In order to celebrate the release of Shakespeare: A Playgoer and Reader’s Guide, we created a quiz to see how well you know Shakespeare’s plays!
The first movement of Brahms’s Violin Sonata No. 1 in G, op. 78, has led many violin-piano duos either to ignore Brahms’s tempo markings or actually play the opposite of what he wrote. Joel Lester considers the what might we learn from this oddity.
In the second and final part of this interview, author Michael B. Bakan speaks to his co-author Graeme Gibson, Dr Deborah Gibson, and legendary science fiction author William Gibson about writing science fiction, musical influences, and essential lessons autism has taught them.
Students learn to begin their papers with an introduction and end with a conclusion. The puny body is left to grow between those two boundary marks. I have never seen much use in this rigid scheme. However, today I have no choice but to follow this pattern and will write a long introduction. Most etymological […]
In the first part of this two-part interview, author of “Music and Autism,” Michael Bakan speaks to his co-author Graeme Gibson, Dr Deborah Gibson, and legendary science fiction author William Gibson about musical instruments and autism.
All of us who are devoted to music education are facing new challenges due to the pandemic, and while we are lucky and grateful to have extraordinary technology at our disposal, it is undeniably frustrating to be isolated from each other, to deal with inadequate sound quality, poor connections, and time delays. We need to temporarily but urgently reinvent how we teach and connect with students.
It is better to be hanged for a sheep than for a lamb. The proverb has a medieval ring, but it was first recorded in 1678. The context is obvious: since the punishment is going to be the same (hanging), it pays off to commit a greater crime and enjoy its benefits while you are alive.
I decided to write this post, because I have an idea about the origin of the idiom baker’s dozen, and ideas occur so seldom that I did not want this opportunity to be wasted. Perhaps our readers will find my suggestion reasonable or refute it. I’ll be pleased to hear from them.
Often when we talk about open access OA, we talk about research articles in journals, but for over a decade there has been a growing movement in OA monograph publishing. To date, OUP has published 115 OA books and that number increases year on year, partly through an increasing range of funder initiatives and partly through opportunities to experiment.
Harlot turned up in English texts in the thirteenth century, acquired its present-day sense (“prostitute”) about two hundred years later, and ousted all the previous ones. Those “previous ones” are worthy of recording…
Looking at current events in the UK, one can conclude that the Kingdom is far from united. While media outlets such as the BBC and newspapers tell a particular story of the situation, I have found that there is a missing voice in these discourses which shed an important light on these contexts. The British rapper, or MC.
“If you give yourself to something that you think isn’t going to work, sometimes it does,” says retired school teacher and lifelong choir member Linda Bluth. She’s commenting on a surprising new musical bright spot that has popped up during the coronavirus pandemic: ordinary people becoming recording artists.
Next comes harness, first recorded in English around 1300 with the sense “baggage, equipment; trappings of a horse.” But around the same time, it could also mean “body armor; tackle, gear,” as it still does in German (Harnisch). The route is familiar: from Old French to Middle English.
Some similes make sense: for example, as coarse as hemp (or heather). Hemp and heather are indeed coarse. But cool as a cucumber? Many phrases of this type exist thanks to alliteration. Perhaps at some time, somewhere, cucumbers were associated with coolness, but, more likely, the simile was coined as a joke: just listen to coo-coo in it!
Gyles Brandreth has been collecting theatre stories since he was a boy—and he has collected more than a thousand of them for The Oxford Book of Theatrical Anecdotes, an anthology of entertaining and illuminating stories about every aspect of the world of theatre, from the age of Shakespeare to the present day. How well do you know […]
Several years ago, I wrote a series of posts titled “The Oddest English Spellings.” Later, The English Spelling Society began to prepare a new version of the Reform, and I let a team of specialists deal with such problems. Yet an email from one of our regular correspondents suggested to me that perhaps one more […]