Music

Two visions of the end in Wagner’s Parsifal

By William Kinderman
Two centuries after Richard Wagner’s birth in 1813, his final music drama Parsifal continues to exert uncanny fascination, as Francois Girard’s new production at the Metropolitan Opera shows. For much of his life, Wagner was captivated by the legends of the Holy Grail; this “stage consecration festival play” is his culminating work. Dark episodes in Parsifal’s performance history display clearly the risks of its aesthetic treatment of redemption, which can project a hypnotic portrayal of collective identity.

A David Bowie quiz

He goes by many names: Ziggy Stardust, the Thin White Duke, David Robert Jones… yes, it’s David Bowie. This British musician, actor, and artist is known for his many metamorphoses and accomplishments, from his surprise hit single “Space Oddity” in 1969 to a Lifetime Achievement Award at the 11th Annual Webby Awards in 2011. In celebration of the new Victoria and Albert Museum exhibition, we’ve pulled together a brief quiz from information in the Oxford Index on this eclectic artist who has also just released his first album in over a decade.

Five women songwriters who helped shape the sound of jazz

By Ted Gioia

The songwriting business offered few opportunities to women in the early 20^th century.  And jazz bandleaders, despite their own experiences with discrimination, were hardly more tolerant of female talent. Although audiences expected the leading orchestras to showcase a ‘girl singer’, women were rarely allowed to serve in other capacities, either on the bandstand or writing arrangements and compositions.

Diary of a string time teacher

By Kathy Blackwell
A friend once asked if I ever get bored teaching the violin and doing the same thing year after year. He was surprised when I said “It’s anything but dull and boring!” I have always enjoyed the unique character and style of each student, and it’s a privilege as a teacher to see them develop over the years.

The Beatles record “From Me to You,” Tuesday 5 March 1963

By Gordon R. Thompson

With Northern Songs (their publishing company) established, the Beatles needed a song for their next single and, flushed with the success of “Please Please Me” and the emerging ecstasy at their performances, they again brought together elements from different songs in their repertoire to create something new and fresh. George Martin scheduled a recording session for Tuesday 5 March, towards the end of their first national tour when they served as a warm-up act to British singer Helen Shapiro.

Patsy Cline… 50 years on

On 5 March 1963, a plane flying over Tennessee encountered inclement weather and crashed. On board were some of the great country musical talent of the time, including Randy Hughes, Cowboy Copas, Hawkshaw Hawkins, and Patsy Cline. A star of both country and popular music, Cline is remembered as one of the greatest American singers of the 20th century. The following is an extract from The Encyclopedia of Country Music entry on Patsy Cline by Margaret Jones.

Music during World War II

By Annegret Fauser

When politicians attempt to capture a unifying moment, they often choose the music of Aaron Copland. Why? Classical music in 1940s America had a ubiquitous cultural presence at time when national identity consolidated.

Follow-up: Is it music? A closer look

By Meghann Wilhoite

In December I blogged about composers whose works challenge listeners to reconsider which combinations of sounds qualify as music and which do not. Interestingly, The Atlantic recently ran an article relating the details of a study that tested how much of our perception of what is “music” – in this case, pleasant, consonant music – is learned (and thus not innate).

The Beatles and Northern Songs, 22 February 1963

By Gordon R. Thompson

Songwriting had gained the Beatles entry into EMI’s studios and songwriting would distinguish them from most other British performers in 1963. Sid Colman at publishers Ardmore and Beechwood had been the first to sense a latent talent, bringing them to the attention of George Martin at Parlophone. Martin in turn had recommended Dick James as a more ambitious exploiter of their potential catalogue.

The Nat “King” Cole Show: pioneer of music television

By Ron Rodman

In this blog last month, I wrote about Dr. Billy Taylor and his pioneering work on television as an advocate for jazz. To celebrate Black History Month, it is appropriate to mention another African American musician who was a pioneer on American television: Nat King Cole, jazz pianist and vocalist, was the first African American musician to host a nationally-broadcast musical variety show in the history of television.

Jazz lives in the African American National Biography

By Scott Yanow
When I was approached by the good folks at Oxford University Press to write some entries on jazz artists, I noticed that while the biggest names (Louis Armstrong, Duke Ellington, Charlie Parker, Miles Davis, John Coltrane, etc.) were already covered, many other artists were also deserving of entries. There were several qualities that I looked for in musicians before suggesting that they be written about.

Valentine’s Day serenades

By Alyssa Bender

Love is in the air at Oxford University Press! As we celebrate Valentine’s Day, we’ve asked staff members from our offices in New York, Oxford, and Cary, NC, to share their favorite love songs. Read on for their selections, and be sure to tell us what your favorites are too. Happy Valentine’s Day!

Harry Christophers on Melgás

In January 2013 Oxford University Press published a beautiful setting of Salve Regina by Portuguese composer Diogo Dias Melgás (1638-1700). This edition, part of the Musica Dei donum series, is the first published version of the work and includes detailed performance and editorial notes by early music specialist Sally Dunkley. In this video, Harry Christophers […]

In conversation with Sally Dunkley

How can modern singers recreate Renaissance music? The Musica Dei donum series by Oxford University Press explores lesser known works of the Renaissance period. Early music specialists and series editors Sally Dunkley and Francis Steele have gone back to the original manuscripts to create authentic editions in a practical format for the 21st century singer.

Why does “Ol’ Man River” still stop Show Boat?

By Todd Decker
Show Boat is back on the boards, visiting four major opera companies in a new production of yet another new version. Originally debuted on Broadway in 1927, apparently Show Boat will never stop being remade. The new production, directed by Francesca Zambello, had its premiere at the Chicago Lyric Opera a year ago, an appropriate starting place as much of the second act takes place in the Windy City.

To memorize or not to memorize

By Meghann Wilhoite

I have a confession to make: I have a terrible memory. Well, for some things, anyway. I can name at least three movies and TV shows that Mary McDonnell has been in off the top of my head (Evidence of Blood, Donnie Darko, Battlestar Galactica), and rattle off the names of the seven Harry Potter books, but you take away that Beethoven piano score that I’ve been playing from since I was 14, and my fingers freeze on the keyboard.