s new production at the Metropolitan Opera shows. For much of his life, Wagner was captivated by the legends of the Holy Grail; this “stage consecration festival play” is his culminating work. Dark episodes in Parsifal’s performance history display clearly the risks of its aesthetic treatment of redemption, which can project a hypnotic portrayal of collective identity.
He goes by many names: Ziggy Stardust, the Thin White Duke, David Robert Jones… yes, it’s David Bowie. This British musician, actor, and artist is known for his many metamorphoses and accomplishments, from his surprise hit single “Space Oddity” in 1969 to a Lifetime Achievement Award at the 11th Annual Webby Awards in 2011. In celebration of the new Victoria and Albert Museum exhibition, we’ve pulled together a brief quiz from information in the Oxford Index on this eclectic artist who has also just released his first album in over a decade.
The songwriting business offered few opportunities to women in the early 20th century. And jazz bandleaders, despite their own experiences with discrimination, were hardly more tolerant of female talent. Although audiences expected the leading orchestras to showcase a ‘girl singer’, women were rarely allowed to serve in other capacities, either on the bandstand or writing arrangements and compositions.
By Kathy Blackwell
A friend once asked if I ever get bored teaching the violin and doing the same thing year after year. He was surprised when I said “It’s anything but dull and boring!” I have always enjoyed the unique character and style of each student, and it’s a privilege as a teacher to see them develop over the years.
With Northern Songs (their publishing company) established, the Beatles needed a song for their next single and, flushed with the success of “Please Please Me” and the emerging ecstasy at their performances, they again brought together elements from different songs in their repertoire to create something new and fresh. George Martin scheduled a recording session for Tuesday 5 March, towards the end of their first national tour when they served as a warm-up act to British singer Helen Shapiro.
On 5 March 1963, a plane flying over Tennessee encountered inclement weather and crashed. On board were some of the great country musical talent of the time, including Randy Hughes, Cowboy Copas, Hawkshaw Hawkins, and Patsy Cline. A star of both country and popular music, Cline is remembered as one of the greatest American singers of the 20th century. The following is an extract from The Encyclopedia of Country Music entry on Patsy Cline by Margaret Jones.
When politicians attempt to capture a unifying moment, they often choose the music of Aaron Copland. Why? Classical music in 1940s America had a ubiquitous cultural presence at time when national identity consolidated.
In December I blogged about composers whose works challenge listeners to reconsider which combinations of sounds qualify as music and which do not. Interestingly, The Atlantic recently ran an article relating the details of a study that tested how much of our perception of what is “music” – in this case, pleasant, consonant music – is learned (and thus not innate).
Songwriting had gained the Beatles entry into EMI’s studios and songwriting would distinguish them from most other British performers in 1963. Sid Colman at publishers Ardmore and Beechwood had been the first to sense a latent talent, bringing them to the attention of George Martin at Parlophone. Martin in turn had recommended Dick James as a more ambitious exploiter of their potential catalogue.