Anti-psychiatry in A Clockwork Orange
By Edward Shorter and Susan Bélanger
In the fifty years since the publication of A Clockwork Orange, Anthony Burgess’s dystopian fable remains by far the best-known of his more than 60 books. It also remains controversial and widely misunderstood: assailed for inciting adolescent violence (especially following Stanley Kubrick’s explicit 1971 film adaptation) or viewed as an anti-psychiatry treatise for presenting behavioural conditioning as an instrument of social control. But this aspect of the book needs to be seen within a broader context.