What was it like as one of the few female performers in the New York Philharmonic in the 1960s? We sat down with cellist and author Evangeline Benedetti to hear the answer to this and other questions about performance and teaching careers, favorite composers, and life behind the doors of Lincoln Center.
Why do some great Broadway shows fail, and mediocre ones thrive? How does the cast onstage manage to keep tabs on the audience without missing a beat or a line? Ken Bloom, author of Show and Tell: The New Book of Broadway Audiences, delves into the inner workings of the Broadway stage and the culture surrounding Broadway hips and flops.
This weekend, the 32nd International Society for Music Education World Conference will be hosted in Glasgow, Scotland. Researchers, practitioners, and performers will gather to present concerts, talks and discussions. We asked a few attendees for their pre-ISME thoughts and plans. What are you looking forward to at the conference?
Any American can recognize the opening notes of “Stars and Stripes Forever” and that most essential instrument of the American marching band — the sousaphone. How did this 30 pound beauty come to be? Despite its relative youth, the sousaphone has an extensive (and sometimes controversial) history.
This month’s spotlight instrument is particularly important to me; I played the flute for ten years as an adolescent and continue to have a soft spot for it. From long practices at high school band camp to dressy solo performances at the Colburn School where I studied on weekends, the flute was a dear and constant companion. Here are a few reasons I’ll always prefer it.
Publishing music books would be much harder without our stellar editorial team. We sat down with three editorial assistants from the New York office – Lauralee, Eden, and Andrew – to talk about Oxford University Press, their music lives inside and out of the office, and current literary addictions.
Sometimes mistaken for the trumpet, a near relation, the cornet has had a fascinating and diverse history. Popular from military and jazz bands to the 19th century European stage, the cornet has had a home in the American music scene for generations of musicians and music styles.
It’s a bright new year and time to shed off the old, but that doesn’t mean we can’t partake in some favored traditions – especially making New Year’s resolutions. If you’re a teacher or professor, the New Year usually means a new semester, and the opportunity to start fresh by teaching a new class, or bring rejuvenation to your students post-holiday.
Music has a long tradition of being associated with winter holidays, something we’re mindful of in the music departments of Oxford University Press. As Hanukkah is already in full swing, we asked members of our editorial, marketing, and publicity departments, for their favorite Hanukkah songs.
We’re getting ready for the annual American Musicological Society Conference, beginning 11 November 2015 in Louisville, Kentucky. From panels to performances, there’s a lot to look forward to. We asked our past and present attendees to tell us what make AMS and Louisville such exciting places to be this month.
Although there are several different bell-shaped brass instruments, from trumpets to tubas, it’s the French horn that people are talking about when they mention “the horn”. Known for its deep yet high-ranging sound, the French horn is an indispensable part of any orchestra or concert band.
You’d probably recognize the rainbow-patterned, lap-size plastic xylophone in the playroom, popular among music-minded toddlers. But what do you know about the real thing? The xylophone is a wooden percussion instrument with a range of four octaves, and can be used in a variety of musical genres.
Our New York office has welcomed a new assistant to our cubicle jungle. Celine Aenlle-Rocha joined the marketing team in August 2015 after recently graduating from college. We sat down with her to talk about publishing, New York, and sweaters.