Hey everybody! Meet Yasmin!
Please welcome another newbie to the Social Media team at Oxford University Press, Yasmin Coonjah, who joined the gang in May 2015 as an OUPblog Editor and Social Media Marketing Assistant!
Please welcome another newbie to the Social Media team at Oxford University Press, Yasmin Coonjah, who joined the gang in May 2015 as an OUPblog Editor and Social Media Marketing Assistant!
Vincent van Gogh’s turbulent relationship with mothers—especially his own—began a full year before his birth. On 30 March 1852, Anna Carbentus van Gogh gave birth to a son, Vincent Willem van Gogh, who was stillborn. Anna tearfully buried her son in the cemetery of the parsonage where the Van Goghs lived. A year later to the day, Anna would give birth to another son, whom she also named Vincent Willem van Gogh.
Recently, we sat down with the Editor of Work, Aging and Retirement, Mo Wang, to discuss how he got involved with the journal and the plans he has in store for the journal in the future. Work, Aging and Retirement is a peer-reviewed multidisciplinary journal that dedicates to publish evidence-based, translational research on worker aging and retirement, with the goal of enhancing understanding about these phenomena.
On 10 June 1692, the condemned Bridget Bishop was carted from Salem jail to the place that would later be known as Gallows Hill, where Sheriff George Corwin reported he “caused the said Bridget to be hanged by the neck until she was dead.” She would be the first of 19 victims executed during the Salem witch trials.
If the degree of misunderstanding determines the greatness of a theologian, then Origen (c. 185-254 C.E.) ranks among the greatest. He was misunderstood in his own time and he continued to be misunderstood in subsequent centuries, resulting in his condemnation—or the condemnation of distortions of his ideas—at the Fifth Ecumenical Council at Constantinople in 553 C.E. Why has Origen been misunderstood? How do we understand him better?
One of the great joys of classical composing is the plotting and planning of new sounds, harmonies, and rhythms. Many composers delight in working out exactly which instrument will sound when, which voice forms what part of a harmony, or how a motif will be created, twisted, and perhaps developed, morphed, or abandoned.
This coming weekend is the BIALL (British and Irish Association of Law Librarians) conference in Brighton. As always, the event looks to be an engaging two days with an excellent selection of speakers talking around the theme of ‘Collaboration, Co-operation and Connectivity.’ But how well do you know the host city?
Historical fiction, the form Walter Scott is credited with inventing, is currently experiencing something of a renaissance. It has always been popular, of course, but it rarely enjoys high critical esteem. Now, however, thanks to Hilary Mantel’s controversial portraits of Thomas Cromwell (in Wolf Hall and Bring Up the Bodies), James Robertson’s multi-faceted studies of Scotland’s past (in The Fanatic and And the Land Lay Still), and Richard Flanagan’s Narrow Road to the Deep North, winner of the 2014 Man Booker Prize, the genre has recovered serious ground, shrugging off the dubious associations of bag-wig, bodice, and the dressing-up box.
There are many film adaptations of Bram Stoker’s Dracula; many, of course, that are rubbish. If you need fresh blood and your faith restored that there is still life to be drained from the vampire trope, here are ten recommendations for films that rework Stoker’s vampire in innovative and inventive ways.
In the literature on language death and language renewal, two cases come up again and again: Irish and Hebrew. Mention of the former language is usually attended by a whiff of disapproval. It was abandoned relatively recently by a majority of the Irish people in favour of English, and hence is quoted as an example of a people rejecting their heritage. Hebrew, on the other hand, is presented as a model of linguistic good behaviour: not only was it not rejected by its own people, it was even revived after being dead for more than two thousand years, and is now thriving.
In April 1822, sailors from the British warships HMS Iphigenia and HMS Myrmidon, after a brief but fierce fight, captured two Spanish and three French slave ships off the coast of what is now Nigeria. Prize crews sailed the ships to Freetown in Sierra Leone, where the international mixed commission which was competent to hear cases regarding the slave trade decided to liberate the slaves found on the Spanish schooners, as well as those slaves found on a Portuguese ship which the British naval vessels had taken earlier.
“In the spring a young man’s fancy lightly turns to thoughts of love” (Alfred, Lord Tennyson), but he could have said the same for insects too. Male insects will be following the scent of females, looking for a partner, but not every female is what she seems to be. It might look like the orchid is getting some unwanted attention in the video below, but it’s actually the bee that’s the victim. The orchid has released complex scents to fool the bee into thinking it’s meeting a female.
The general election of May 2015 brought an end to five years of coalition government in Britain. The Cameron-Clegg coalition, between 2010 and 2015, prompted much comment and speculation about the future of the British party system and the two party politics which had seemed to dominate the period since 1945. A long historical perspective, however, I think throws an interesting light on such questions.
Political science and journalistic commentaries are full of woe about the abject state of modern politics and the extent of the gap that has supposedly emerged between the governors and the governed. In this context, the 7 May 2015 might have been expected to deliver a General Rejection of mainstream democratic politics but did this really happen? Is British democracy in crisis?
The media has a key role to play in the construction of our knowledge of crime and policing. In the post-war decades, they argue the representation of policing in the UK reflected the general social consensus. The dominant image here is Jack Warner playing George Dixon in the popular UK TV series Dixon of Dock Green that ran from 1955 to 1976. George Dixon came to represent the archetypal ‘British Bobby’, a pillar of the community who was widely respected. The homely and reassuring values that Dixon represented were summarized in his catchphrase ‘Evenin’ all’.
Venetian courtesan Veronica Franco (1546-1591) describes the perils of her profession in one of her Familiar Letters, which she published in 1580: “To give oneself as prey to so many men, with the risk of being stripped, robbed or killed, that in one single day everything you have acquired over so much time may be taken from you, with so many other perils of injuries and horrible contagious diseases; to drink with another’s mouth, sleep with another’s eyes, move according to another’s desires, always running the clear risk of shipwreck of one’s faculties and life, what could be a greater misery?”