TV & Film

And the winners are…language lovers!

By Grace Labatt

The 2011 Academy Awards® take place this Sunday, February 27, the culmination of months of speculation about who will wear what, who will have the hardest time with the TelePrompTer, and, of course, who will win. But regardless of who goes home with an Oscar—whether it’s Natalie Portman for playing a tormented ballerina or Annette Bening for playing a tormented wife—language lovers already have plenty to celebrate with this year’s honorees. Films in 2010 had an array of unusual linguistic choices that highlighted their screenwriters’ unique skills.

Best Original Score: What will win (and what *should* win)

By Kathryn Kalinak

This year’s Oscar Best Original Score nominations are as notable for who didn’t get nominated as for who did: no Carter Burwell for True Grit, no Clint Mansell for Black Swan, no Danny Elfman (and what a return to form) for Alice in Wonderland. There’s not much of a horse race this year.

Bada-Bing! – Episode 11 – The Oxford Comment

With the Academy Awards right around the corner, we thought it might be fun to look at the lexical impact of films and some words that were actually coined by movies.

Tchaikovsky is No One-Trick Pony

I’d argue our Black Swan fever peaked at Jim Carey’s SNL performance, but we might see a resurgence this weekend at the Oscars. In anticipation I contacted Roland John Wiley, author of Tchaikovsky and Professor of Music at the University of Michigan, for his thoughts on his subject’s recent omnipresence. Turns out Wiley’s a bit of an outsider in the academic community, where the composer hasn’t always been taken seriously. Here, Wiley explains the trappings of music snobbery – and why Tchaikovsky’s popularity among the “muggles” is no reason to discount his brilliance. (Oh, and, he dishes on the original Swan Lake ballerina dra-ma!)

Linked Up: Arcade Fire, Las Vegas, James Cameron

All week, Beliebers have raged on about Arcade Fire, a band they’ve apparently never heard of. I’d like to introduce them to you. If you don’t have time to take a listen now, don’t worry, they’re going to make a record in the month of May. (That’s a little joke.) [Myspace]

And speaking of Justin Bieber, the young pop star’s remarks in an interview are the subject of widespread anger and controversy. [Rolling Stone]

Mr. Graham discovers the extreme fear of conducting a professional orchestra. [Morning News]

Looking for a totally normal cabinet? Then look elsewhere. [Like Cool]

It’s a Zombie Double Rainbow!

The announcement of another zombie tv show, exhibits our intensifying zombie love, but why do we dig this monster so much? He’s everywhere: in our novels, on television, and even the stage, but why? I decided to investigate and narrowed it down to the following:

Cab Calloway Gets Animated

Cab Calloway was never a classically trained dancer. In fact, he learned movement by studying a rooster he brought with him on tour. Check out this clip from Levin’s documentary, in which cartoon Cab dances alongside Alvin Ailey dancer Matthew Rushing (think Gene Kelly and Jerry Mouse)

In Memoriam: Composer John Barry

By Kathryn Kalinak

The world of film lost one of the greats on Sunday: composer John Barry. British by birth, he carved a place for himself in Hollywood, winning five Oscars over the course of his career. He cut his teeth on James Bond films – Dr. No, (1962), From Russia With Love (1963), Goldfinger (1964), Thunderball (1965) – and went on to compose seven more. There was something both elegant and hip about these scores, a kind of jazzy sophistication that connoted fast cars, beautiful women, and martinis, shaken not stirred, that is.

Stieg Larsson’s Millennium Trilogy: Phenomenon and Enigma

By Jeanne Munn Bracken

Move over, Stephen King and Mary Higgins Clark. For the year 2010, the hottest buzz in popular literature was Swedish author Stieg Larsson’s Millennium Trilogy: The Girl with the Dragon Tattoo, The Girl who Played with Fire, and The Girl Who Kicked the Hornet’s Nest. Released over the past couple of years, the three novels are available in a wide array of formats: hardcover and paperback books, e-books, audiobooks, and now in Swedish films with English subtitles. Millions of books in dozens of countries and languages have brought the late author immense fame and fortune, although he did not live to enjoy it.

Not enough grit?

By Kathryn Kalinak

The Oscar for Best Original Score has been in the news recently—and not in a good way. Three excellent film scores have been disqualified for Oscar nomination because in one way or another, all were deemed not “original” enough: Clint Mansell’s score for Black Swan (too much Tschaikovsky) and Carter Burwell’s scores for The Kids Are Alright (too many songs) and True Grit (too dependent on pre-existing music). As a great fan of the western and its film scores, I was truly disappointed by the True Grit disqualification. Burwell’s score is a gem, harking back to the classic western film scores of the studio era while simultaneously updating them.

Terriers are People Too: Dog Breeds as Metaphors

Tweet By Mark Peters My newest obsession is Terriers, an FX show created by Ted Griffin (who wrote Ocean’s Eleven) and Shawn Ryan (creator of The Shield, the best TV show ever). This show has deliciously Seinfeldian dialogue, effortless and charming acting, plus plots that are unpredictable and fresh. It’s even heart-wrenching at times, and […]

Atlantic City: Empire or Fantasyland?

The Atlantic City celebrated in “Boardwalk Empire” was not just a city of mobsters, speakeasies, and brothels. It was, in the words of a longtime resident born in Georgia, a “Jim Crow for sure.” Its schools, clubs, neighborhoods, and movie houses were segregated. In 1923, just three years after the start of Prohibition, the city opened a brand new school that included a 1,000-seat auditorium and a 6,000-pipe organ, at a total cost of over $1.75 million. It also included an indoor pool, but rather than have whites and African Americans swim together, officials covered it up.

Death to Humans! (The Apocalypse Remix)

By Robert M. Geraci
Scientific American recently rocked the Internet with its editors’ piece “Death to Humans! Visions of the Apocalypse in Movies and Literature” but, in doing so, have missed half of the fun. In an article where the sublime (The Matrix) meets the atrocious (The Postman), the chief problem that SciAm’s editors suffer is that, to be honest, they do not know what an apocalypse is.

The Beatles, Orientalism, and Help!

By Gordon Thompson
At the July 29, 1965 premiere of the Beatles’ second film, Help!, most viewers understood the farce as a send-up of British flicks that played on the exoticism of India, while at the same time spoofing the popularity of James Bond. Parallel with this cinematic escapism, a post-colonial discourse began that questioned how colonial powers justified their economic exploitation of the world. Eventually, Edward Said’s Orientalism would describe the purpose of this objectification as “dominating, restructuring, and having authority over the Orient” (1978: 3). In effect, Said and others argued that portrayals of the non-Western other

The Tony Quiz

Geoffrey Block, Distinguished Professor of Music History at the University of Puget Sound, is the author of Enchanted Evenings: The Broadway Musical From Show Boat to Sondheim and Lloyd Webber. The book offers theater lovers an illuminating behind-the-scenes tour of some of America’s best loved, most admired, and most enduring musicals, as well as a riveting history. In the original post Block challenges readers to test their Tony knowledge. We will post the answers next Wednesday so be sure to check back.

Oxford Bibliographies Online Recommends

Oxford Bibliographies Online is a series of intuitive and easy-to-use “ultimate reading lists” designed to help users navigate the vast seas of information that exist today. To introduce you to the doors this new online tool opens Andrew Herrmann, Associate Editor of OBO, has excerpted some suggested reading related to Greek mythology. Use his study guide below to impress the date you bring to see the Immortals.