Prolegomena to the word hooker: the English verb filch
Problems emerge the moment we begin to explore the history of filch, because two homonymous verbs exist: filch “to attack” and filch “to steal.” They are almost certainly unrelated.
Music for Prime Time: 15 of the greatest TV themes
Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles.
A rake’s etymological progress to hell
Three English words sound as rake: the garden instrument, the profligate, and a sailing term meaning “inclination from the perpendicular.” Though at first sight, they do not seem to be connected, I’ll try to show that their histories perhaps intertwine.
Xenophon’s kinder Socrates
The idea that Xenophon’s Socratic dialogues entirely lacked the philosophical bite or intellectual depth of Plato’s had become a commonplace in a philosophical discourse which prioritised abstract knowledge over broader ethics. Dr Carol Atack makes the case for Xenophon’s kinder Socrates.
10 things to know about US immigration policy in the nineteenth century
Learn 10 things about US immigration policy in the nineteenth century that give context to some of the immigration concerns we face in the US today.
Scratching all the way to hell (second series)
At first sight, the origin of the verb “scratch” looks unproblematic… The Oxford Etymologist scratches beneath the surface of “scratch.”
Reading Between the Lines: Bernard MacLaverty’s Grace Notes and the Peace Process in Northern Ireland
A novel about a female composer struggling with depression after the birth of her child does not, on the face of it, seem to have much to do with war or peace in Northern Ireland. But appearances can be deceiving.
How long can the historical associations of places be remembered?
Can local memory of an association between a place and the people who lived there be preserved for more than three centuries? Ken Dark looks at this question in reference to the “House of Jesus”, and whether it is plausible that the historical associations of a place—even a place in Nazareth—can be remembered 200 years on, let alone three centuries.
When meanings go akimbo
The realization started with the word akimbo. I had first learned it as meaning a stance with hands on the hips, and I associated the stance with the comic book image of Superman confronting evildoers. Body language experts sometimes call this a power pose, intended to project confidence or dominance.
“Through Gilded Trellises”: a reflection on one hundred years of Façade
The making of Façade “Poetry is more like a crystal globe, with Truth imprisoned in it, like a fly in amber. The poet is the magician who fashions the crystal globe. But the reader is the magician who can find in these scintillating flaws, or translucent depths, some new undiscovered land.” Osbert Sitwell, writing in 1921 […]
A guide to going to hell (first draft) and other matters
The Oxford Etymologist ruminates on the origins and meanings of idioms including “to go to hell in a handbasket.”
Climate emergency: lessons from Classic Maya to contemporary China [podcast]
In episode 81 of The Oxford Comment, we discussed the environmental resilience of the Maya with scholar Kenneth E. Seligson and contemporary China and sustainability with scholar Scott M. Moore.
Why read Proust in 2023?
The world is literally on fire; authoritarianism threatens multiple countries; racism and xenophobia are rampant; women’s and LGBTQ rights are under threat—why on earth would anyone spend time reading a 3,000-page novel by a man who’s been dead (exactly) a hundred years?
Macbeth, King James, and biting the hand that feeds you?
Possibly the most dangerous play William Shakespeare wrote was The Tragedie of Macbeth. The drama is packed with illegality: assassination of kings; prophecies about kings; supernatural women; and necromancy. To add to the danger, Shakespeare’s employer, King James, was a prickly patron of the performing arts and notorious for his sensitivity to slights, real and perceived. […]
Spring gleanings and a partial spring cleaning
The Oxford Etymologist replies to etymology questions from readers.
Twenty years on: Luis Moreno Ocampo on the International Criminal Court
Luis Moreno Ocampo provides a unique perspective on the International Criminal Court and its interaction with the War on Terror.