Oxford University Press's
Academic Insights for the Thinking World
Ever wonder what ingredients are needed to make beer? How do they interact? What exactly does fermentation entail? Garrett Oliver, editor of The Oxford Companion to Beer, takes us inside the Brooklyn Brewery to show us where beer comes from and how fermentation works. He is brewmaster of the Brooklyn Brewery and the foremost authority on beer in the United States.
By Louis René Beres
Modern science has spawned revolutionary breakthroughs in the essential meanings of space and time. Still, such major breakthroughs in human consciousness remain distant from the often overlapping worlds of diplomacy and international relations. This disregarded distance is dangerous, and, potentially, catastrophic. In the Middle East, especially, there is ample room for needed reconciliations between science and diplomacy.
By Geraldine Johnson
When the latest news in the art world is all about record-breaking prices for contemporary works and the celebrity buzz of London’s Frieze Art Fair, thinking about Renaissance art might seem, well, a little old-fashioned, if not downright eccentric. But if the two experiences I had recently are anything to go by, maybe we need to think again.
By Jim Cullen
Over the course of the last thirty years, Denzel Washington has played a notable variety of roles: leading man and aging man; hero and villain; emblem of his race and Everyman. Yet to a truly striking degree the various roles he’s chosen — and here it’s worth noting that as one of the most blue-chip actors in Hollywood, he’s long enjoyed considerable power in this regard — revolve around two key relationships: mentor and protégé.
By Simon Wright
One hundred years ago this month the bodies of Captain Scott and his companions were discovered, eight months after they had perished from starvation, frostbite, and exposure on their return journey from the South Pole. Ostensibly a scientific and research expedition, Captain Robert Falcon Scott and his party had raced against Roald Amundsen to be first at the South Pole, and lost.
PB. The initials are not exactly as familiar as, say, BBC, or NPR, but we’re not operating in a massively different environment. PB: Philosophy Bites. Time was when to broadcast on the radio (or the ‘wireless’) you’d have to seek a license for permission to use a teeny weeny portion of the radio frequency spectrum. Broadcasting was time-consuming, bureaucratic, and above all expensive. It required staff and costly equipment and it was possible only with the support of highly-trained studio technicians and engineers. No longer
By Anthony Verity
There must have been hundreds of English versions since Chapman (c.1560-1634), a good many of them on bookshop shelves today. The usual answer is that great literature needs frequent reinterpretation. If students of antiquity and curious general readers are being urged today to return to the first work in writing in the Western canon, those who can read Greek will continue to translate the Iliad for their benefit, in the hope of recreating something of the “feel” of the original.
I had the great thrill over the week to perform as part of the Paul Sanchez Rolling Road Show at the Voodoo Experience in New Orleans. The three day music extravaganza takes place under the live oaks in beautiful City Park. Sanchez asked me to read from New Atlantis: Musicians Battle for the Future of New Orleans at the beginning of his set on the Preservation Hall stage. I read about my return to New Orleans after hurricane Katrina as the band played the melodic swells of “At the Foot of Canal Street” behind me.
By Daniel Swift
“Remember, remember the fifth of November,” instructs the old nursery rhyme, and offers a useful summary: “Gunpowder, treason and plot.” But we have never been sure quite what, or how, we should be remembering. On 5 November 1605 a small gang of Catholics and minor noblemen plotted to blow up the Houses of Parliament, during the State Opening at which King James I would be present. One of the conspirators, Guy Fawkes, was caught with the gunpowder before he set it off. The other plotters were soon caught, and all were executed.
By Judith Pallot
The onion dome of Russian Orthodox Church dominates the skyline of women’s correctional colony number 14 (IK14) in Part’sa. The Governor of the colony, showing Laura and I around, told us that five prisoners – all tuberculosis sufferers – who volunteered to help build the Church were miraculously cured of their disease. It was a story we were to hear repeated several times on our research trip to women’s penal colonies in S-W Mordoviia.
Today marks the 500th anniversary of the dedication of Michelangelo’s magnificent Sistine Ceiling on the vigil of All Saints’ Day (otherwise known as Halloween) in 1512. The anniversary comes at a time of growing debate about whether the Vatican should impose limits on who can enter the chapel and how.
By Lucy Allen
The clocks have gone back, the days are colder, the evenings are darker, and poppies are starting to appear on everyone’s lapels. As November approaches our thoughts turn to Armistice Day (11th November) and to commemorating the fallen. Orders for the music of Requiem settings keeps the OUP Hire Library busy at this time of year, but with so many different Requiem versions, how does one select which to perform? We asked OUP staff and their families for their favourite; read on to find out which they chose.
By Jessica Barbour
An eerie image emerged from Europe’s 14th-century bubonic plague epidemics into popular imagination: Death, in skeleton form, leading living souls in a processional dance to the grave. This idea, the danse macabre, was evoked by artists and writers across the continent, a cultural reaction to daily lives spent surrounded by death. I was introduced to the genre in school when I first heard Camille Saint-Saëns’ Danse Macabre, a boisterous seven-minute work for orchestra written in the 1870s.
Looking for a fright ? The ghost stories of M.R. James, considered by many to be the most terrifying in English, have lost none of their power to unsettle and disturb. So we’re presenting an extract from ‘Casting the Runes’ in the Collected Ghost Stories of M.R. James, edited by Darryl Ince, to get you in the mood for Halloween.
Composer Howard Skempton is one of the mainstays of British contemporary classical music. He is an experimental composer who writes in a style completely his own, un-deflected by trends in composition or performance. Having developed, under the tutelage of Cornelius Cardew, a musical style characterised by its elegance and simplicity, Skempton’s catalogue of compositions is now extensive and diverse.
By James L. Baughman
It has been more than 25 years since Gerald Ford narrowly lost the 1976 election to Jimmy Carter. Ford’s presidency has become a dim memory. “The more I think about the Ford administration,” John Updike wrote in 1992, “the more it seems I remember nothing.” Taking office after Richard Nixon resigned in August 1974, Ford struggled to restore the public’s faith in the presidency, badly shaken by the numerous illegalities associated with the Nixon White House.