Music

A different approach

By Eileen Mack

I recently travelled with the band Victoire for a brief residency at the music school of a large university. As well as performing a concert, we spoke to the music majors there on the topic of “alternative career paths” in classical music. By “alternative” I mean career paths other than playing in an orchestra or teaching at an academic institution. In our case, the musicians of Victoire all work predominantly in the performance and composition of contemporary classical music.

Musings on the Eurovision Song Contest

By Alyn Shipton
When the first Eurovision Song Contest was broadcast in 1956, the BBC was so late in entering that it missed the competition deadline, so it was first shown in my native England in 1957. Nonetheless, it seems as if this curious example of pan-European co-operation, which started with seven countries and is now up to 40, has been around forever.

Baseball scoring

By Jessica Barbour

What is it about the sounds of baseball that make them musical, and so easily romanticized? In Ken Burns’ documentary Baseball, George Plimpton says that “Baseball has these absolutely unique sounds. The sounds of spring and summer….The sound of the ball against the bat is absolutely extraordinary. I don’t know any American male that doesn’t hear that in the springtime and get called back to some moment in the past.” These sounds are especially vivid in a game that’s often so quiet.

Visions of Wagner

By Barry Millington

By Barry Millington
Few composers embrace such a span of disciplines — musicological, philosophical, historical, political, philological — as Richard Wagner. To what extent does the wide-ranging, comprehensive nature of Wagner’s works militate against a true understanding of them? How close are we, in his bicentenary year, to an understanding that does them justice? The following illustrations from The Sorcerer of Bayreuth: Richard Wagner, his Work and his World demonstrate the variety of perspectives on Wagner, from outdated stereotypes to new reappraisals.

The first jukebox musical

By Hal Gladfelder
The opening-night audience at John Gay’s The Beggar’s Opera—first performed on 29 January 1728 at the Theatre Royal, Lincoln’s Inn Fields—can’t fully have known what sort of theatrical experience awaited them. The play’s title, for a start, must have struck them as nonsensical. What could a beggar have to do with an opera?

Beatlemania

Fifty years ago, in March of 1963, The Beatles released their first album entitled Please Please Me. While the music partly based on British folk and popular forms—including skiffle and music-hall styles—American rock ’n’ roll was by far their dominant resource. The album quickly dominated the British charts and led the group to a path of superstardom that changed the world forever.

The Oi! movement and British punk

By Matthew Worley
According to the Daily Mail, Oi! records were ‘evil’. According to the Socialist Worker, Oi! was a conduit for Nazism. According to the NME, Oi! was a means to inject ‘violent-racist-sexist-fascist’ attitudes into popular music. The year is 1981, and on 3 July the Harmbrough Tavern is set ablaze in the London borough of Southall.

“Forever Let Us Hold Our Banner High!”

By Ron Rodman

By Ron Rodman
The death of Annette Funicello this month set off a wave of nostalgia among baby boomers who remember her as the star of the “Mouseketeers” of the original Mickey Mouse Club (MMC). MMC was the brainchild of Walt Disney, studio founder, entertainer, and entrepreneur, originally as a means of promoting the then new Disneyland, which opened in Anaheim, California on 17 July 1955.

Whose Magic Flute is it, anyway?

By William Gibbons
One of Mozart’s most enduringly popular operas, The Magic Flute has captivated audiences since its premiere in Vienna in 1791. Centered on the struggles of the heroic Prince Tamino, his beloved Pamina, and the wise Sarastro (with help and comic relief from the birdcatcher Papageno) against the Queen of the Night, we know The Magic Flute as a classic tale of the battle between good and evil, or perhaps between enlightenment and ignorance.

Oxford University Press at the BBC Proms 2013

By Lucy Allen

Every year, around mid-April, music lovers await the news that the BBC proms schedule has been announced. We look forward to the old favourites, the new commissions, the excited atmosphere, and some of the best performers in the world. When summer arrives, scores of people—young and old alike—travel to London to visit the Royal Albert Hall and be part of this great British tradition.

Singing in a choir is like knitting and bingo

By Barbara Stuart
Joining a choir is all the rage and some say that choir memberships are getting younger. It’s like knitting and bingo — it’s cool to sing in a choir. Not in the choirs around here, not yet! Every English choral society has its stalwarts; ladies (sadly mostly ladies — there are never enough men) who run the committee, enjoy a frisson with the young(ish) conductor, share lifts, and find friendship.

Portraying Dusty Springfield on stage and in film

By Annie Randall
As I celebrate the late Dusty Springfield’s 74th birthday on the 16th of April, I am struck by the number of singers who choose to perform as Dusty—complete with wigs, costumes, and the trademark hand gestures—rather than singing Dusty’s hit songs as themselves. It’s no surprise that ambitious and confident singers want to sing Dusty’s hits; many of the songs, like “You Don’t Have to Say You Love Me,” “Son of a Preacher Man,” and “The Look of Love,” are not only beautifully crafted, they’re vocally challenging

Name that dance

“Shake Shake Shake Señora”! We’ve all heard that song, but do you know how to dance to it? Should you do the Rumba, the Hustle, or possibly the Merengue? Dancing is a universal form of expression and is also unique to different cultures worldwide. In 1982, the International Theatre Institute created the worldwide holiday known as “International Dance Day” on April 29th. In honor of the upcoming holiday, we’ve gathered information from the Oxford Index to test your dance knowledge. Take our brief “Name that dance” quiz, it’s not as easy as you think!

From Me (the Beatles) to You (the Stones): April 1963

By Gordon R. Thompson
After the success of the single “Please Please Me” and the release of the album Please Please Me, British fans and the press eagerly anticipated “From Me to You.” Fans had pre-ordered so many copies of the disk that when Parlophone did release R 5015 on 11 April 1963, the single immediately appeared in pop charts where it would stay for an amazing 21 weeks.

Musical scores and female detectives of the 1940s

By Dr Catherine Haworth
The dangerous dames, fall-guy private eyes, and psychologically unstable heroes and villains who roam the streets of the 1940s crime film have often been linked with anxieties surrounding changing roles for men and women in the years around World War II. Although appearing less regularly, the evolution of the ‘working-girl’ detective character can also be connected with these shifts in gendered identity.

A Burns celebration of tartan

On the day before a yearly celebration of Scottish heritage (Tartan Day), Robert Burns brings us the first Duan (division) of his poem The Vision, an extract from Selected Poems and Songs.