Oxford University Press's
Academic Insights for the Thinking World
By Douglas Jacobsen and Rhonda Hustedt Jacobsen
This fall about ten million undergraduate students will be heading back to America’s 2500 four-year colleges and universities, and they will be attending schools that are significantly more attuned to religion than they were ten or twenty or thirty years ago. Today’s students encounter religion in a wide variety of forms and settings, both on campus and off.
The New York office’s 13th floor conference room — a quiet, large space with no outside light — functions surprisingly well as miniature studio. Within a few hours of the film crew arriving, the office chairs and table have been removed, a green screen unfurled, camera, lights, and mic all assembled, and the Publisher of Scholarly and Online Reference is sitting in the spotlight, prepped for his interview.
By John L. Heilbron
Galileo is not a fresh subject for a biography. Why then another? The character of the man, his discovery of new worlds, his fight with the Roman Catholic Church, and his scientific legacy have inspired many good books, thousands of articles, plays, pictures, exhibits, statues, a colossal tomb, and an entire museum. In all this, however, there was a chink.
Today sees the launch of a major new publishing initiative from Oxford University Press – Oxford Scholarly Editions Online (OSEO). OSEO will provide trustworthy and reliable critical online editions of original works by some of the most important writers in the humanities, such as William Shakespeare and Ben Jonson, as well as works from lesser-known writers such as Shackerley Marmion.
By Max Saunders
This year’s televisualization of Parade’s End has led to an extraordinary surge of interest in Ford Madox Ford. The ingenious adaptation by Sir Tom Stoppard; the stellar cast, including Benedict Cumberbatch, Rebecca Hall, Alan Howard, Rupert Everett, Miranda Richardson, Roger Allam; the flawlessly intelligent direction by award-winning Susanna White, have not only created a critical success, but reached Ford’s widest audience for perhaps fifty years.
By Liz Wollman
Colony Records, which will close on Saturday, September 15th after 64 years of business, is no mere record store. A cavernous, crowded, and never particularly tidy place, Colony has kept one foot firmly in its Tin Pan Alley past, and the other in its media-saturated present. The largest and easily most famous provider of sheet music in New York City, Colony also houses cassettes, CDs, DVDs, karaoke recordings, an absolutely enormous collection of records, and all kinds of memorabilia
By David Biale
Two years ago, I agreed to serve as the head of an international team of nine scholars from the US, UK, Poland and Israel who are attempting to write a history of Hasidism, the eighteenth-century Eastern European pietistic movement that remains an important force in the Orthodox Jewish world today. I was perhaps not the obvious choice for this role: although I’ve written several articles and book chapters on Hasidism, it has not been my main area of research.
Clint Eastwood took the stage at the Republican convention last week and gave a… well, let’s call it a memorable performance. I’m not sure if there’s ever been such a bizarre prime time address given at a national convention. The celebrated actor/director spent eleven minutes in a mumbling debate with an empty chair representing President Obama. Political conventions are highly scripted events. Eastwood’s extended, failed ad lib was anything but scripted.
The Internet has two faces. For every exercised freedom of speech and shared idea, there’s an act of fraud, counterfeiting, and copyright infringement. How is the law – in particular the English legal system – attempting to stem the tide of the last problem – online infringement – and take pirates down?
By William D. Romanowski
When Protestant evangelicals opened a Hollywood front in the late twentieth-century “culture wars,” the result was an odd mixture of moral reproach and commercialization of religion. To no avail, they famously protested MCA/Universal over The Last Temptation of Christ (1988), and then joined conservative Catholics — outraged over the movie Priest (1995) — in a boycott of the Walt Disney Company, the world’s largest provider of family entertainment.
By Meghann Wilhoite
It’s difficult to pin a label onto John Zorn. Active since the early 70s, Zorn has effectively woven his peculiar style of musical experimentation into the fabric of New York City’s downtown scene. His work—in the general sense of the word—has varied from philanthropic to shocking, with a curatorial bent that has often held quite a bit of sway.
By Daniel Kreiss
A recent Pew study on the presidential candidates’ use of social media described Barack Obama as having a “substantial lead” over Mitt Romney. The metrics for the study were the amounts of content these candidates post, the number of platforms the campaigns are active on, and the differential responses of the public.
By Professor Ian Walden
Over the past two years there has been much furore over journalists accessing the voicemail of celebrities and other newsworthy people, particularly the scandal involving Milly Dowler. As a result of the subsequent police investigation, ‘Operation Weeting’, some 24 people have since been arrested and the first charges were brought by the Crown Prosecution Service in July 2012 against eight people, including Rebekah Brooks and Andy Coulson. The leading charge was one of conspiracy “to intercept communications in the course of their transmission, without lawful authority”. But what does ‘phone hacking’ mean and have the CPS got it right?
On 2 September 44 BC, Cicero launched into the first of the most blistering oratorical attacks in political history, attacks which ultimately cost him his life. The following is an excerpt of the Second Philippic, a denunciation of Mark Antony, from the Oxford World’s Classic Political Speeches. Do we hear echoes of contemporary political rhetoric in these harsh tones?
By Christopher Cannon
The editing of Chaucer’s Canterbury Tales in the form in which we now read it took many decades of work by a number of different scholars, but there is as yet no readily available edition that takes account of all the different versions in which the Canterbury Tales survives. Some of this is purely pragmatic. There are over 80 surviving manuscripts from before 1500 containing all or some parts of the Tales (55 of these are complete texts or were meant to be).
By Jilly Traganou
After attending the “Because” event at the Wolff Olins office on July 4, I was once again reminded of the big disconnect that lies between designers and their public. Wolff Olins is the firm that designed the London 2012 brand, a multifaceted design campaign that included much more than the London 2012 logo. Readers may remember the numerous complaints that the logo generated. As my research revealed, this was caused partly due to IOC’s restrictions and the corporate unwillingness to allow for the full application of what might be seen as a “no logo” campaign.