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New BBC drama ‘The Paradise’ & Oxford World’s Classics

Tonight sees the start of a major new drama series on BBC 1, The Paradise. Adapted from Zola’s novel The Ladies’ Paradise (Au Bonheur des Dames) and set against the backdrop of the spectacular rise of the department store in the 1860s and 70s, the story follows the fortunes of a young girl from the provinces who starts work as a salesgirl in the shop, and her entanglement with the charismatic owner. Oxford World’s Classics is delighted to publish the tie-in edition of Zola’s novel, in a compelling translation by Brian Nelson.

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Henry Cowell’s imprisonment

By Joel Sachs
Many people begin a conversation about Henry Cowell by telling me why he spent four years in San Quentin. Although I prefer to dwell on Cowell’s enormous accomplishments as a composer, theorist, performer, and educator, there is no need to run from the matter. The misinformation begins with the idea that he was convicted of a morals charge. He was not “convicted;” there was no trial.

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Fitzgerald’s Jazz Age camel

On 24 September 1896, F. Scott Fitzgerald was born. While remembered today for his masterpiece The Great Gatsby, Fitzgerald made his living off short stories. He chronicled life of the 1920s and 30s with unparalleled versatility, whether as parody, tragedy, fantasy, or romance. His attitude to the charisma and vices of America’s privileged was complex and often ambivalent. This dichotomy is reflected in the following from “The Camel’s Back.”

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What’s in a literary name?

By Alastair Fowler
Names and naming are topics of perennial interest, but until recently there were few general discussions of names as a literary feature. This is strange, since questions about names keep coming up in criticism. How are character names chosen? Are literary names always meaningful, or are some characters named quite casually? Does each genre have a list of first names available only for that sort of writing?

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Remembering Dogen’s death

By Steven Heine
As the founder of Soto Zen, one of the major Buddhist sects in Japan, the birth and death anniversaries of Dogen Zenji (1200-1253) are celebrated every fifty years. It was amply demonstrated at the beginning of the millennium through the outpouring of new publications and media productions, including a kabuki play and TV show as well as manga versions of his biography, that these events help to disseminate the master’s teachings to a worldwide audience yet also turn him into a commercial commodity that is somewhat misrepresented.

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Oktoberfest

Today the tents will open at the most famous beer festival in the world: Oktoberfest. That’s right, it starts in September. For those of us who can’t make it to a Munich beer tent between now and the end of the festival on October 6th, here’s the Oktoberfest entry by Conrad Seidl in The Oxford Companion to Beer, edited by Garrett Oliver.

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Why are reference works still important?

Looking at the growing use of our online products, we know that many still choose to reach beyond first impressions on the web to delve further in a reference work from Oxford. Why is it still so important to do so?

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Five things you should know about Grove

By Jessica Barbour
There is a reference work on the subject of music to which English-speaking music students are referred every day. It has been around, in various editions, for over 130 years, and in its current online form it includes more than 40,000 full articles. As a 1955 article in Time put it, “For three-quarters of a century, the sun never set on Grove’s Dictionary of Music and Musicians.”

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Karl Lagerfeld

By Emily Ardizzone
Karl Lagerfeld: a name synonymous with high fashion and discerning taste, a name that also sends shivers down the spines of those that fall victim to his quick wit and cutting criticism. In the midst of Fashion Week chaos, Lagerfeld celebrated his 79th birthday on September 10th. As he nears the end of his seventieth decade, 2013 will be a year to remember for one of the most iconic and important men in contemporary fashion.

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Is America an empire?

By Timothy H. Parsons
The intense controversy that this question engenders is remarkable. On the left, critics of assertive American foreign, military, and economic policies depict these policies as aggressively immoral by branding them “imperial.” On the right, advocates for an even more forceful application of American “hard power,” such as Niall Ferguson and the other members of his self-described “neo-imperialist gang,” argue that the United States should use its immense wealth and military might to impose order and stability on an increasingly chaotic world.

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New term / New season

It’s September, which means back-to-school in the world of education, but for classical music it’s a different start, that of the 2012-13 opera season. In the old days opera was a grand affair; the first night of a production meant black tie and opera cloaks. These days its far more relaxed, and you won’t be frowned upon if you’re wearing jeans at the Royal Opera House.

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Occupied by Images

By Carol Quirke
Media buzz about Occupy Wall Street’s first anniversary began by summer’s end. That colorful, disbursed social movement brought economic injustice to the center of public debate, raising questions about free-market assumptions undergirding Wall Street bravado and politicians’ pious incantations. Most watched from the sidelines, but polling had many cheering as citizens marched and camped against the corrosive consequences of an economically stacked deck.

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Nouvelle Cuisine in Old Mexico

By Jeffrey M. Pilcher
Mexican cuisine has experienced a renaissance in the past few decades. In the United States, taco trucks and immigrant family restaurants have replaced Americanized taco shells and chili con carne with Oaxacan tamales and carne asada. Meanwhile, celebrity chefs have embraced Mexican food, transforming it from street food into fine dining.

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Empathizing toward human unity

By Louis René Beres
According to ancient Jewish tradition traced back to the time of Isaiah, the world rests upon thirty-six just men — the Lamed-Vov. For these men who have been chosen and must remain unknown even to themselves, the spectacle of the world is insufferable beyond description. Eternally inconsolable at the extent of human pain and woe, so goes the Hasidic tale, they can never even expect a single moment of real tranquility.

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